Sebastián Muñoz (painter)
{{Short description|Spanish Baroque painter}}
File:Sebastian Muñoz-Prado.jpg
File:Marie Louise of Orléans, Queen of Spain, lying in state (1689), by Sebastián Muñoz.JPG
Sebastián Muñoz (c.1654, Casarrubios del Monte - 20 March 1690, Madrid) was a Spanish Baroque painter.
Life and work
In 1670, he became an apprentice in the workshop of {{ill|Hipólito de Torres|es}}.Revenga Domínguez, Paula, Pintura y pintores toledanos de la segunda mitad del siglo XVII, Madrid, FUE, 2001, p. 265, {{ISBN|84-7392-477-0}} By January 1680, he had come to Madrid, assisting Claudio Coello with decorations to celebrate the arrival of Marie Louise d'Orléans, the new wife of King Charles II. He used the money that he earned from his work with Coello to go to Italy.Antonio Palomino, El museo pictórico y escala óptica III. El parnaso español pintoresco laureado. Madrid : Aguilar S.A. de Ediciones. {{ISBN|84-03-88005-7}}. Later that year, he joined expatriate Spanish painters in petitioning the King to establish a Spanish painting academy in Rome. While there, he apparently studied with Carlo Maratta. On his return to Spain, he stopped in Zaragoza, where he once again served as an assistant to Coello, painting frescoes in the {{ill|Iglesia de la Mantería|es|Iglesia de la Mantería}}.
Once back in Madrid, in 1686, he worked at the Royal Alcázar, where he painted the ceiling of the Queen's room with a scene from Orlando Furioso. Only a preparatory sketch of his work has survived today.Pérez Sánchez, Alfonso E., El dibujo español de los siglos de oro, Madrid, Sala de exposiciones del palacio de bibliotecas y museos, 1980 Elsewhere in the palace, he created a scene from the mythological story of Psyche and Cupid, which earned him an appointment as court painter. It has since been lost. In 1689, he painted the Queen's funeral for the Convento del Carmen Calzado. It is said that the monks didn't recognize the Queen portrayed by him, so Muñoz had to place her portrait in a medallion, supported by angels.
At the Buen Retiro Palace, he worked on decorations for the private rooms of the new Queen, Maria Anna of Neuburg. At the same time, he began restoring the frescoes in the cupola at the Basilica of Nuestra Señora de Atocha. While occupied with the latter project, he slipped and fell to his death from the scaffolding. A monumental canvas depicting the "Martyrdom of Saint Andrew" was left unfinished at the parish church in his hometown. It was later completed by {{interlanguage link|Francisco Ignacio Ruiz de la Iglesia|es}}, who made an effort to preserve Muñoz' style throughout.
References
{{reflist}}
Further reading
- {{cite book
| last = Pérez Sánchez
| first = Alfonso E.
| authorlink=Alfonso Pérez Sánchez
| title = Pintura barroca en España 1600-1750
| year = 1992
| publisher = Madrid : Ediciones Cátedra
| ISBN = 84-376-0994-1
}}
External links
{{commons category|Sebastián Muñoz}}
- [http://www.museodelprado.es/enciclopedia/enciclopedia-on-line/voz/munoz-sebastian/ Biography] @ the Museo del Prado
- [http://bdh.bne.es/bnesearch/Search.do?field=autor&text=Mu%C3%B1oz%2c+Sebasti%C3%A1n+%281654-1690%29 Digitalized works] @ the Biblioteca Digital Hispánica of the Biblioteca Nacional de España
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