Shuvinai Ashoona

{{Infobox artist

| name = Shuvinai Ashoona
ᓱᕕᓂ ᐊᓱᓇ

| image = Shuvinai Ashoona Drawing.jpg

| caption =

| birth_date = {{birth year and age|1961|8}}

| birth_place = Cape Dorset, Northwest Territories
(now Kinngait, Nunavut)

| nationality =

| field = Draughtperson, graphic artist

| training =

| works =

| patrons =

| influenced by =

| influenced =

| awards = Gershon Iskowitz Prize (2018)

}}

Shuvinai Ashoona {{Post-nominals|country=CAN|RCA|size=100%}} ({{langx|iu|ᓱᕕᓂ ᐊᓱᓇ}},{{cite web |title=Artist: Shuvinai Ashoona – ᓱᕕᓂ ᐊᓱᓇ |url=https://katilvik.com/browse/artists/9267-shuvinai-ashoona/ |website=KATILVIK |access-date=28 November 2023}} born August 1961[http://www.dorsetfinearts.com/shuvinai-ashoona Shuvinai Ashoona] at Dorset Fine Arts) is an Inuk artist who works primarily in drawing.Feheley Fine Arts. [http://www.feheleyfinearts.com/artists.php?name=Shuvinai%20Ashoona. Shuvinai Ashoona]. Retrieved 8 March 2015 She is known for her detailed pen and pencil drawings depicting northern landscapes and contemporary Inuit life.

Biography

Ashoona was born in 1961 in Cape Dorset, Northwest Territories, now Kinngait, Nunavut, to a family of celebrated artists. Her father Kiugak Ashoona was a sculptor, her mother Sorosilooto Ashoona was a graphic-artist and her grandmother Pitseolak Ashoona was one of the most acclaimed Inuit artists of her generation.{{cite book|last1=Blodgett|first1=Jean|title=Three women, three generations: drawings by Pitseolak Ashoona, Napatchie Pootoogook and Shuvinai Ashoona|date=1999|publisher=McMichael Canadian Art Collection|location=Kleinburg, Ont.|isbn=9780777889251|oclc=43282142}} She is also related to artists Napachie Pootoogook, her aunt, and Annie Pootoogook, her cousin, with whom she was selected to participate in the 2012 Massachusetts Museum of Contemporary Art, Oh, Canada a showcase of contemporary Canadian artists curated by Denise Markonish and held at the Massachusetts Museum of Contemporary Art.{{cite journal|last1=Balzer|first1=David|title=Shuvinai Ashoona|journal=The Believer|date=2011|issue=November/December|url=http://www.believermag.com/issues/201111/?read=interview_ashoona|access-date=10 March 2015}}{{cite web|last1=Tousley|first1=Nancy|title=Oh, Canada: National Dreams|url=http://canadianart.ca/features/2012/05/31/oh-canada-mass-moca/|work=Canadian Art|access-date=10 March 2015|archive-url=https://web.archive.org/web/20150306085053/http://canadianart.ca/features/2012/05/31/oh-canada-mass-moca/|archive-date=6 March 2015|url-status=dead}} Ashoona attended high school in Iqaluit, but soon returned to the Kinngait region with her daughter, living with her family at outposts like Luna Bay and Kangiqsualujjuaq. This experience informs her detailed, animate drawings of Inuit Nunangat.{{Cite web|url=https://www.itk.ca/taimannganit/|title=Inuit Nunangat Taimannganit|website=Inuit Tapiriit Kanatami|language=en-US|access-date=2019-03-29}}{{Cite web|url=https://www.aci-iac.ca/art-books/shuvinai-ashoona/biography|title=Shuvinai Ashoona|website=Art Canada Institute – Institut de l’art canadien|language=en|access-date=2019-03-29}} The Ashoona family returned to Kingait in the late 1980s, and Shuvinai began visiting Kinngait Studios.{{Cite web|url=http://www.dorsetfinearts.com/printmaking|title=Printmaking|website=Dorset Fine Arts|language=en-US|access-date=2019-03-29}} There her artistic style was influenced by her aunts and fellow studio members Napachie Pootoogook and Mayoreak Ashoona,{{Cite web|url=https://iad.inuitartfoundation.org/lite/artist/Mayoreak-Ashoona|title=Mayoreak Ashoona {{!}} Inuit Art Foundation {{!}} Artist Database|website=Inuit Art Foundation|language=en|access-date=2019-03-29}} as well as Kenojuak Ashevak.

Artistic career

File:Shuvinai Ashoona's Shoveling Worlds.JPG in 2013{{cite web |url=http://canadianart.ca/news/2013/10/24/ago-acquires-art-by-funk-burnham-ashoona-sidarous/ |title=AGO Acquires Works by Funk, Burnham, Ashoona & Sidarous at Art Toronto |last=Sandals |first=Leah |date=October 24, 2013 |website=canadianart.ca |publisher=Canadian Art |access-date=March 11, 2015 |archive-url=https://web.archive.org/web/20150402110717/http://canadianart.ca/news/2013/10/24/ago-acquires-art-by-funk-burnham-ashoona-sidarous/ |archive-date=2 April 2015 |url-status=dead }}]]

Ashoona's drawings are sometimes rooted in nature, but other times drawn from imagination, creating a claustrophobic, dense effect on paper.{{cite book|last1=McMaster|first1=Gerald|title=Inuit Modern: The Samuel and Esther Sarick Collection|date=2010|publisher=Art Gallery of Ontario|location=Toronto|isbn=978-1553657781|oclc=667805431|edition=1st U.S.}} Recurring images include the egg shape; the kudlik, a stone oil lamp; and the ulu; historical images or events occasionally appear, like the Nascopie, a supply ship which brought goods and people to Cape Dorset until its sinking in 1947.Time Interrupted exhibition catalogue, 4–25 November 2006. Toronto: Feheley Fine Arts, 2006. Setting Ashoona's work apart from the Inuit artists before her is a reflection of the blending of modern and traditional life in Nunavut.{{cite web |url=http://www.nunatsiaqonline.ca/stories/article/65674shuvinai_ashoonas_21st_century_style/ |title=Shuvinai Ashoona's 21st century style represents Nunavut as she sees it |last=Varga |first= Peter |date=2 July 2013 |website=www.nunatsiaqonline.ca |publisher=Nunatsiaq News |access-date=11 March 2015}}

Her first drawings in the Kinngait Studios archives—the internationally renowned printmaking studio founded by the West Baffin Eskimo Cooperative in 1959{{cite web|last1=Alsop|first1=Jennifer|title=History of Cape Dorset and the West Baffin Eskimo Co-operative|url=http://www.learningcentre.coop/resource/history-cape-dorset-and-west-baffin-co-operative|publisher=The Co-operative Learning Centre|access-date=8 March 2015|date=2010}}—date from around 1993. Her early works were small, detailed, monochromatic landscape drawings, often depicting rocky, sparsely populated terrains from aerial perspectives. Ashoona's monochromes are densely rendered, stunningly intricate compositions in ink and black fineliner.{{Cite web|url=https://www.aci-iac.ca/art-books/shuvinai-ashoona/style-and-technique|title=Shuvinai Ashoona|website=Art Canada Institute – Institut de l’art canadien|language=en|access-date=2019-03-29}} These landscapes were partly realistic in depicting detailed topography around Cape Dorset (Kinngait) and partly fantasy, for example, elements such as stairs that emerge as land formations yet lead nowhere. In sharp contrast to the work of other Kinngait artists, these landscape views were largely devoid of human activity and were also unusual in their introspective quality, seemingly to mirror an interior world while illustrating an exterior one.Christine Lalonde, Acquisition Proposal for Shuvinai Ashoona's Untitled (Eden), accession #42917, Curatorial File, National Gallery of Canada. Because of her painstaking drawing process, it took several years to develop a body of work substantial enough for exhibition. Although two small etchings were included in the 1997 annual Cape Dorset print collection, her first major exhibition was in 1999, Three Women, Three Generations: Drawings by Pitseolak Ashoona, Napatchie Pootoogook and Shuvinai Ashoona curated by Jean Blodgett at the McMichael Canadian Art Collection in Kleinburg, Ontario. One of six works from this period acquired by the National Gallery of Canada, Rock Landscape was also featured in the CBC radio series, All in a Day (One Treasure at a Time) in 2003.

She began using colour in her drawings in the early 2000s, portraying human figures, their shelters, and tools within graphic, imposing topographies, like in the work Composition (Sewage Truck) (2007–8) in the Samuel and Esther Sarick Collection of the Art Gallery of Ontario. Throughout her career the internal cosmology of her works has become more pronounced, with eggs, card suits, globes, and snatches of text surfacing over and over.{{Cite web|url=https://www.aci-iac.ca/art-books/shuvinai-ashoona/significance-and-critical-issues|title=Shuvinai Ashoona|website=Art Canada Institute – Institut de l’art canadien|language=en|access-date=2019-03-29}} Her collaborative work (with John Noestheden), Earth and Sky is a gigantic banner that debuted at Art Basel in 2009 in an installation complex called Stadthimmel ("Citysky"). It was also exhibited at the 2012 Biennale of Sydney "All Our Relations," and at the Justina M. Barnicke Gallery at the University of Toronto, paired with the Toronto-based artist Shary Boyle.{{Cite book|title=Women in charge: artiste Inuit contemporanee = Inuit contemporary women artists = artistes Iunuit contemporaines|last=Stefania.|first=Tiberini, Elvira|date=2011|publisher=Officina libraria|others=Museo preistorico-etnografico Luigi Pigorini.|isbn=9788889854655|location=Milano|oclc=778841636}} Boyle and Ashoona went on to collaborate on the 2015 travelling exhibition Universal Cobra,{{Cite web|url=https://canadianart.ca/reviews/shuvinai-ashoona-and-shary-boyle-mix-imagination-and-politics/|title=When Imagination and Politics Mix|last=Falvey|first=Emily|website=Canadian Art|language=en-US|access-date=2019-03-29}} building collaborative fantasy worlds, sharing space on the paper.{{Cite web|url=https://www.aci-iac.ca/art-books/shuvinai-ashoona/key-works/composition-attack-of-the-tentacle-monsters|title=Shuvinai Ashoona, Composition (Attack of the Tentacle Monsters), 2015|website=Art Canada Institute – Institut de l’art canadien|language=en|access-date=2019-03-29}}

In roughly 2009 Ashoona began working with a motif of worlds, drawing human, animal, and hybrid figures interacting with blue and green planets within fantastical settings, as exhibited in Shuvinai's World(s) at Feheley Fine Arts in Toronto, September 2012.Milroy, Sarah. [https://www.theglobeandmail.com/arts/art-and-architecture/shuvinai-ashoona-inuit-feminism-goes-global/article4526420/ "Inuit Feminism Goes Global."] The Globe and Mail. 8 September 2012. Retrieved 8 March 2015. She has exhibited frequently with Feheley Fine Arts and Marion Scott Gallery in Vancouver.{{Cite web|url=https://feheleyfinearts.com/artists/shuvinai-ashoona/|title=Shuvinai Ashoona Contemporary Inuit Artist {{!}} Feheley Fine Arts|website=Feheley Fine Arts – Inuit Art Gallery|language=en-US|access-date=2020-03-05}}{{Cite web|url=http://marionscottgallery.com/portfolio-item/shuvinai-ashoona/|title=Shuvinai Ashoona|website=Marion Scott Gallery|language=en-US|access-date=2020-03-05}}

Mapping Worlds, a survey of work by Shuvinai Ashoona, was organized and presented by The Power Plant (Toronto) in 2019.{{Cite web|url=http://www.thepowerplant.org/Exhibitions/2019/Winter-2019/Mapping-Worlds.aspx|title=The Power Plant – Exhibitions – The Power Plant Contemporary Art Gallery – Harbourfront Centre|website=www.thepowerplant.org|access-date=2020-03-05}} Described as her first major solo museum exhibition, Mapping Worlds continues to circulate in 2020, including at the Leonard and Bina Ellen Art Gallery at Concordia University (Montréal){{Cite web|url=https://www.concordia.ca/content/shared/en/news/stories/2019/10/28/concordias-leonard-and-bina-ellen-art-gallery-hosts-the-first-major-solo-museum-exhibition-of-shuvinai-ashoona.html|title=Concordia's Leonard and Bina Ellen Art Gallery hosts the first major solo museum exhibition of Shuvinai Ashoona|website=www.concordia.ca|language=en|access-date=2020-03-05}} and at the Vancouver Art Gallery.{{Cite web|url=https://www.vanartgallery.bc.ca/exhibitions/shuvinai-ashoona-mapping-worlds|title=Shuvinai Ashoona: Mapping Worlds|website=www.vanartgallery.bc.ca|access-date=2020-03-05}} Beyond Canada, [https://www.cca-glasgow.com/programme/shuvinai-ashoona-holding-on-to-universes Holding on to Universes], an exhibition of her lesser known work is being presented in 2020 at the Glasgow Centre for Contemporary Arts in Scotland.{{Cite news|url=https://www.theglobeandmail.com/arts/art-and-architecture/article-art-trip-shuvinai-ashoona-collapses-boundaries-at-the-centre-for/|title=Art Trip: Shuvinai Ashoona collapses boundaries at the Centre for Contemporary Arts in Glasgow|access-date=2020-03-06}}

Ashoona is the subject of a short documentary film titled Ghost Noise (2010), directed by Marcia Connolly{{cite encyclopedia|last1=Bingham|first1=Russell|title=Shuvinai Ashoona|url=http://www.thecanadianencyclopedia.ca/en/article/shuvinai-ashoona/|encyclopedia=The Canadian Encyclopedia|date=12 December 2013}} and had the song "Midnight Sun" dedicated to her by musician Kevin Hearn, who she painted a guitar for.{{cite web |url=http://exclaim.ca/Music/article/kevin_hearn_gets_lou_reed_ron_sexsmith_dan_hill_more_to_guest_on_days_in_frames_lp_shares_new_single |title=Kevin Hearn Gets Lou Reed, Ron Sexsmith, Dan Hill for 'Days in Frames' LP, Shares New Single |last=Murphy |first=Sarah |date=28 October 2014 |website=exclaim.ca |publisher=Exclaim! |access-date=11 March 2015}}

In 2018, Ashoona was awarded the Gershon Iskowitz Prize for her outstanding contribution to the visual arts in Canada.{{cite web |last1=Sandals |first1=Leah |title=Shuvinai Ashoona Wins $50K Gershon Iskowitz Prize |url=https://canadianart.ca/news/shuvinai-ashoona-wins-50k-gershon-iskowitz-prize/ |website=Canadian Art |access-date=30 January 2019}}{{Cite web|url=https://ago.ca/press-release/shuvinai-ashoona-wins-2018-gershon-iskowitz-prize|title=SHUVINAI ASHOONA WINS THE 2018 GERSHON ISKOWITZ PRIZE|website=Art Gallery of Ontario|date=25 January 2019 |language=en|access-date=2019-03-31}} In 2024, she was awarded a Governor General's Awards in Visual and Media Arts.{{cite web |title=Winners |url=https://en.ggarts.ca/shunivai-ashoona |website=en.ggarts.ca |publisher=Governor General of Canada |access-date=15 March 2024}}

Shuvinai Ashoona

Biography

Artistic career

References

Further reading