Scott Snibbe

Snibbe is one of the first artists to work with interactive projections, where computer vision is used to change a projection on a wall or floor in response to people interacting with its surface.{{Cite web|url=https://www.snibbe.com/|title=Scott Snibbe - Interactive art|website=Scott Snibbe - Interactive art|language=en-US|access-date=2019-05-22}} Snibbe's first, and best-known installation Boundary Functions (1998), premiered at Ars Electronica 1998.Stocker & Schöpf, ed.: Cyberarts 98: International Compendium Prix Ars Electronica. Springer-Verlag, 1998. In this floor-projected interactive artwork, people walk across a four-meter by four-meter floor. As they move, Boundary Functions uses a camera, computer and projector to draw lines between all of the people on the floor, forming a Voronoi Diagram. This diagram has particularly strong significance when drawn around people's bodies, surrounding each person with lines that outline his or her personal space - the space closer to that person than to anyone else. Snibbe states that this work "shows that personal space, though we call it our own, is only defined by others and changes without our control".Scott Snibbe: [http://snibbe.com/projects/interactive/boundaryfunctions Boundary Functions description at snibbe.com]

Snibbe's first public interactive work was a networked communication system for abstract animation called Motion Phone, which won a Prix Ars Electronica award in 1996 and established him as a contributor to the field.[http://www.aec.at/prix_history_en.php?year=1996 History of Prix Ars Electronica, 1996] {{webarchive|url=https://web.archive.org/web/20100223055148/http://www.aec.at/prix_history_en.php?year=1996|date=2010-02-23}}

Snibbe's interactive installations have been shown at the Whitney Museum of American Art (New York), San Francisco Museum of Modern Art (California), The Kitchen (New York), Eyebeam (New York), the NTT InterCommunication Center (Tokyo, Japan) and the Institute of Contemporary Arts (London, UK). His work is also shown and collected by science museums, including the Exploratorium (San Francisco, CA), the New York Hall of Science (Queens, NY), the Museum of Science and Industry (Chicago, IL), the Cité des Sciences et de l'Industrie (Paris, France), the London Science Museum (UK), and the Phaeno Science Center (Germany). A profile of his work was featured on a December 18, 2011 episode of CNN's The Next List with Dr. Sanjay Gupta.{{cite web|url=http://cnnpressroom.blogs.cnn.com/2011/12/16/dr-sanjay-gupta-welcomes-scott-snibbe-to-the-next-list-sunday-dec-18/|archive-url=https://web.archive.org/web/20120114175151/http://cnnpressroom.blogs.cnn.com/2011/12/16/dr-sanjay-gupta-welcomes-scott-snibbe-to-the-next-list-sunday-dec-18/|url-status=dead|archive-date=January 14, 2012|title=Dr. Sanjay Gupta welcomes Scott Snibbe to The Next List - Sunday, Dec. 18|publisher=CNN|accessdate=22 February 2012}}{{Cite web|url=https://static1.squarespace.com/static/54617fbbe4b0e09964383d07/t/5ceb211771c10bbe072a7f8b/1558913303981/snibbe+art+cv+2015.pdf|title=Scott Snibbe Curriculum Vitae|date=2015|website=snibbe.com}}

In 2011, via his company Snibbe Interactive, Snibbe produced a series of interactive exhibits that brought technologies and experiences of James Cameron's Avatar to life in the traveling AVATAR: The Exhibition, which was funded and premiered at Seattle's Experience Music Project and Science Fiction Museum. The exhibition included full-body motion tracking augmented reality and virtual reality experiences simulating the world of Avatar's Pandora, and the process of creating the film.

File:Boundaryfunctions 1.jpg in Tokyo, 1999]]

File:Deepwalls 2.jpg in 2002.]]

Snibbe created some of the first interactive art apps for iOS devices (iPhone, iPad, and iPod Touch). His first three apps—Gravilux, Bubble Harp, and Antograph—released in May, 2010 as iOS ports of screen-based artwork from the 1990s Dynamic Systems Series, all rose into the top ten in the iTunes Store's Entertainment section, and have been downloaded over a million times.[https://www.nytimes.com/2010/08/20/us/20bciart.html For Digital Artists, Apps Provide New Palette, Reyhan Harmanci, New York Times, August 20, 2010]

Snibbe collaborated with Björk to produce Biophilia, the first full-length app album, which was released for iPad and iPhone in 2011, as well as producing the visuals for her Biophilia tour.[https://www.theguardian.com/culture/2011/may/28/bj-rks-biophilia Björk's Biophilia] The Guardian, 28 May 2011 Other interactive song apps and app albums followed, including the Philip Glass: REWORK App based on the album produced by Beck,{{Cite magazine|url=https://www.wired.com/2012/12/rework-philip-glass-remixed-app-by-snibbe-studio/|title=Rework (Philip Glass Remixed) app by Snibbe Studio|last=Sterling|first=Bruce|date=2012-12-13|magazine=Wired|access-date=2019-05-27|language=en-US|issn=1059-1028}} the METRIC: Synthetica App{{Cite web|url=https://www.fastcompany.com/3023133/its-almost-impossible-to-make-bad-music-with-this-app|title=It's Almost Impossible To Make Bad Music With This App|last=Pavlus|first=John|date=2013-12-09|website=Fast Company|language=en-US|access-date=2019-05-27}} based on Metric's 2013 album, and the Passion Pit Gossamer App.{{Cite web|url=https://www.hypebot.com/hypebot/2012/07/passion-pit-gossamer-app.html|title=Passion Pit's New Album App Is A Win For Fans|website=hypebot|access-date=2019-05-27}}

An interview with Snibbe about his work with Björk on Biophilia can be found in the 2013 BBC Documentary When Björk Met Attenborough.

File:Gravilux-BubbleHarp-Tripolar.jpg

Snibbe has taught media art, animation, and computer science at UC Berkeley, NYU's Courant Institute of Mathematics, California Institute of the Arts, and the San Francisco Art Institute. He serves as an advisor to The Institute for the Future and The Sundance Institute.

Snibbe teaches mediation and leads meditation retreats, and trained in the Tibetan Buddhist tradition with teachers from The Foundation for the Preservation of the Mahayana Tradition (FPMT) including Geshe Ngawang Dakpa, the Dalai Lama, and Lama Zopa Rinpoche.{{Cite web|url=https://podcasts.apple.com/us/podcast/empty-art/id211752923?i=1000348329254|title=Buddhist Geeks: Empty Art on Apple Podcasts|website=Apple Podcasts|language=en-us|access-date=2019-05-26}} In 2020 he launched the meditation podcast A Skeptic's Path to Enlightenment, that adapts the Tibetan Buddhist Lamrim and Mind Training techniques to a secular audience.{{Cite web|title=About|url=https://www.skepticspath.org/about/|website=A Skeptic's Path to Enlightenment|language=en-US|access-date=2020-05-17}}

Snibbe received undergraduate and master's degrees in computer science and fine art from Brown University, where he studied with Dr. Andries van Dam and Dr. John Hughes. Snibbe studied animation at the Rhode Island School of Design with Amy Kravitz. After making several hand-drawn animated shorts, he turned to interactive art as his primary artistic medium.

At the CHI 2009 conference, Snibbe presented "Social Immersive Media," a research paper published via his nonprofit research organization Sona Research,Snibbe, S. and Raffle, H. [http://sonaresearch.files.wordpress.com/2009/03/social-immersive-media-snibbe-chi09.pdf Social Immersive Media: Pursuing Best Practices for Multi-user Interactive Camera/Projector Exhibits]. Proceedings of CHI 2009 coining the term Social Immersive Media to describe interface techniques immersive augmented reality interactive experiences focused on social interaction, and winning the best paper of conference award.

In November, 2013 Snibbe and Jaz Banga debated Laura Sydell and Christopher M. Kelty in an Oxford style debate entitled, Patent Pending: Does the U.S. Patent System stifle innovation?[http://www.zero1.org/events/oxford-style-debate Zero1.org]

Snibbe worked as a Computer Scientist at Adobe Systems from 1994 to 1996, on the special effects and animation software Adobe After Effects, named on six patents for work in animation, interface, and motion tracking. He was an employee at Paul Allen's Interval Research from 1996 to 2000 where he worked on computer vision, computer graphics, interactive music, and haptics research projects.

Snibbe was the founder of Snibbe Interactive (2007), which distributed and developed immersive interactive experiences for museums, entertainment and branding; Scott Snibbe Studio (2011) which produces original apps and apps made in collaboration with other musicians and filmmakers; and the nonprofit research organization Sona Research, which researched the socially beneficial applications of interactive technologies with grants from the National Science Foundation.

In 2013, Snibbe founded Eyegroove, a social network for creating and sharing short music videos on mobile phones.{{Cite news|url=https://static1.squarespace.com/static/54617fbbe4b0e09964383d07/t/55593235e4b0342594018691/1431908917046/Scott+Snibbe%27s+Mission+to+Make+Music+Interactive+with+Eyegroove+_+Wondering+Sou.pdf|title=The Dawn of the Musical Selfie: A Mission to Make Music Interactive|last=Balestier|first=Courtney|date=September 19, 2014|work=Wondering Sound|access-date=September 30, 2014}} The app was a precursor to more popular services musical.ly and TikTok, and was acquired by Facebook in 2016. Post-Acquisition, Facebook integrated Eyegroove's real-time video effect technology into Instagram, Messenger, Facebook, and WhatsApp's new camera and visual sharing features released in 2017 to compete with Snapchat.{{Cite web|url=https://www.forbes.com/sites/hughmcintyre/2016/08/09/facebook-has-snapped-up-musical-selfie-startup-eyegroove/|title=Facebook Has Snapped Up Musical Selfie Startup Eyegroove|last=McIntyre|first=Hugh|website=Forbes|language=en|access-date=2019-05-26}}{{Cite web|url=https://techcrunch.com/2016/08/05/facebook-snatches-up-team-from-eyegroove-a-musical-selfie-app/|title=Facebook snatches up team from Eyegroove, a musical selfie app|website=TechCrunch|language=en-US|access-date=2019-05-26}} Snibbe subsequently joined Facebook's Building 8 team, which was later renamed Portal after the group's first product release, and worked there until 2019 creating new augmented reality hardware and software products for the home.{{Cite web|url=https://www.linkedin.com/in/snibbe/|title=Scott Snibbe LinkedIN profile|date=May 26, 2019|website=LinkedIN}}

Snibbe has received several awards including the Webby Award{{Cite web|url=https://www.webbyawards.com/winners/2014/mobile-apps/handheld-devices/music/rework_-philip-glass-remixed/?/|title=REWORK_: Philip Glass Remixed -- The Webby Awards|language=en-US|access-date=2019-05-26}}{{Cite web|url=https://www.webbyawards.com/winners/2014/mobile-apps/handheld-devices/music/metric-synthetica/?/|title=METRIC: Synthetica -- The Webby Awards|language=en-US|access-date=2019-05-26}}{{Cite web|url=https://www.webbyawards.com/winners/2012/special-achievement/special-achievement/artist-of-the-year/bjork/|title=Björk -- The Webby Awards|language=en-US|access-date=2019-05-26}} and Prix Ars Electronica; and grants from the Rockefeller Foundation, The Ford Foundation, the National Endowment for the Arts,{{Cite web|url=https://hci.stanford.edu/courses/cs547/abstracts/08-09/090515-snibbe.html|title=PCD 5/15/09 Snibbe|website=hci.stanford.edu|access-date=2019-05-26}} and The National Science Foundation.{{Cite web|url=https://www.nsf.gov/awardsearch/showAward?AWD_ID=0839804&HistoricalAwards=false|title=NSF Award Search: Award#0839804 - SBIR Phase I: Connecting Interactive Projections to Online Social Communities with Personalized Media|website=www.nsf.gov|access-date=2019-05-26}}

Interactive Art for the Screen[http://snibbe.com/projects Scott Snibbe website projects page] Retrieved May 14, 2011

• Motion Sketch, 1989
• Motion Phone, 1994
• Bubble Harp, 1997
• Gravilux, 1997
• Myrmegraph, 1998
• Emptiness is Form, 2000

iPhone and iPad Apps

• Gravilux, 2010
• Bubble Harp, 2010
• Antograph, 2010
• Tripolar, 2011
• OscilloScoop, 2011

Interactive Projections

• Boundary Functions, 1998
• Shadow, 2002
• Deep Walls, 2002
• Shy, 2003
• Impression, 2003
• Depletion, 2003
• Compliant, 2003
• Concentration, 2003
• Cause and Effect, 2004
• Visceral Cinema: Chien, 2005
• Shadow Bag, 2005
• Central Mosaic, 2005
• Outward Mosaic, 2006
• Make Like a Tree, 2006
• Falling Girl, 2008

Electromechanical Sculpture

• Mirror, 2001
• Circular Breathing, 2002
• Blow Up, 2005

File: How to Train A Happy Mind cover-512.jpg (UK) Penguin Random House (US), 2024]]

Internet Art

• It's Out, 2001
• Tripolar, 2002
• Fuel, 2002
• Cabspotting, 2005

Public Art Installations

• You Are Here, New York Hall of Science, 2004
• Women Hold up Half the Sky, Mills College, 2007
• Transit, Los Angeles International Airport, 2009

Performance

• In the Grace of the World, Saint Luke's Orchestra, 2008

Film

• Lost Momentum, 1995
• Brothers, 1990
• When Björk Met Attenborough, 2013

Books

• How to Train a Happy Mind: A Skeptic's Path to Enlightenment. [https://www.skepticspath.org/how-to-train-a-happy-mind-book/], ( March, 2024 )

• Interactive art
• Electronic art
• Computer art
• Software art
• Abstract film

• Paul, Christiane (2003). [http://www.thamesandhudson.com/9780500203989.html Digital Art (World of Art series).] London: Thames & Hudson. {{ISBN|0-500-20367-9}}.
• Wilson, Steve [http://userwww.sfsu.edu/~swilson/book/infoartsbook.html Information Arts: Intersections of Art, Science, and Technology] {{ISBN|0-262-23209-X}}
• Bullivant, Lucy (2006). [https://www.amazon.com/Responsive-Environments-architecture-design-Contemporaries/dp/1851774815 Responsive Environments: architecture, art and design (V&A Contemporaries).] London:Victoria and Albert Museum. {{ISBN|1-85177-481-5}}.
• Fiona Whitton, Tom Leeser, Christiane Paul (2005). [https://web.archive.org/web/20110716100651/http://www.snibbe.com/download/publications/catalogs/2005Telic.pdf Visceral Cinema: Chien. Los Angeles: Telic.] ASIN: B000BFHTOE.
• [https://web.archive.org/web/20110716100210/http://snibbe.com/download/news/2001Examiner.pdf Better Living through Chemistry], San Francisco Examiner, November 8, 2001.
• [http://www.kqed.org/arts/people/spark/profile.jsp?id=4844 KQED TV documentary on Scott Snibbe, original airdate: April 2005]
• [http://www.snibbe.com/ Scott Snibbe Studio website]

• [http://www.kqed.org/arts/people/spark/profile.jsp?id=4844 KQED TV documentary on Scott Snibbe, original airdate: April 2005]
• [http://www.snibbe.com/ Artist's website]

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Category:American digital artists

Category:Internet art

Category:American new media artists

Category:Buddhist artists

Category:Living people

Category:Interactive artists

Category:1969 births

Category:Brown University alumni

Category:Artists from the San Francisco Bay Area