Shamel Pitts

Pitts was born in Brooklyn, New York in 1985, but he spent most of his 20s in Tel Aviv, Israel.{{cite web|url=https://sites.lsa.umich.edu/mqr/2018/06/sharing-the-unspoken-an-interview-with-shamel-pitts-and-mirelle-martins/|title=Sharing the Unspoken: An Interview with Shamel Pitts and Mirelle Martins|date=8 June 2018 |access-date=2022-01-19|archive-date=2022-01-19|archive-url=https://web.archive.org/web/20220119052655/https://sites.lsa.umich.edu/mqr/2018/06/sharing-the-unspoken-an-interview-with-shamel-pitts-and-mirelle-martins/|url-status=live}} He started training in dance at Fiorello H. LaGuardia High School for Music and Art & The Performing Arts, and simultaneously, at LaGuardia High School for Music and Art, while studying Performing Arts at The Ailey School at the same time. For his BFA in Dance, he attended The Juilliard School and he was given the Martha Hill Award for excellence in dance.{{cite web|url=https://www.gf.org/fellows/all-fellows/shamel-pitts/|title=SHAMEL PITTS|access-date=2022-01-19|archive-date=2022-01-19|archive-url=https://web.archive.org/web/20220119052655/https://www.gf.org/fellows/all-fellows/shamel-pitts/|url-status=live}}

Pitts began his career at Mikhail Baryshnikov's Hell's Kitchen Dance, Sidra Bell dance New York and BJM_Danse, Montreal (Formerly known as Les Ballets Jazz De Montreal). Under the artistic direction of Ohad Naharin in Israel, he danced with Batsheva Dance Company for 7 years. He has been a teacher for both, the Batsheva Dance Company and The Young Ensemble. He has served as an artist in residence at Harvard University{{cite web|url=https://tdm.fas.harvard.edu/event/harvard-dance-center-master-class-shamel-pitts|title= Harvard Dance Center Master Class: Shamel Pitts}} and also an adjunct at The Juilliard School. In 2016, he moved to Brazil where he started his work with Mirelle Martins, a Brazilian performance artist on BLACK VELVET.{{cite web|url=https://www.brooklynpaper.com/black-velvet-brooklyn-raised-dancer-prepares-for-hometown-debut-of-international-act/|title=BLACK VELVET: BROOKLYN RAISED DANCER PREPARES FOR HOMETOWN DEBUT OF INTERNATIONAL ACT|date=29 April 2019 |access-date=2022-01-19|archive-date=2022-01-19|archive-url=https://web.archive.org/web/20220119052655/https://www.brooklynpaper.com/black-velvet-brooklyn-raised-dancer-prepares-for-hometown-debut-of-international-act/|url-status=live}}

Pitts is the Founder and artistic director of the Tribe, a Brooklyn-based art collective, which received the 92Y Harkness Dance Center's Artists in Residence for the 2020–2021 season.{{cite web|url=https://www.92y.org/insider/harkness-artists-in-residence-2020-2021|title=Dorrance Dance and Shamel Pitts/TRIBE: our new dance artists in residence|access-date=2022-01-19|archive-date=2022-01-19|archive-url=https://web.archive.org/web/20220119052655/https://www.92y.org/insider/harkness-artists-in-residence-2020-2021|url-status=live}}

TRIBE is currently a Live Feed artist in residence at New York Live Arts under the artistic direction of Bill T. Jones.{{cite web|url=https://newyorklivearts.org/artist/shamel-pitts-tribe/|title=Shamel Pitts - Tribe at New York Live Arts|access-date=2022-03-14|archive-date=2022-05-25|archive-url=https://web.archive.org/web/20220525123821/https://newyorklivearts.org/artist/shamel-pitts-tribe/|url-status=live}}

Pitts has worked extensively as a choreographer, dancer, and teacher. In 2020, Pitts choreographed the play Help,{{cite web|url=https://theshed.org/program/225-help-a-new-play-by-claudia-rankine|title=What are White Men Thinking?}} by Claudia Rankine, directed by Taibi Magar, and commissioned at The Shed in New York.{{cite web|url=https://www.jacobspillow.org/events/inside-the-pillow-lab-shamel-pitts-tribe/|title=INSIDE THE PILLOW LAB: SHAMEL PITTS/TRIBE|access-date=2022-01-19|archive-date=2022-01-19|archive-url=https://web.archive.org/web/20220119052655/https://www.jacobspillow.org/events/inside-the-pillow-lab-shamel-pitts-tribe/|url-status=live}} With the collaboration of photographer Alex Apt, Pitts produced a work which portrays human expression through physical emotion inside of very intense climates and natural landscapes.{{cite web|url=https://shamelpitts.com/4seasons/|title=4SEASONS|access-date=2022-01-19|archive-date=2022-01-18|archive-url=https://web.archive.org/web/20220118062738/https://shamelpitts.com/4seasons/|url-status=live}}

As a conceptual artist and choreographer, Pitts has also created a triptych of multidisciplinary performance art works entitled: Black Box: Little Black Book Of Red, Black Velvet: Architectures And Archetypes, and Black Hole: Trilogy And Triathlon. This BLACK SERIES engaged 11 artists.{{cite web|url=https://itsatribe.org/about/|title=ABOUT THE COLLECTIVE|access-date=2022-01-19|archive-date=2022-01-20|archive-url=https://web.archive.org/web/20220120041950/https://itsatribe.org/about/|url-status=live}}

After leaving the Batsheva Dance Company, Pitts focused on his own work and received a lot of recognition for his first poetic dance performance called Black Box: Little Black Book of the Red.{{cite web|url=https://interviewenlair.com/shamel-pitts-black-box/|title=Shamel Pitts: BLACK BOX|date=28 December 2016 |access-date=2022-01-19|archive-date=2022-01-19|archive-url=https://web.archive.org/web/20220119052658/https://interviewenlair.com/shamel-pitts-black-box/|url-status=live}} While performing Black Box, he has constructed a personal, poetic narrative about the search for identity and striving for survival amidst impermanence, while using of spoken words, evocative lighting, and video. The New York Times reviews that "Black Box: The Little Black Book of Red is a dark, electrifying solo that incorporates some of Mr. Pitts’s writing on identity, a self-portrait of a dynamic dancer finding himself in a foreign land."{{cite web|url=https://www.nytimes.com/2018/05/24/arts/dance/dance-in-nyc-this-week.html|title=10 Dance Performances to See in N.Y.C. This Weekend|work=The New York Times |date=24 May 2018 |last1=Schaefer |first1=Brian }} Ora Brafman states that the texts of the performance "expose a scarred soul, extreme sensitivity for the body and the music of the language..."{{cite web|url=https://dancetalk.co.il/?p=1967|title=Black Box, Little Black Book of Red- Shamel Pitts. At Beit Hamidot, TLV}}{{cite web|url=https://www.pressreader.com/israel/jerusalem-post/20161225/282205125546850|title=Dance Review}}

In 2018, Pitts performed Black Velvet, expressing the sensibility of ideals, models and textures as a projection of self. In this performance, he used specific setting and objects such as ladder, a dress, spoken word, and lighting executed by projection as a symbolism to convey a particular meaning.{{cite web|url=https://www.nytimes.com/2014/11/02/arts/dance/shamel-pitts-on-a-dancers-life-in-israel.html|title=Turning Heads in Tel Aviv|work=The New York Times |date=31 October 2014 |access-date=2022-01-19|archive-date=2022-01-19|archive-url=https://web.archive.org/web/20220119052653/https://www.nytimes.com/2014/11/02/arts/dance/shamel-pitts-on-a-dancers-life-in-israel.html|url-status=live}} The New York Times described the performance as "A haunting duet", which shows the “imprint of his unmistakable style — gooey and guttural, rooted in his signature movement system known as Gaga.”{{cite web|url=https://www.nytimes.com/2019/05/17/arts/dance/shamel-pitts-black-velvet-bobbi-jene-smith-lost-mountain.html|title=2 Batsheva-Bred Choreographers, Speaking in Their Own Tongues|work=The New York Times |date=17 May 2019 |access-date=2022-01-19|archive-date=2022-01-19|archive-url=https://web.archive.org/web/20220119052654/https://www.nytimes.com/2019/05/17/arts/dance/shamel-pitts-black-velvet-bobbi-jene-smith-lost-mountain.html|url-status=live |last1=Burke |first1=Siobhan }} Joy Bernard is of the view that "BlackVelvet places a strong emphasis on the black identity of both of its performers."{{cite web|url=https://www.timeout.com/israel/blog/shamel-pitts-and-mirelle-martins-bring-dark-harmony-to-israels-stages-112217|title=Shamel Pitts and Mirelle Martins bring dark harmony to Israel's stages|work=Time Out Israel |last1=Bernard |first1=Joy }}

Black Hole is a kaleidoscopic performance art in which three black artists unite to create a trinity of vigor, afro-futurism, and embrace. In 2018, the project was developed with the support of TMU, American Dance Abroad, gloATL, PearlArts Studios, Dock 11 / Eden, Derida Dance Center, and Patrons, and was premiered in Sofia, Bulgaria and performed in Berlin; Verbania; Jerusalem.{{cite web|url=https://www.artsatl.org/shamel-pitts-on-the-u-s-premiere-of-black-hole-at-historic-rhodes-theatre/|title=Q&A: Shamel Pitts on the U.S. premiere of BLACK HOLE at the Rhodes Theatre|date=29 March 2019 |access-date=2022-01-19|archive-date=2022-01-19|archive-url=https://web.archive.org/web/20220119054158/https://www.artsatl.org/shamel-pitts-on-the-u-s-premiere-of-black-hole-at-historic-rhodes-theatre/|url-status=live}}

• 2003 – Fellow-Level 1, YoungArts Foundation
• 2018 – Choreography Fellowship, Princess Grace Award
• 2019 – Fellow in choreography, the New York Foundation for The Arts
• 2020 – Jacob's Pillow artist in residence
• 2020 – Fellow, John Simon Guggenheim Memorial Foundation
• 2024 – MacArthur Fellow{{Cite web |title=Shamel Pitts |url=https://www.macfound.org/fellows/class-of-2024/shamel-pitts |access-date=2024-10-08 |website=www.macfound.org |language=en |archive-date=2024-10-07 |archive-url=https://web.archive.org/web/20241007103554/https://www.macfound.org/fellows/class-of-2024/shamel-pitts |url-status=live }}

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Category:Living people

Category:Juilliard School alumni

Category:MacArthur Fellows

Category:African-American choreographers

Category:African-American dancers

Category:1985 births

Category:Dancers from New York (state)