Sakata Tōjūrō

{{nihongo|Sakata Tōjūrō|坂田藤十郎}} refers to a family of kabuki actors in Kyoto and OsakaNussbaum, Louis-Frédéric. (2005). "Sakata Tōjūrō" in {{Google books|p2QnPijAEmEC|Japan Encyclopedia, p. 812|page=812}}; n.b., Louis-Frédéric is pseudonym of Louis-Frédéric Nussbaum, see [http://dispatch.opac.ddb.de/DB=4.1/PPN?PPN=128842709 Deutsche Nationalbibliothek Authority File] {{webarchive|url=https://archive.today/20120524174828/http://dispatch.opac.ddb.de/DB=4.1/PPN?PPN=128842709 |date=2012-05-24 }}. and it is the stage name of a series of Kabuki actors over the course of the history of the form.

The first Sakata Tōjūrō (1646–1709) was the most popular kabuki actor in Kyoto-Osaka during the Genroku era.Brandon, James R. (2000). "Sakata Tojuro (1647 - 1709)," in {{Google books|8qMTPAPFGXUC|The Cambridge Guide to Theatre, p. 959|page=959}} He played tachiyaku roles. He pioneered the wagoto form of the Kamigata (Kansai) theatre as his counterpart in Edo, Ichikawa Danjūrō I, did the same for the aragoto form.

Sakata Tōjūrō was actor-manager (zagashira) of the Mandayū Theatre in Kyoto; and during this period, the house playwright Chikamatsu Monzaemon. Chikamatsu praised the actor's craft, including careful attention to the dramatic requirements of the script and encouraging other actors to study the actual details of a character's circumstances.

Unlike most other kabuki lineages which can be traced back in a more or less unbroken line, whether by blood or by adoption, the name of Sakata Tōjūrō was not held for over 230 years, from the death of Sakata Tōjūrō III in 1774 until the name was taken up, and the lineage restarted, by Nakamura Ganjirô III, who changed his name to Sakata Tōjūrō IV in 2005.

Lineage

  • Sakata Tōjūrō I (1646–1709) - Originated the wagoto form; innovator of Genroku kabuki.
  • Sakata Tōjūrō II (1711–1724)Note: With the exception of the first in the lineage, the dates given here do not represent the birth/death dates of the actor; rather, they indicate the period during which the actor held the name Tōjūrō. - Student of Tōjūrō I.Nussbaum, "Sakata Tōjūrō II" at {{Google books|p2QnPijAEmEC|p. 812|page=812}}
  • Sakata Tōjūrō III (1739–1774) - Adopted son of Tōjūrō II.Nussbaum, "Sakata Tōjūrō III" at {{Google books|p2QnPijAEmEC|p. 812|page=812}}
  • Sakata Tōjūrō IV (2005–2020) - Formerly Nakamura Ganjirō IV. Took on the name in order to revive the lineage,Kabuki Preservation Society. (2008). Kabuki techō, p. 130. and as part of a greater effort to maintain Kamigata kabuki.

Notes

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References

  • Brandon, James R. (2000). [http://www.credoreference.com/entry/cupthea/sakata_tojuro_1647_1709 "Sakata Tojuro (1647 - 1709),"] in The Cambridge Guide to Theatre (Martin Banham, ed.) Cambridge: Cambridge University Press. {{ISBN|9780521434379}}; [https://www.worldcat.org/oclc/174890379 OCLC 174890379]
  • Irwin, Greg. "A Talk With the National Treasure Kabuki Actor, Tojuro Sakata: What's in a Name?" Kawaraban. vol 32. Tokyo: Shinnichiya.
  • {{nihongo|Kabuki Preservation Society |伝統歌舞伎保存会|Dentō kabuki hozonkai}}. (2008). {{nihongo|Kabuki Notebook 2008|[http://www.actors.or.jp/syupan/2008kabuki_tetyo.html かぶき手帖 2008年版]|Kabuki techō 2008}}. Tokyo: {{nihongo|Japan Actors' Association|日本俳優協会編集|Nihon Haiyū Kyōkai}}. {{ISBN|978-4-902675-04-7}}
  • Nussbaum, Louis-Frédéric and Käthe Roth. (2005). [https://books.google.com/books?id=p2QnPijAEmEC Japan encyclopedia.] Cambridge: Harvard University Press. {{ISBN|978-0-674-01753-5}}; [http://www.worldcat.org/oclc/58053128?referer=di&ht=edition OCLC 58053128]