Shunk-Kender
{{Short description|Artistic collaboration of Harry Shunk and János Kender}}
{{Use dmy dates|date=April 2022}}
Shunk-Kender is the artistic collaboration of Harry Shunk and János Kender, who worked together largely from 1958 to 1973.{{cite news|first1=Ted|last1=Loos|access-date=2021-07-04|title=Art-Scene Glimpses, Lost Then Found|url=https://www.nytimes.com/2013/12/19/arts/design/roy-lichtenstein-foundation-donates-shunk-kender-photo-trove.html|newspaper=The New York Times|date=18 December 2013|issn=0362-4331}}{{cite web|first1=Hrag|last1=Vartanian|access-date=2021-07-04|title=Two Photographers Emerge from the Shadows with Over 400 Artist Portraits|url=http://hyperallergic.com/99460/two-photographers-emerge-from-the-shadows-with-over-400-artist-portraits/|date=20 December 2013|website=Hyperallergic}}
Artistic duo
Shunk and Kender were based initially in Paris and later in New York City.{{cite web|access-date=2021-07-04|title=Shunk-Kender. Art on Camera|url=https://wsimag.com/art/14073-shunk-kender-art-on-camera|date=18 March 2015|website=Wall Street International}} They collaborated with many artists including Yves Klein (on "Leap into the Void" (1960)),{{cite web|access-date=2021-07-04|title=Exposed: photography's fabulous fakes|url=http://www.theguardian.com/artanddesign/2016/jan/31/exposed-photographys-fabulous-fakes|date=31 January 2016|website=The Guardian}}{{cite web|access-date=2021-07-04|title=Performing for the Camera review – pain, passport photos and genital panic|url=http://www.theguardian.com/artanddesign/2016/feb/15/performing-for-the-camera-review-tate-modern-exhibition|date=15 February 2016|website=The Guardian}}{{cite web|access-date=2021-07-04|url=https://www.metmuseum.org/art/collection/search/266750|title=Leap into the Void|website=www.metmuseum.org}} Robert Rauschenberg, Merce Cunningham, Eva Hesse, Alexander Calder, Man Ray, Christo and Jeanne-Claude, and around 400 others.
They "were hired as a team by artists and dealers to record events from routine gallery openings to major conceptual happenings." They attributed their work to the pair of them rather than individually.
Disbanding
Publications
- Shunk-Kender – Art Through the Eye of the Camera (1957–1983). Paris: Xavier Barral, 2019. {{ISBN|978-2365112369}}.
- Shunk-Kender – L'art sous l'objectif (1957–1982). Paris: Xavier Barral, 2019. {{ISBN|978-2365112147}}.
Exhibitions
=Solo exhibitions=
- Art on Camera: Photographs by Shunk-Kender, 1960–1971, Museum of Modern Art, New York, 2015{{cite web|access-date=2021-07-04|title=Art on Camera: Photographs by Shunk-Kender, 1960–1971|url=https://www.moma.org/calendar/exhibitions/1492|website=The Museum of Modern Art}}
=Group exhibitions=
- Performing for the Camera, Tate Modern, London, 2016{{cite news|access-date=2021-07-05|title=Performing for the Camera, Tate Modern, London|url=https://www.ft.com/content/dc9c9c64-d569-11e5-829b-8564e7528e54|newspaper=Financial Times|date=21 February 2016 |last1=Spence |first1=Rachel }}{{cite web|access-date=2021-07-05|title=Performing for the camera long pre-dates the selfie|url=https://www.independent.co.uk/arts-entertainment/art/features/performing-for-the-camera-at-tate-modern-the-urge-to-put-on-a-show-in-front-of-the-lens-predates-the-selfie-a6854031.html|date=6 February 2016|website=The Independent}}{{cite web|access-date=2021-07-05|title=Performing for the Camera review – pain, passport photos and genital panic|url=http://www.theguardian.com/artanddesign/2016/feb/15/performing-for-the-camera-review-tate-modern-exhibition|date=15 February 2016|website=The Guardian}}{{cite web|access-date=2021-07-05|title=Aesthetica Magazine - Performing for the Camera, Tate Modern|url=https://aestheticamagazine.com/performing-for-the-camera-tate-modern/|website=Aesthetica Magazine}}{{cite web|access-date=2021-07-05|title=The art of posing: 'Performing for the Camera' at Tate Modern|url=https://www.wallpaper.com/art/performing-for-the-camera-at-tate-modern|date=18 February 2016|website=Wallpaper*}}
Collections
The Roy Lichtenstein Foundation donated the Harry Shunk and Shunk-Kender Photography Collection—more than 200,000 prints, negatives and other photographic material—to a consortium of five art institutions: Centre Pompidou in Paris (10,000 prints),{{cite web|access-date=2021-07-04|title=Fonds Harry Shunk et Shunk-Kender|url=https://www.centrepompidou.fr/en/ressources/archive/zbJxEzQ|website=Centre Pompidou}} Getty Research Institute in Los Angeles ("183,000 items, including a near-complete set of 19,000 prints, 12,000 contact sheets, 126,000 negatives, and 26,000 color transparencies and slides"),{{cite web|access-date=2021-07-04|title=Harry Shunk and Shunk-Kender Archive (Getty Research Institute)|url=https://www.getty.edu/research/special_collections/notable/shunk_kender.html|website=www.getty.edu}} Museum of Modern Art in New York City, National Gallery of Art in Washington, D.C. (around 2,300 images documenting Christo and Jeanne-Claude and their epic installation works),{{cite web|access-date=2021-07-04|title=Shunk-Kender Photography Collection|url=https://www.nga.gov/research/library/imagecollections/features/christo-jeanne-claude/shunk-kender.html|website=www.nga.gov}} and Tate in the UK (305 works).{{cite web|access-date=2021-07-04|title=Harry Shunk 1924–2006|url=https://www.tate.org.uk/art/artists/harry-shunk-6362|website=Tate}} {{As of|2013}} the Foundation retained roughly 25,000 Shunk-Kender works.