Seth Holt

Holt was educated at Blackheath School in London.{{cite book|url=https://books.google.com/books?id=ztKYxtiAsq8C&q=seth+holt+film+director&pg=PT111|title=British Crime Film|isbn=9781137274595|last1=Forshaw|first1=Barry|date=20 September 2012|publisher=Springer }} He originally trained as an actor, and spent a term at RADA in 1940 before acting in repertory in Liverpool and Bideford in Devon working with Paul Scofield at the latter venue.{{cite web|last1=Gough-Yates|first1=Kevin|last2=Holt|first2=Seth|url=https://archive.org/stream/Screen_Volume_10_Issue_6/Screen_Volume_10_Issue_6_djvu.txt|title=Seth Holt|work=Screen|volume=10|issue=6|date=November–December 1969|access-date=1 January 2019|pages=3–22}}{{cite web|last=Kemp|first=Philip|url=http://www.screenonline.org.uk/people/id/572065/index.html|title=Holt, Seth (1924-1971) Biography|work=BFI Screenonline|date=2003–14|access-date=1 January 2019}} Originally published in the Reference Guide to British and Irish Film Directors His sister, Joan Holt, was married to film director Robert Hamer from the mid-1930s to the mid-1950s.{{cite web|last=Murphy|first=Robert|url=http://www.screenonline.org.uk/people/id/476694/index.html|title=Hamer, Robert (1911-63)|work=BFI Screenonline|date=2003–14|access-date=1 January 2019}} Originally published in the Reference Guide to British and Irish Film Directors.

In 1942 he joined a documentary film company, Strand, as assistant editor. He worked at Ealing Studios from 1943, at the recommendation of Hamer. He was an editing assistant on films such as Champagne Charlie (1944), The Return of the Vikings (1944), Dead of Night (1945), The Captive Heart (1946), Hue and Cry (1947), Frieda (1947), Scott of the Antarctic (1948), Kind Hearts and Coronets (1949) and Passport to Pimlico (1949).

Holt received his first credit as editor on The Spider and the Fly (1949), made for Mayflower Pictures by Robert Hamer.SPIDER AND THE FLY, The

Monthly Film Bulletin; London Vol. 16, Iss. 181, (Jan 1, 1949): 195.

Promoted to editor at Ealing, he cut six films for the studio: Dance Hall (1950) and The Lavender Hill Mob (1951), directed by Charles Crichton, His Excellency (1952) for Hamer, Mandy (1952) for Alexander Mackendrick, The Titfield Thunderbolt (1953) and The Love Lottery (1954) for Crichton.

In November 1954, Holt was promoted to producer at Ealing.MOTION PICTURE ACTIVITIES ALONG THE THAMES

By STEPHEN WATTS LONDON.. New York Times (21 Nov 1954: X5. He worked on Touch and Go (1955), The Ladykillers (1955) with Mackendrick and The Man in the Sky (1957) for Crichton.Round the British Studios

Nepean, Edith. Picture Show; London Vol. 65, Iss. 1689, (Aug 13, 1955): 11

Holt graduated to direction with Ealing's penultimate production, Nowhere to Go (1958), which he intended to be "the least Ealing film ever made", co-writing the script with Kenneth Tynan who had been appointed as an Ealing script editor.{{cite book|url=https://books.google.com/books?id=cmYMXECN-jkC&q=the+least+Ealing+film+ever+made|title=THE END|work=Barr, Charles (1977, 1993) Ealing Studios University of California Press p.178|isbn=9780520215542|last1=Barr|first1=Charles|date=January 1998|publisher=University of California Press }}Nowhere to Go

Houston, Penelope. Sight and Sound; London Vol. 28, Iss. 1, (Winter 1958): 38.

After Ealing, Holt returned to editing on The Battle of the Sexes (1959) and wrote the script for a short film, Jessy (also 1959).JESSY

Monthly Film Bulletin; London Vol. 27, Iss. 312, (Jan 1, 1960): 133. In the Spring 1959 issue of Sight & Sound, he indicated a wish to make Gratz based on a book by J.P. Donleavy but that he also just wanted to practice his craft.A Free Hand

Clayton, Jack; Donner, Clive; Hamer, Robert; Holt, Seth; Jackson, Pat; et al. Sight and Sound; London Vol. 28, Iss. 2, (Spring 1959): 60.

Holt was reportedly responsible for saving Saturday Night and Sunday Morning (1960) and The Entertainer (1960), his last editing credits.{{cite web|url=http://old.bfi.org.uk/sightandsound/feature/49764|archive-url=https://web.archive.org/web/20120803083501/http://old.bfi.org.uk/|url-status=dead|archive-date=2012-08-03|title=BFI - Sight & Sound - Lost and found: Station Six Sahara|access-date=2014-09-05}}The Manxman: The career of Nigel Kneale

Monthly Film Bulletin; London Vol. 56, Iss. 662, (Mar 1, 1989): 90. Also in this period, he directed episodes of the Danger Man television series for its initial run which were broadcast in 1960 and 1961.

His second feature as director was Taste of Fear (US: Scream of Fear, 1961) for Hammer Films, a successful thriller written by Jimmy Sangster and produced by Michael Carreras.

It was followed by Station Six-Sahara (1962), a British-German film shot on location in Libya. British film critic Dilys Powell described it as "true cinema".VIEW FROM A LOCAL VANTAGE POINT

By A.H. WEILER. New York Times 29 Apr 1962: 125. He did episodes of Espionage.Holt, Seth

Monthly Film Bulletin; London Vol. 38, Iss. 444, (Jan 1, 1971): M.

Holt returned to Hammer to make The Nanny (1965), based on a script by Sangster and starring Bette Davis. It was a huge success and received strong reviews. Pauline Kael called Holt's direction "excellent".Vogue's Notebook: Movies: The Nanny

Kael, Pauline. Vogue; New York Vol. 146, Iss. 10, (Dec 1, 1965): 147. Bette Davis, however, once called Holt "the most ruthless director I've ever worked with outside of William Wyler".

Holt was contracted to make Danger: Diabolik (1965) in Italy with Gilbert Roland.Gene Kelly Gets Moscow Bid

Martin, Betty. Los Angeles Times 8 Nov 1965: c20. However filming was abandoned after the producer saw the footage and Holt was fired. The film was later reactivated with another director, Mario Bava.Seth Holt, Film Director Specializing in Thrillers, 47

New York Times 6 Feb 1971: 37. By the mid-1960s, he was involved in developing the script for what became if.....The big if The Guardian (1959-2003); London (UK) [London (UK)] 8 April 1969: 6. Holt was initially to direct Crusaders, by John Howlett and David Sherwin, the project which became if...., but his health was in such crisis that he passed the project to Lindsay Anderson, who extensively reworked the script with David Sherwin.{{cite web|url=http://www.britmovie.co.uk/directors/Seth-Holt|title=Seth Holt}}{{better source needed|date=January 2019}}

Holt directed episodes of Court Martial then made a James Bond-style thriller Danger Route (1967). Holt was reportedly ill during filming.Johnson Signs for 'People'

Martin, Betty. Los Angeles Times 18 Jan 1967: e12.The Rabbi Rises: More About Movie Matters

By A.H. WEILER. New York Times ]29 Jan 1967: 91.

Holt started directing a film about Monsieur Lecoq with Julie Newmar and Zero Mostel but it too was abandoned.'Julie Newmar Signs Pact' Martin, Betty. Los Angeles Times 6 Sep 1967: e11.Seth Holt, 47, Film Director

The Washington Post and Times-Herald 16 Feb 1971: C4. He was the executive producer on Adrian Walker's documentary Barbed Water (1968) which is about the whalers of Faial in the Azores. Filmink opined that Holt seemed to struggle outside the studio system.{{cite magazine|url=https://www.filmink.com.au/the-curse-of-blood-from-the-mummys-tomb/|first=Stephen|last=Vagg|magazine=Filmink|date=26 December 2024|access-date=26 December 2024|title=The Curse of Blood from the Mummy’s Tomb}}

In 1970 the National Film Theatre screened a season of his films.Daddy of the mummyscene

The Guardian (1959-2003); London (UK) [London (UK)]18 Jan 1971: 8.

Hammer Films hired Holt to direct Blood from the Mummy's Tomb (1971). "I haven't been directing because I haven't been offered anything to direct," he said at the time. He said he had been developing scripts about the anarchist Bakunin as well as an adaptation of Lady Into a Fox.

He died on the film's set at Elstree Studios during production from a heart attack five weeks into the six-week shoot, collapsing with cast member Aubrey Morris preventing him from falling, according to Christopher Wicking's obituary in The Guardian. The Times death notice for February 13 states he died peacefully at home. His death is believed to have been alcohol related.All's Well That Ends: an interview with Chris Wicking

Monthly Film Bulletin; London Vol. 55, Iss. 658, (Nov 1, 1988): 322.{{Cite web|website=Fangoria|page=55|url=https://archive.org/stream/Fangoria_110_1992_Hellraider_3_DaveWooderson-DREGS_c2c#page/n58/mode/1up/search/%22nat+cohen%22+|date=1992|first=Steve|last=Swires|title=Fall of the House of Hammer}}

TCM's Ben Mankiewicz says it received better reviews than Hammer's other Mummy movies, which suffered from "The curse of the Mummy Movie," and he gave credit to Holt for the improvement. "He took the wrappings off."{{cite web|url=https://www.tcm.com/tcmdb/person/88437%7C139464/Seth-Holt/|title=Overview for Seth Holt|work=Turner Classic Movies}}

According to one obituary his "unfulfilled career was an indictment of the British film industry".Seth Holt

French, Philip. The Observer (1901- 2003); London (UK) [London (UK)]21 Feb 1971: 21.

• Champagne Charlie (1944) - assistant editor
• The Return of the Vikings (1944) (short feature) - assistant editor
• Dead of Night (1945) - second assistant editor
• The Captive Heart (1946) - second assistant editor
• Hue and Cry (1947) - assistant editor
• Frieda (1947) - assembly cutter
• Scott of the Antarctic (1948) - assembly cutter
• Kind Hearts and Coronets (1949) - assembly cutter
• A Run for Your Money (1949) - assistant editor
• The Spider and the Fly (1949) - editor
• Dance Hall (1950) - editor
• The Lavender Hill Mob (1951) - editor
• His Excellency (1952) - editor
• Crash of Silence aka Mandy (1952) - editor
• The Titfield Thunderbolt (1953) - editor
• The Love Lottery (1954) - editor
• Touch and Go (1955) - associate producer
• The Ladykillers (1955) - associate producer
• Decision Against Time (1957) - associate producer
• Nowhere to Go (1958) - director, writer
• Jessy (1959) (short) - writer
• The Battle of the Sexes (1959) - editor
• Saturday Night and Sunday Morning (1960) - editor
• Danger Man (1960–61) - episodes include "The Key", "The Sisters", "Find and Return", "Under the Lake" - director
• Taste of Fear (1961) - director
• Station Six-Sahara (1962) - director
• Espionage (1963) - episode "The Liberators" - director
• The Nanny (1965) - director
• Danger: Diabolik (1965) - director of film that was abandoned (later filmed and completed by Mario Bava)
• Court Martial (1966) - episodes "Le Belle France", "Savior of Vladik" - director
• Danger Route (1967) - director
• Monsieur Lecoq (1967) - director (unfinished)
• Barbed Water (1969) - associate producer
• Blood from the Mummy's Tomb (1971) - director (unfinished)

• {{IMDb name|0392519}}
• [http://www.screenonline.org.uk/people/id/572065/ Seth Holt at BFI Screenonline]

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Category:1923 births

Category:1971 deaths

Category:British film directors

Category:British people in Mandatory Palestine