Scott Barley

{{Short description|Welsh film director, artist, musician, writer}}

{{Use dmy dates|date=October 2022}}

{{Infobox artist

| name =

| image = Scott Barley.webp

| imagesize =

| alt =

| caption = Barley in 2024

| birth_place = Cardiff, Wales

| death_date =

| death_place =

| education = {{Ubl

| Kingston University

| University of South Wales

| Cardiff Metropolitan University

}}

| notable_works = Sleep Has Her House Hinterlands

| style =

| movement = {{Hlist | Slow cinema | experimental film | remodernist film }}

| awards =

| patrons =

| website = {{URL|scottbarley.com}}

| field = Cinema

| influenced =

| module = {{Infobox person|embed=yes

| occupation = {{Hlist | Film director | artist | musician | writer}}

}}

}}

Scott Barley (born 11 November 1992) is a Welsh filmmaker, artist, drone musician, and writer.{{cite web |title=MUBI Notebook/The Wind that Shakes the Barley: Scott Barley's "Sleep Has Her House" |url=https://mubi.com/notebook/posts/the-wind-that-shakes-the-barley-scott-barley-s-sleep-has-her-house/ |website=MUBI |publisher=James Slaymaker |accessdate=28 March 2017}}{{Cite web |title=Scott Barley |url=https://scottbarley.com/ |access-date=17 November 2021 |website=scottbarley.com |language=en}}{{Self-published source|date=October 2022|ABOUTSELF=y}}{{Cite web |title=Scott Barley discography - RYM/Sonemic |url=https://rateyourmusic.com/artist/scott-barley |access-date=15 November 2021 |website=Rate Your Music |language=en}}

His work often focuses on creating mood and sensory experiences rather than following traditional narrative structures. His films have been associated with the remodernist and slow cinema movements, and ecocriticism.{{Cite web |title=Sleep Has Her House: experimental ecocinema in context |url=https://alumni.online.unimelb.edu.au/s/1182/match/wide.aspx?sid=1182&gid=1&pgid=20654&cid=29343&ecid=29343&crid=0&calpgid=732&calcid=1410 |access-date=15 November 2021 |website=alumni.online.unimelb.edu.au |language=en}}{{Cite journal |last=Buchanan |first=Jack |date=31 October 2021 |title=The Affective Database: 'Symulation' and Enacting Worldhood in the Film-worlds of Scott Barley |url=https://www.ojs.meccsa.org.uk/index.php/netknow/article/view/645 |journal=Networking Knowledge: Journal of the MeCCSA Postgraduate Network |language=en |volume=14 |issue=2 |pages=147–159 |doi=10.31165/nk.2021.142.645 |s2cid=243474156 |issn=1755-9944|doi-access=free }} Recurrent themes in his work are the anthropocene, nature, darkness, absence, cosmology, phenomenology, mereology and mysticism.{{cite web |title=Le Cinéma Remoderniste Histoire et Théorie d'une Esthétique Contemporaine |url=https://docs.google.com/file/d/0B0MqTDaoArJ7QkZHdWg3Wno4d2lLb015WUlCdWMwV1ZTdjUw |website=Google Docs |publisher=Florian Maricourt, Nicole Brenez |access-date=27 March 2017}}{{cite web |title=Scott Barley / Creating in the Digital Era |url=http://25fps.cz/2017/scott-barley-interview/ |website=25fps |date=24 March 2017 |publisher=Milan Kroulík |access-date=25 March 2017}}{{cite web |title=Sleep Has Her House |url=http://specchioscuro.it/sleep-has-her-house/ |website=Lo Specchio Scuro |date=13 February 2017 |publisher=Lorenzo Baldassari |access-date=28 March 2017}}

His filmmaking methods have been compared to David Lynch, Stan Brakhage, Philippe Grandrieux, Béla Tarr, Alexander Sokurov, Maya Deren and Jean Epstein.{{cite web |title=Cliacom |url=http://climacom.mudancasclimaticas.net.br/?p=6260 |website=Climacom Film Journal |publisher=Universidade Estadual de Campinas |access-date=27 March 2017}}{{cite web |title=Lo Specchio Scuro/Scott Barley |trans-title=The Dark Mirror / Scott Barley |url=https://specchioscuro.it/scott-barley/#english |website=Lo Specchio Scuro Film Journal |date=30 May 2015 |publisher=Lorenzo Baldassari |access-date=27 March 2017}}{{Cite news |url=https://www.straight.com/movies/971126/onscreenoffscreen-terrible-sublime-sleep-has-her-house |title=Onscreen/Offscreen: The "terrible sublime" of Sleep Has Her House |date=22 September 2017 |work=Georgia Straight Vancouver's News & Entertainment Weekly |access-date=30 July 2018 |language=en}}{{Cite web |url=https://www.sheffdocfest.com/films/6414 |title=Sheffield Doc/Fest: Sheffield International Documentary Festival |website=www.sheffdocfest.com |access-date=3 January 2020}}

Since early 2015, Barley has almost exclusively shot his films on iPhone. He is most well-known for the 2017 experimental film, Sleep Has Her House. Danish film critic, and former director of the European Documentary Network, Tue Steen Müller has described him as the "Anselm Kiefer of cinema".{{Cite web |last=s.r.o |first=Appio Digital |title=EDN - European Documentary Network {{!}} DOKweb|url=https://dokweb.net/database/organizations/about/20fda693-32db-4941-9630-ce361d80660d/edn-european-documentary-network |access-date=15 November 2021|website=dokweb.net|language=en}}{{Cite web |title=Filmkommentaren - Scott Barley: Sleep Has Her House |url=http://www.filmkommentaren.dk/blog/blogpost/4276/ |access-date=15 November 2021 |website=www.filmkommentaren.dk}}{{Cite web |last=s.r.o |first=Appio Digital |title=Tue Steen Müller {{!}} DOKweb|url=https://dokweb.net/database/persons/biography/d404e1bb-9500-45d3-9c9a-c414651ecab7/tue-steen-muller |access-date=15 November 2021|website=dokweb.net|language=en}}

Influences and style

Barley has cited Béla Tarr, Robert Bresson, Michelangelo Antonioni, Pedro Costa, Phil Solomon, Jean-Claude Rousseau, and Nathaniel Dorsky among his favourite filmmakers.{{Cite web |last=Chang |first=Dustin |title=Scott Barley Interview |url=http://www.dustinchang.com/2016/02/scott-barley-interview.html |access-date=2024-10-25}}

Barley's imagery and focus on natural landscape has been likened to the romantic tradition of The Sublime within a modernist and digital context. Critics and academics have drawn parallels with Sleep Has Her House and the work of Caspar David Friedrich, J. M. W. Turner, Johann Wolfgang von Goethe, Wagner's Götterdämmerung and the ideas of Immanuel Kant, among others.{{Cite web |date=22 September 2017 |title=Onscreen/Offscreen: The "terrible sublime" of Sleep Has Her House |url=https://www.straight.com/movies/971126/onscreenoffscreen-terrible-sublime-sleep-has-her-house |access-date=15 November 2021 |website=The Georgia Straight |language=en}}{{Cite journal |last=Buchanan |first=Jack |date=31 October 2021 |title=The Affective Database: 'Symulation' and Enacting Worldhood in the Film-worlds of Scott Barley |url=https://ojs.meccsa.org.uk/index.php/netknow/article/view/645 |journal=Networking Knowledge: Journal of the MeCCSA Postgraduate Network |language=en |volume=14 |issue=2 |pages=147–159 |doi=10.31165/nk.2021.142.645 |s2cid=243474156 |issn=1755-9944|doi-access=free }}

Barley's approach to filmmaking is similar to that of other solo and poetic avant-garde filmmakers, Stan Brakhage, Jonas Mekas, Nathaniel Dorsky and Peter Hutton, but the post-production process is unique to both mainstream and avant-garde filmmaking practices.{{Cite web |url=http://www.dustinchang.com/2017/01/interview-scott-barley-on-sleep-has-her.html |title=Interview: Scott Barley on Sleep Has Her House |last=Chang |first=Dustin |date=15 June 2017 |website=www.dustinchang.com |access-date=15 June 2017}}{{Cite journal |title=Vol. 14 No. 2 (2021): Climate, Creatures and COVID-19: Environment and Animals in Twenty-First Century Media Discourse |journal=Networking Knowledge: Journal of the MeCCSA Postgraduate Network |url=https://ojs.meccsa.org.uk/index.php/netknow/issue/view/70 |language=en-US}}

"I always begin a film almost like one would keep a diary. I have no idea, or agenda to make a film. I simply document. I shoot what attracts me, random things, animals, variances in light, the water, the stars; simply what draws me in on different days, different nights, in different places. Once I have built up a body of footage, I start to see connections. These pieces of footage could be taken months or even years apart – and miles apart too. [I] then invisibly stitch [the different shots] together into one larger shot or sequence. But these connections between different pieces of footage all happen organically. I never force these connections. I never force a film when it doesn’t come. The films find me – not the other way round [...] All my films have been made this way. Some happen quicker than others. Once these connections are established, a narrative - through images - begins to germinate."

Filmography

class="wikitable" align="center"
Year

!Title

Running time

!Notes

TBC

|The Sea Behind Her Head

|TBC

|(in production)

TBC

|Within Without Horizon

|TBC

|(in production)

TBC

|The Flesh

|TBC

|(in production)

2025

|A Ladder

|9 min

|with Hara Alonso

2020

|Half Moon

|4 minutes

|

2017

|Eviscerations

|12 min

|screened only once; unreleased {{Cite web |last=Barley |first=Scott |title=Eviscerations — Scott Barley |url=https://scottbarley.com/Eviscerations |access-date=2025-04-23 |website=scottbarley.com |language=en}}

2017

|Womb

|17 min

|

2017

|Passing

2 min

|

2017

|Fugue

| -

|unreleased

2017

|The Green Ray

12 min

|

2017

|Sleep Has Her House

90 min

|First feature

2016

|Painting (I)

|360 min

|Installation; unreleased

2016

|Hinterlands

7 min

|

2016

|Closer

7 min

|

2015

|Blue Permanence / Swan Blood

6 min

|

2015

|Hunter

14 min

|

2015

|The Sadness of the Trees

12 min

|with Mikel Guillen

2015

|Shadows

20 min

|

2015

|Evenfall

6 min

|

2015

|Death Is a Photograph

|-

|unreleased

2015

|Hours

3 min

|

2014

|Ille Lacrimas

20 min

|

2014

|Polytechnique

12 min

|

2013

|Nightwalk

6 min

|

2013

|Irresolute

2 min

|

2013

|Retirement

3 min

|

2013

|GLASS / TRUTH

|4 min

|

2012

|The Ethereal Melancholy of Seeing Horses in the Cold

4 min

|

2012

|Untitled

3 min

|Installation with video

Music

class="wikitable"

!Title

!Format

!Year

Awaiting Body

|Album

|2021

To the Lighthouse

|Single

|2017

Sleep Has Her House (Original Motion Picture Soundtrack)

|Soundtrack

|2017, 2021

References

{{reflist}}