Robert Soutar
{{Short description|English actor, manager and director (1830–1908)}}
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Robert Soutar (1830 – 28 September 1908) was an English actor, comedian, stage manager, writer and director for the theatre. He began his career as a journalist but soon moved into acting. In 1867, he married actress Nellie Farren, and the next year, the two joined the company at the Gaiety Theatre in London. There, he stage managed and wrote for the theatre in addition to acting. His wife became well known for her roles as the "principal boy" in musical burlesques at the theatre. Soutar also directed plays and wrote pantomimes and other pieces. His son was the actor and singer Joseph Farren Soutar.
Early life and career
Born in London the son of Susan and Robert Soutar (1796–1866),[https://www.ancestry.co.uk/interactive/8860/MDXHO107_1511_1512-0404/2693989?backurl=https://www.ancestry.co.uk/family-tree/person/tree/56279/person/-1258790708/facts/citation/100219334717/edit/record "Robert Soutar"] in 1851 England Census for Middlesex, St Clement Danes, St Mary, 5bb and 7, Ancestry.com {{subscription required}}, accessed 24 April 2019 Soutar trained as a journalist, in which capacity he worked for a period on the Morning Advertiser, of which his father was for many years an editor. He began his connection with the theatre in 1852 as an amateur actor.Stewart, Maurice. "The spark that lit the bonfire", in Gilbert and Sullivan News (London), Spring 2003.{{cite DNB12|wstitle=Farren, Ellen|volume=2|pages=12–14}}
After a period at the Brighton Theatre he played Captain Pertinax in Taming a Truant at London's Olympic Theatre in 1863.[http://footlightnotes.tumblr.com/post/48915558768/a-carte-de-visite-photograph-of-miss-raynham Revival of Olympic Theatre], Footlights Notes, reprinting information from The Sporting Gazette, London, 11 April 1863, p. 383b, accessed 8 October 2013 He married the actress Nellie Farren on 8 December 1867;[http://interactive.ancestry.co.uk/8913/ONS_M18674AZ-0971/26971234?backurl=http%3a%2f%2fsearch.ancestry.co.uk%2fcgi-bin%2fsse.dll%3frank%3d1%26new%3d1%26MSAV%3d1%26msT%3d1%26gss%3dangs-g%26gsfn%3drobert%2b%26gsln%3dsoutar%26gsln_x%3d1%26msbdy%3d1827%26msbpn__ftp%3dlondon%26msddy%3d1906%26msgdy%3d1867%26cpxt%3d1%26catBucket%3drtp%26uidh%3drc8%26cp%3d11%26mssng0%3dnellie%26mssns0%3dfarren%26pcat%3dROOT_CATEGORY%26h%3d26971234%26recoff%3d3%2b4%26db%3dFreeBMDMarriage%26indiv%3d1%26ml_rpos%3d6&ssrc=&backlabel=ReturnRecord "Robert Soutar"], England & Wales, FreeBMD Marriage Index, 1837–1915, Ancestry.com {{subscription required}}, accessed 16 October 2013[http://homepages.ihug.co.nz/~melbear/1888.htm Article about the Gaiety tour of Australia] they met when they were both members of the company at the Olympic Theatre. Their sons were Henry Robert Soutar (1868–1928), an actor and later a general labourer,[http://trees.ancestry.co.uk/tree/56279/person/-2135777322/mediax/1?pgnum=1&pg=0&pgpl=pid%257CpgNum "Death Certificate for Henry Robert Soutar (1928)"], Ancestry.com {{subscription required}}, accessed 16 October 2013 and the actor Joseph Farren Soutar.[https://www.imdb.com/name/nm0816024/ Farren Soutar] on the Internet Movie Database At the Adelphi Theatre in 1868, Soutar's one-act farce, The Fast Coach, written with C. J. Claridge, was produced, and at the same theatre he played the role of Green Jones in Tom Taylor's melodrama The Ticket-of-Leave Man.Lee, Alfrida. [http://www.umass.edu/AdelphiTheatreCalendar/m67d.htm "The Adelphi Theatre Calendar" 1867–1868], The London Stage 1800–1900, The Adelphi Calendar Project, accessed 3 October 2014
On 21 December 1868 Farren and Soutar joined the Gaiety Theatre for the re-opening of the theatre under John Hollingshead's management, where Soutar served as stage manager, writer and actor for some 10 years.Parker, J. [http://www.oxforddnb.com/view/article/33089 "Farren, Ellen (1848–1904)"], rev. Patty S. Derrick, Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 8 October 2013Hollingshead, John. Gaiety Chronicles, p. 39 In 1868 he played Old Bailey (a wax figure from the Chamber of Horrors) in W. S. Gilbert's operatic parody Robert the Devil.Gilbert, W. S. Robert the Devil, libretto (1868) In 1870 he played Prince Casimir in The Princess of Trebizonde, also at the Gaiety.[https://collections.vam.ac.uk/item/O142237/guy-little-theatrical-photographs-photograph-london-stereoscopic-company/ Soutar in The Princess of Trebizonde], Victoria and Albert Museum, accessed 8 October 2013
Directing and later years
File:Nellie Farren Grave Brompton.jpg]]
In 1871, Soutar created the role of Tipseion in Thespis, the first Gilbert and Sullivan opera;[https://timesmachine.nytimes.com/timesmachine/1912/06/19/104898106.pdf "Gilbert and Sullivan Memories'"], The New York Times, 19 June 1912;{{cite book|last=Rees|first=Terence| year=1964| title=Thespis – A Gilbert & Sullivan Enigma|location=London|publisher=Dillon's University Bookshop}}, pp. 12–18 he also directed the piece. In 1878 he directed a production of The Forty Thieves written by Robert Reece, W. S. Gilbert, F. C. Burnand and Henry J. Byron as an amateur production for the Beefsteak Club of London. His comedy Blindfold was played at the Gaiety Theatre in 1882,[http://footlightnotes.tripod.com/20030823home.html "Kate Vaughan on tour in England, 1890"], Footlight Notes website and in October of the same year, his farce The Fast Coach was revived. In 1884 he played Lenoir in F. C. Burnand's Just in Time,Just in Time, The Illustrated Sporting and Dramatic News, Vol. 2, 29 November 1884, p. 359 and in 1885 he again played Green Jones in The Ticket-of-Leave Man (opposite his wife, who played Sam), a role he reprised in his benefit performance in 1891 at the Gaiety Theatre.[https://www.newspapers.com/newspage/35681964/ "Dramatic and Musical Intelligence"], The Colonies and India, 14 November 1891, p. 18 In 1890 he was the stage manager at Adelphi Theatre.[http://www.emich.edu/public/english/adelphi_calendar/mgmt.htm "The Adelphi Theatre 1806–1900" – Theatre Management] In May 1891 he appeared in the comic drama The Rocket by Arthur Wing Pinero.
In 1892, Soutar edited Joseph A. Cave's reminiscences, A Jubilee of Dramatic Life and Incident.[http://www.djo.org.uk/indexes/authors/soutar.html Soutar], Dickens Journals Online, accessed 8 October 2013 On the 1901 census he was listed as a retired actor.[https://search.ancestry.co.uk/cgi-bin/sse.dll?indiv=1&dbid=7814&h=3665355&tid=&pid=&usePUB=true&_phsrc=djv1393&_phstart=successSource "Robert Soutar"] in 1901 England Census, Ancestry.com {{subscription required}}, accessed 24 April 2019
He died in London in 1908, four years after the death of his wife,[http://www.msheppard.com/tdeaths5.htm "Theatrical and Musical Deaths, N–S"], The Longmore Pages, accessed 3 October 2014 and was buried beside her in Brompton Cemetery.
References
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Category:English male journalists
Category:English theatre directors
Category:English male stage actors
Category:Burials at Brompton Cemetery
Category:19th-century English male actors
Category:English male dramatists and playwrights