Shubhapantuvarali

{{Infobox ragam

| name = Shubhapantuvarali

| synonym =

| image_name =

| image_alt =

| mela =

| chakra =

| type =

| arohanam = {{svaraC|S|R1|G2|M2|P|D1|N3|S'}}

| avarohanam = {{svaraC|S'|N3|D1|P|M2|G2|R1|S}}

| jeeva =

| chhaya =

| nyasa =

| vishesha =

| equivalent =

| similar =

}}

{{Use British English|date=November 2011}}

{{Use dmy dates|date=December 2020}}

{{Carnatic}}

Shubhapantuvarali (pronounced {{IAST|śubhapantuvarāḻi}}, meaning the auspicious moon) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 45th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called {{IAST|Shivapantuvarāḻi}} in Muthuswami Dikshitar school of Carnatic music.Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH PublicationsRaganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras Todi (thaat) is the equivalent in Hindustani music. Being sad in tone, it is usually used for sad songs by musicians.

Structure and Lakshana

Image:Shubhapantuvarali scale.svg

It is the 3rd rāgam in the 8th chakra Vasu. The mnemonic name is Vasu-Go. The mnemonic phrase is sa ra gi mi pa dha nu. Its {{IAST|ārohaṇa-avarohaṇa}} structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

  • Arohana: {{svaraC|S|R1|G2|M2|P|D1|N3|S'|foot=yes}}
  • Avarohana: {{svaraC|S'|N3|D1|P|M2|G2|R1|S|foot=yes}}

This scale uses the notes shuddha rishabham, sadharana gandharam, prati madhyamam, shuddha dhaivatham and kakali nishadham. As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the prati madhyamam equivalent of Dhenuka, which is the 9th melakarta scale.

''Janya'' rāgams

Shubhapantuvarali has a few minor janya rāgams (derived scales) associated with it. See List of janya rāgams for full list of rāgams associated with Shubhapantuvarali.

Compositions

Here are a few common compositions sung in concerts, set to Shubhapantuvarali.

Film Songs

=Language: [[Tamil language|Tamil]]=

class="wikitable"

!Song

!Movie

!Composer

!Singer

Enge Maraindhanayo

|Amara Deepam

|G. N. Balasubramaniam

|M. L. Vasanthakumari

Vanga Kadalin

|Melmaruvathur Arpudhangal

|K. V. Mahadevan

|Vani Jairam,S. P. Sailaja

Kaala Magal

|Anandha Jodhi

| rowspan="4" |Viswanathan–Ramamoorthy

| rowspan="3" |P. Susheela

Unnai Naan Santhithaen

|Aayirathil Oruvan

Indha Naadagam

|Palum Pazhamum

Oru Kootil

|Engirundho Vandhan

|S. P. Balasubrahmanyam,K. S. Chitra

Kaaviya Mullai

|Kaneer Pookal

|Shankar-Ganesh

|rowspan="6"|S. P. Balasubrahmanyam

Manathil Oru Paattu

|Manathile Oru Paattu

|Ilayagangai

Vaigaraiyil Vaigaikaraiyil

|Payanangal Mudivathillai

|rowspan="13"|Illayaraja

Engey Nimmathi

|Nadigan

Kandupudichen

|Guru Sishyan

Theerthakkarai Orathiley

|Theertha Karaiyinile

Ayiram Thamarai

|Alaigal Oivathillai

|S. P. Balasubrahmanyam, S. Janaki

Azhakindran Madhavan

|Sri Raghavendrar

|K.J. Yesudas, Malaysia Vasudevan

Moonu Mudichaala Muttala Aanen

|Amman Kovil Kizhakale

|rowspan=2|Malaysia Vasudevan

Ithukkuthana Un Mela Aasaipatten

|Ullam Kavarntha Kalvan

Ennai Nee Padathe

|Maragatha Veenai

|rowspan=2|S. Janaki

Unnai Nambi Valgiren

|Thambi Durai

Prabho Venkatesa

|Ezhumalayan Magimai

|S. P. Balasubrahmanyam, K. S. Chitra

Kanavugaley Kanavugaley

|Ananda Ragam

|rowspan=3|K. J. Yesudas

Iruhi Kidakkum Paarai

|Puthupatti Ponnuthaye

Poiyindri Meiyyodu

|Saranam Ayyappa

|rowspan=2|Chandrabose

Vethala Madichi Kodukka Aasaiya

|Paatti Sollai Thattathe

|S. P. Balasubrahmanyam, K. S. Chitra

Aalamara Kilaiyinilae

|Kannamma

|S. A. Rajkumar

|Swarnalatha

=Language: [[Malayalam]]=

class="wikitable"

!Song

!Movie

!Composer

!Singer

Rama Katha Ganalayam

|Bharatham

|Raveendran

|Yesudas

Ore Kadal (All Songs)

|Ore Kadal

|Ouseppachan

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.

Shubhapantuvarali's notes when shifted using Graha bhedam, yields a melakarta rāgam, namely, Chalanata. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration refer Graha bhedam on Chalanata.

Notes

{{notelist|30em}}

References

{{Reflist}}

{{Melakarta ragas|state=collapsed}}

{{Janya|state=collapsed}}

Category:Melakarta ragas