Shackles of Gold

{{short description|1922 film by Herbert Brenon}}

{{Use mdy dates|date=July 2015}}

{{Infobox film

| name = Shackles of Gold

| image = Shackles of Gold (1922) - a.jpg

| caption = Newspaper advertisement

| director = Herbert Brenon

| producer =

| writer = Paul Sloane

| based_on = {{basedon|Samson|Henri Bernstein}}

| starring = William Farnum
Alfred Loring
Marie Shotwell

| music =

| cinematography = Tom Malloy

| editing =

| studio = Fox Film Corporation

| distributor = Fox Film Corporation

| released = {{Film date|1922|04|20}}

| runtime = 60 minutes

| country = United States

| language = Silent (English intertitles)

| budget =

| gross =

}}

Shackles of Gold is a 1922 American silent drama film directed by Herbert Brenon and starring William Farnum, Alfred Loring, and Marie Shotwell. It is an adaptation of the 1908 play Samson by Henri Bernstein with the setting moved from France to America.Goble p. 38. The screenplay involves a woman from an aristocratic but poor family who is pressured by her relatives to marry a wealthy financier.

Plot

As described in a film magazine,{{cite journal |title=Reviews: Shackles of Gold |journal=Exhibitors Herald |volume=14 |issue=21 |page=66 |publisher=Exhibitors Herald Company |location=New York City |date=May 20, 1922 |url=https://archive.org/details/exhibitorsherald14exhi}} John Gibbs (Farnum) is a dock laborer but rises to wealth by speculation in the oil market. He marries Marie (Bonillas), the daughter of Charles Van Dusen (Loring), but she consented to the marriage solely because the family fortune was depleted and to maintain their social standing. John bears this quietly until he learns that his wife has gone to a cabaret with another man. John turns on his former friend, Donald Valentine (Griffin), and, while breaking him becomes, ruins himself. However, through the strange workings of the human mind, he wins the love of his wife.

Cast

References

Bibliography

  • Goble, Alan. The Complete Index to Literary Sources in Film. Walter de Gruyter, 1999.