Robert Heinecken

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Robert Heinecken (1931 – May 19, 2006){{Cite web|url=https://www.nytimes.com/2006/05/22/arts/heinecken.html|title=Robert Heinecken, Artist Who Juxtaposed Photographs, Is Dead at 74|first=Andy|last=Grundberg|date=May 22, 2006|via=NYTimes.com}} was an American artist who referred to himself as a "paraphotographer" because he so often made photographic images without a camera.{{cite news|last=Grundberg|first=Andy|title=Robert Heinecken, Artist Who Juxtaposed Photographs, Is Dead at 74|url=https://www.nytimes.com/2006/05/22/arts/heinecken.html|accessdate=February 25, 2013|newspaper=The New York Times|date=May 26, 2006}}

Early life and education

Born in Denver in 1931, Heinecken grew up in Riverside, California, the son of a Lutheran minister. He joined the Navy in 1954 and served as a fighter pilot (though too short, he passed a height test by padding his socks with paper). Heinecken later served as an officer in the Marines, discharged as a captain in 1957.{{cite news|last=Yates|first=Jon|title=Genre-Bending Artist|url=https://www.chicagotribune.com/2006/05/25/robert-heinecken/|newspaper=Chicago Tribune|date=May 26, 2006|quotation=Determined to be a fighter pilot but concerned he was too short to meet the military's height requirement, he traced his feet on magazines, cut out the tracings and filled his socks to increase his height for the physical.}}

Heinecken completed his bachelor's and master's degrees in art at UCLA, where he studied printmaking as well as photography.{{cite web|author=Ignacio Villarreal |url=http://artdaily.com/news/15966/Artist-Robert-Heinecken--74--Dies#.Uzh2WPk7v0s |title=Artist Robert Heinecken, 74, Dies |publisher=Artdaily.com |date=May 28, 2006 |accessdate=March 30, 2014}}

Work

Heinecken was known for appropriating and re-processing images from magazines, product packaging or television. In "Are You Rea" series from 1964 to 1968, for instance, he created a portfolio of images filled with unexpected and sometimes surreal juxtapositions by placing a single magazine page on a light table, so that the resulting contact print picks up imagery from both sides of the page.{{cite news|last=Knight|first=Christopher|title=Robert Heinecken, 74: Pioneered Use of Commercial Photographs to Create Art|url=https://www.latimes.com/archives/la-xpm-2006-may-21-me-heinecken21-story.html|newspaper=The Los Angeles Times|date=May 21, 2006}}

In the late 1960s, he also began cutting up popular magazines such as Time and Vogue and inserting sexual or pornographic images into them. He would place his collage-publications back on newsstands in Los Angeles to be sold to unsuspecting buyers.{{cite news|last=Finkel|first=Jori|title=Robert Heinecken's Rediscovery as a Found Art Pioneer|url=https://www.nytimes.com/2013/10/31/arts/design/robert-heineckens-rediscovery-as-a-found-art-pioneer.html?pagewanted=1&_r=0|newspaper=The New York Times|date=October 31, 2013}}

From 1971 on he started to expose food directly on light sensitive materials. He realized these "documentary photograms" first on black and white paper and later in colour in the series Various Lunches on positive Ilfochrome paper.{{Cite book|last=Neusüss|first=Floris|title=Robert Heinecken – Food, Sex and TV|publisher=Fotoforum|year=1983|location=Kassel}} In 1983/84 he created such Foodograms even on large polaroid sheets (20x24 inches) in collaboration with John Reuter in San Diego and Boston.{{Cite book|last=Floris Michael Neusüss, Thomas F. Barrow, Charles Hagen|url=https://www.worldcat.org/oclc/29976603|title=Experimental vision : the evolution of the photogram since 1919|date=1994|publisher=Roberts Rinehart Publishers in association with the Denver Art Museum|isbn=1-879373-73-4|location=Niwot, Colo.|oclc=29976603}} {{Cite book|last=Roth|first=Tim Otto|url=http://worldcat.org/oclc/930380874|title=Körper. Projektion. Bild : eine Kulturgeschichte der Schattenbilder|publisher=Fink|year=2015|isbn=978-3-7705-5958-9|location=Paderborn|pages=400–402|language=German|oclc=930380874}}

In the 1980s, he created several series on American news television that involved photographing images on the television or exposing the light of a television set directly to paper to create what he called "videograms."

Teaching and legacy

In 1962, he founded the photography program at UCLA. He taught there until 1991. In 1964 he helped found the Society for Photographic Education, an organization of college-level teachers. He also taught at the School of the Art Institute of Chicago, where his second wife, Joyce Neimanas, was on faculty. They split their time between the two cities for several years before they moved to New Mexico in 2004.

As a professor at UCLA, Heinecken was a prime mover in the Los Angeles art photography scene. His influence was felt by many students and associates. Among them were John Divola, Eileen Cowin, Graham Howe, Jo Ann Callis and Ray McSavaney. Many of them, in turn, became influences on succeeding generations of art photographers.

During his life he was mainly shown in traditional photography galleries, but two contemporary art galleries in L.A. began staging exhibitions of his work after his death: Marc Selwyn Fine Art and Cherry and Martin. Curators like Eva Respini at the Museum of Modern Art now place his work in a conceptual art lineage, associating him with Pictures Generations artists such as Cindy Sherman, John Baldessari and Richard Prince.{{cite web|last=Knight |first=Christopher |url=http://www.latimes.com/entertainment/arts/culture/la-et-cm-robert-heinecken-moma-20140314,0,5355367.story#axzz2xTcBH83L |title=A Robert Heinecken survey opens (finally) at MoMA |work=The Los Angeles Times |date=March 15, 2014 |accessdate=March 30, 2014}}

Exhibitions

  • 1986: "Selected Works, 1966-1986", Gallery Min, Tokyo
  • 1990: "Amnésie médiatique : l'oeuvre de Robert Heinecken, 1966–2000", Rencontres de la photographie, Arles
  • 2007: "Robert Heinecken 1932–2006: Sex and food, a memorial exhibition"{{Cite web|url=https://www.mocp.org/exhibitions/2000/7/robert-heinecken-1932-2006-sex-and-food,-a-memorial-exhibition.php|title=Robert Heinecken 1932-2006: Sex and food, a memorial exhibition | Museum of Contemporary Photography|website=www.mocp.org}}", Museum of Contemporary Photography at Columbia College Chicago
  • 2011: "Speaking in Tongues : The Art of Wallace Berman and Robert Heinecken", Armory Center for the Arts[http://www.pacificstandardtime.org/exhibitions?id=speaking-in-tongues-the-art-of-wallace-berman-and-robert-heinecken Speaking in Tongues exhibition with Wallace Berman].[http://www.armoryarts.org/exhibitions/exhibitions-2011/speaking-in-tongues-wallace-berman-and-robert-heinecken-1961-1976/ Armory Center Speaking in Tongues] {{Webarchive|url=https://web.archive.org/web/20150402191253/http://www.armoryarts.org/exhibitions/exhibitions-2011/speaking-in-tongues-wallace-berman-and-robert-heinecken-1961-1976/ |date=April 2, 2015 }}.
  • 2011: "Let the experiment begin: Photographic Process in Los Angeles, 1960–1980", Los Angeles County Museum[https://archive.today/20130415054035/http://www.lacma.org/art/installation/photographic-process-los-angeles LACMA Let the experiment begin].
  • 2012: "Figure and form in contemporary photography", Los Angeles County Museum[http://www.lacma.org/art/installation/figure-and-form-contemporary-photography LACMA Figure and form in contemporary photography] {{Webarchive|url=https://web.archive.org/web/20150402162622/http://www.lacma.org/art/installation/figure-and-form-contemporary-photography |date=April 2, 2015 }}.
  • 2014: "Robert Heinecken: Object Matter," Museum of Modern Art, New York{{cite web|url=http://www.moma.org/visit/calendar/exhibitions/1419 |title=Robert Heinecken: Object Matter |publisher=MoMA |date= |accessdate=March 30, 2014}}

Publications

  • 2006: "Recto/Verso", Nazraeli Press, {{ISBN|1-59005-174-2}}
  • 1980: "Heinecken", The Friends of Photography in Association with Light Gallery, edition of 2000 signed copies

References

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Further reading

Russell, Jacinda. Robert Heinecken: Myth and Loss Reimagined 2017-2019.{{cite web |last1=Russell |first1=Jacinda |title=Robert Heinecken: Myth and Loss Reimagined, 2017 - 2019 |url=https://jacindarussell.com/section/480946-Robert-Heinecken-Myth-and-Loss-Reimagined-2017-2019.html |website=Jacinda Russell: Artwork and Writing |access-date=14 October 2023}}{{cite web |title=Photographic Arts Council - Los Angeles Research Fellowship |url=https://ccp.arizona.edu/about/opportunities/photographic-arts-council-los-angeles-pac-la-research |website=Center for Creative Photography |access-date=14 October 2023}}