Sakakibara Kenkichi

{{Short description|Japanese martial artist}}

{{Good article}}

{{Use mdy dates|date=December 2024}}

{{Infobox martial artist

| name = Sakakibara Kenkichi

| image = Sakakibara Kenkichi 2cr.jpg

| image_size =

| alt =

| caption =

| birth_name = Sakakibara Tomoyoshi

| birth_date = {{Birth date|1830|12|19}}

| birth_place =

| death_date = {{Death date and age|1894|11|09|1830|12|19}}

| death_place =

| native_name = 榊原鍵吉

| native_name_lang = ja

| other_names =

| nationality = Japanese

| school = Kashima Shinden Jikishinkage-ryū

| teacher = Otani Nobutomo

| students = Matsuoka Katsunosuke, Jirokichi Yamada, Naitō Takaharu, Takeda Sokaku

}}

{{family name hatnote|Sakakibara|lang=Japanese}}

{{nihongo|Sakakibara Kenkichi|榊原鍵吉||December 19, 1830 – September 11, 1894|lead=yes}} was a Japanese samurai and martial artist. He was the fourteenth headmaster of the Jikishinkage school of sword fighting. Through his Jikishinkage contacts he rose to a position of some political influence; he taught swordsmanship at a government military academy and also served in the personal guard of Japan's last two shōguns.

After the fall of the Tokugawa shogunate Sakakibara was instrumental in preserving traditional Japanese sword techniques in the early Meiji Era. Despite his eventual opposition to the practice of sword fighting for sport, his work during this period laid the foundations for the modern sport of kendo. In his later years he taught a number of noted martial artists, and was honoured by the All Japan Kendo Federation after his death.

Early life

Sakakibara was born on the fifth day of the eleventh month of Bunsei (December 19, 1830) into the Sakakibara clan; his given name at birth was {{Nihongo|Tomoyoshi|友善}}. His family lived in the village of Otsuwa near modern-day Tokyo. He started studying Kashima Shinden Jikishinkage-ryū with Otani Nobutomo in 1843. He proved proficient in that style, and was granted a menkyo kaiden (licence of mastery) by Otani in 1856, despite his family being too poor to pay for it.{{cite web|last1=Hiiragi|first1=Takefumi|title=Famous Swordsmen of Japan (1): Kenkichi Sakakibara|url=http://www.aikidojournal.com/article.php?articleID=160|website=Aikido Journal|access-date=October 30, 2014|url-status=dead|archive-url=https://web.archive.org/web/20141031005612/http://www.aikidojournal.com/article.php?articleID=160|archive-date=October 31, 2014}}{{cite book|author=Stephen Turnbull|title=The Samurai Swordsman: Master of War|url=https://books.google.com/books?id=zQjQAgAAQBAJ&pg=PA177|date=December 13, 2013|publisher=Tuttle Publishing|isbn=978-1-4629-0834-9|pages=176–178}} He was later to become the fourteenth headmaster of the school. As a talented swordsman, he once duelled with Yamaoka Tesshū; the two men faced off for over forty minutes without moving, before sheathing their swords with neither striking a blow.{{cite book|author=John Stevens|title=The Sword of No-Sword: Life of the Master Warrior Tesshu|url=https://books.google.com/books?id=FLwuAgAAQBAJ&pg=PT53|date=November 26, 2013|publisher=Shambhala Publications|isbn=978-0-8348-2829-2|page=53}}

Edo period

File:Kyosai Sakakibara Kenkichi.jpg, {{circa|1874}}]]

In 1856 Sakakibara was appointed as a professor at the {{Nihongo|Kōbusho|講武所}}, a shogunate-sponsored military academy. He received this post through the auspices of his teacher Otani, who had himself been granted a teaching position there. In this role, Sakakibara was noticed by the shōgun Tokugawa Iemochi, who appointed Sakakibara as his bodyguard and fencing instructor. He also married Taka, the daughter of the shōgun{{'}}s personal retainer Iwajiro Mihashi. In order that his headmastery of the Jikishinkage-ryū would not interfere with his duties to the shōgun, his student Matsuoka Katsunosuke was temporarily placed in charge of the school.{{cite web|last1=Threadgill|first1=Toby|last2=Ohgami|first2=Shingo|title=Takamura-ha Shindo Yoshin-ryu Jujutsu: History and Technique|url=http://www.koryu.com/library/tthreadgill1.html|website=Koryu.com|publisher=Koryu Books|access-date=November 6, 2014}}

By 1863, Sakakibara was a head keeper at Edo Castle and received a stipend of 300 ryō per year. He resigned from this post in 1866, after Iemochi's death and started a dojo in Kurumazaka (a neighbourhood of Edo, now part of modern Ueno).{{cite web|title=Sakakibara, Kenkichi|url=http://www.ndl.go.jp/portrait/e/datas/271.html|website=Portraits of Modern Japanese Historical Figures|publisher=National Diet Library of Japan|access-date=October 30, 2014}}

Meiji period

Despite his connections to the shogunate, at the Battle of Ueno in 1868 Sakakibara did not participate in the fighting between the pro-shogunate and Imperial forces, considering it to be his duty to guard the Kan'ei-ji temple. He did, in fact, rescue the Imperial Prince Kitashirakawa Yoshihisa (who was at the time the abbot of Kan'ei-ji) from the Shōgitai, physically carrying him away from the combat. Sakakibara subsequently returned to the service of the Tokugawa family as Captain of the Guard under Tokugawa Iesato, whom he served until 1870. After the Meiji Restoration Sakakibara was offered a position with the Tokyo Metropolitan Police Department, which he refused out of loyalty to Iemochi.{{cite book|author1=Allen Guttmann|author2=Lee Austin Thompson|title=Japanese Sports: A History|url=https://books.google.com/books?id=lbOau1trIMMC&pg=PA106|date=January 2001|publisher=University of Hawaii Press|isbn=978-0-8248-2464-8|pages=106–107}} He was, however, part of the group of fencers who created the forms for the {{Nihongo|Keishichō-ryū|警視庁流}}, the style of sword fighting created in 1868 for use by the police,{{cite book|publisher=Toyama Army Academy|year=1941|title=Kenjutsu Kyohan Shokai|script-title=ja:剣術教範詳解|language=ja|trans-title=A Detailed Fencing Manual|location=Tokyo|page=499}} and he worked briefly as a prison guard at the police headquarters.

The new Meiji Government had banned the carrying of swords and in 1876 banned the practice of duelling, and so traditional swordsmanship was no longer popular. Sakakibara tried to find new ways of promoting kenjutsu. His motives may have been financial, as without a sponsor he, like many other martial artists of the era, was suffering from penury – his poverty was such that he had to accept help from his wife's uncle Katsu Kaishū in constructing a residence. He began organising {{Nihongo|gekiken kogyo|撃剣興行|extra="sword combat performances"}}, feeling that such public competitions would instil an appreciation for the art of the swordsman in their audiences. He started an organisation called the {{nihongo|Gekken Kaisha|撃剣会社|extra="Fencing Society"}}, which, inspired by the popularity of sumo wrestling, organised these contests. The first public kogyo organised by Sakakibara's group took place in April 1873, and lasted for over a week.{{cite book|author1=Bryan S. Turner|author2=Zheng Yangwen|title=The Body in Asia|url=https://books.google.com/books?id=x6m3WEmqbv8C&pg=PA137|date=November 15, 2009|publisher=Berghahn Books|isbn=978-1-84545-966-6|page=137}}{{cite book|author1=Thomas A. Green|author2=Joseph R. Svinth|title=Martial Arts of the World: An Encyclopedia of History and Innovation [2 volumes]: An Encyclopedia of History and Innovation|url=https://books.google.com/books?id=P-Nv_LUi6KgC&pg=PA600|date=June 11, 2010|publisher=ABC-CLIO|isbn=978-1-59884-244-9|page=600}} Other martial artists, witnessing the success of the Gekken Kaisha, followed suit, resulting in new forms such as {{nihongo|Kenshibu|剣詩舞}}, the Japanese art of sword dancing Deborah Klens-Bigman, [http://ejmas.com/jtc/2006jtc/jtcart_klens-bigman_0603.html The Fan and the Sword: Exploring Kenbu]

As part of his public performances Sakakibara occasionally demonstrated a tameshigiri technique called {{Nihongo|kabuto wari|兜割り|extra="helmet breaking"}}, which involved slicing through a steel helmet with a single stroke of the sword. In 1887 he performed this before the Emperor Meiji, as part of a demonstration organised by one of the Emperor's relatives. Of the three sword masters present who attempted this cut, Sakakibara was the only one to succeed in cutting the helmet, despite the fact that he had been unable to make the cut in practice attempts.{{cite book|author=Kenji Tokitsu, Sherab Chodzin Kohn|title=Miyamoto Musashi: His Life and Writings|date=June 20, 2006|url=https://books.google.com/books?id=IZMIiyYmIVcC&pg=PA387|publisher=Shambhala Publications|isbn=978-0-8348-2488-1|page=387}}{{cite book|author1=Kenji Tokitsu|author2=Sherab Chodzin Kohn|title=The Inner Art of Karate: Cultivating the Budo Spirit in Your Practice|url=https://books.google.com/books?id=ldYZ0pHT8UcC&pg=PA57|year=2012|publisher=Shambhala Publications|isbn=978-1-59030-949-0|page=57}}

Despite the success of the gekiken kogyo performances, in his later years Sakakibara regretted their development. In his view, the rules and strictures of gekiken were perverting kenjutsu into new forms that were no longer relevant to battlefield combat.{{cite journal|author=Dave Lowry|title=Black Belt|journal=Black Belt. Buyer's Guide|url=https://books.google.com/books?id=Rs8DAAAAMBAJ&pg=PA22|date=June 1999|publisher=Active Interest Media, Inc.|page=22|issn=0277-3066}} He disdained the point-scoring swordsmanship of other kendoka of his era, ignoring light touches by his opponents in order to deliver his own powerful strikes. Nonetheless, the gekiken kogyo practices which he began created an interest in fencing which led ultimately to the development of modern kendo.{{cite book|author1=Junzo Sasamori|author2=Gordon Warner|author2-link=Gordon Warner|title=This Is Kendo: The Art of Japanese Fencing|url=https://books.google.com/books?id=9PgWBhKrg00C&pg=PA57|date=June 1989|publisher=Tuttle Publishing|isbn=978-0-8048-1607-6|page=57}}{{cite book|author1=Louis-Frédéric|title=Japan Encyclopedia|url=https://books.google.com/books?id=p2QnPijAEmEC&pg=PA508|year=2002|publisher=Harvard University Press|isbn=978-0-674-01753-5|page=508}}

Later life

In his later years Sakakibara returned to coach and train in his dojo in Kurumazaka, after trying his hand unsuccessfully at running a {{Nihongo|kōdan|講談|extra="storytelling"}} theatre and an {{Nihongo|izakaya|居酒屋}} (bar). Those who trained at the Kurumazaka dojo included Naitō Takaharu, who was to become head of the Dai Nippon Butoku Kai, and foreigners such as Austrian ambassador and fencing expert Heinrich von Siebold, and German Erwin Bälz, physician to the Japanese Imperial Family. Takeda Sōkaku, the founder of Daitō-ryū Aiki-jūjutsu, also studied with Sakakibara at Kurumazaka.{{cite book|author=Donn F. Draeger|title=Modern bujutsu & budo|url=https://books.google.com/books?id=T6q1AAAAIAAJ|year=1974|publisher=Weatherhill|isbn=978-0-8348-0099-1|page=99}}{{cite web|author=Zenyu Nagao|title=Swordsmanship of Aizu: Onoha Itto-ryu Kenjutsu Mugenshinto-ryu Iaijutsu|url=http://aiki.jp/nagao/english/swordsmanship.html|website=Rakushinkan Aikido|access-date=October 30, 2014}}

On New Year's Day of 1894, Sakakibara passed on the Jikishinkage headmastership to his disciple Jirokichi Yamada. Sakakibara died of heart failure due to beriberi on September 11 the same year, at the age of 63. He was entombed at Saiō-ji temple Yotsuya, Tokyo and given the posthumous Buddhist name {{nihongo|Gikōin Jōzan Yamatoō Koji|義光院杖山倭翁居士}}. In 2003 he was inducted into the All Japan Kendo Federation's {{nihongo|Kendo Hall of Fame|剣道殿堂}}.{{cite AV media| date=April 1, 2003|title=Jidai wo Tsunagu Ken no Michi|script-title=ja:時代を繋ぐ剣の道|trans-title=Sword methods through the ages|medium=DVD|location=Japan|language=ja|publisher=All Japan Kendo Federation}}

References

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Category:Japanese swordfighters

Category:1830 births

Category:1894 deaths