Screen (journal)
{{Use dmy dates|date=May 2017}}
{{Use British English|date=May 2017}}
{{Infobox journal
| title = Screen
| cover =
| editor = Tim Bergfelder, Alison Butler, Dimitris Eleftheriotis, Karen Lury, Alastair Phillips, Jackie Stacey, Sarah Street
| discipline = Film and television studies
| abbreviation = Screen
| publisher = Oxford University Press
| country =
| frequency =
| history = 1952–present
| openaccess =
| license =
| impact =
| impact-year =
| website = http://www.screen.arts.gla.ac.uk
| link1 = http://screen.oxfordjournals.org/content/current
| link1-name = Online access
| link2 =
| link2-name =
| link3 = http://screen.oxfordjournals.org/
| link3-name = Journal page at publisher's website
| JSTOR =
| OCLC = 59715510
| LCCN = 91642840
| CODEN =
| ISSN = 0036-9543
| eISSN = 1460-2474
}}
Screen is an academic journal of film and television studies based at the University of Glasgow and published by Oxford University Press. The editors-in-chief are Tim Bergfelder (University of Southampton), Alison Butler (University of Reading), Dimitris Eleftheriotis (University of Glasgow), Karen Lury (University of Glasgow), Alastair Phillips (University of Warwick), Jackie Stacey (University of Manchester), and Sarah Street (University of Bristol).
History
Screen originated in the Society of Film Teachers' journal, The Film Teacher, in 1952. Soon after, the society was renamed as the Society for Education in Film and Television and its journal changed its name to Screen Education in 1960. Screen Education was renamed to Screen in 1969, although a separate journal titled Screen Education was also published.{{citation needed|date=August 2014}}
During the 1970s, Screen was particularly influential in the nascent field of film studies. It published many articles that have become standards in the field—including Laura Mulvey's foundational work, "Visual Pleasure and Narrative Cinema" (1975).{{cite journal | author=Laura Mulvey | title=Visual Pleasure and Narrative Cinema | journal=Screen | year=1975 | volume=16 | pages=6–18 | issue=3}} It is still highly regarded in academic circles.
Screen theory, a Marxist-psychoanalytic film theory that came to prominence in Britain in the early 1970s, took its name from Screen.{{cite book|last1=Miklitsch|first1=Robert|title=Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media|url=http://www.sunypress.edu/p-4255-roll-over-adorno.aspx|date=2006|publisher=SUNY|location=Albany|isbn=978-0-7914-6733-6|page=69|chapter=The Suture Scenario: Audiovisuality and PostScreen Theory|chapter-url=https://books.google.com/books?id=BOgUyPYw0KoC&pg=PA69|access-date=May 16, 2017}}
Abstracting and indexing
The journal is abstracted and indexed in:
See also
References
{{reflist}}
External links
- {{Official website|http://www.screen.arts.gla.ac.uk}}
Category:Film studies journals
Category:Television studies journals
Category:English-language journals
Category:University of Glasgow
Category:Academic journals established in 1952
Category:Oxford University Press academic journals
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