So Alive (Love and Rockets album)

{{Use dmy dates|date=April 2022}}

{{more citations needed|date=January 2015}}

{{Infobox album

| name = So Alive

| type = live

| artist = Love and Rockets

| cover = So Alive album front cover.jpg

| alt =

| released = 13 May 2003

| recorded = 5 December 1987, 23 March 1996

| venue =

| studio =

| genre = Alternative rock

| length =

| label = Psychobaby

| producer = Marc Kordelos, Ritchie Rees

| prev_title = Lift

| prev_year = 1998

| next_title = Sorted! The Best of Love and Rockets

| next_year = 2003

}}

{{Album ratings

| rev1 = Allmusic

| rev1score = {{rating|3|5}}{{cite web |url=http://www.allmusic.com/album/so-alive-r638357 |title=So Alive |author=MacKenzie Wilson |work=Allmusic |accessdate=26 February 2012}}

}}

So Alive is a live album by English alternative rock band Love and Rockets. It was released on 13 May 2003. It comprises two of the band's live performances: one on 5 December 1987 and the other on 23 March 1996.

Track listing

{{Track listing

| all_writing = Love and Rockets, except where noted

| title1 = Intro

| length1 = 0:25

| title2 = Ball of Confusion (That's What the World Is Today)

| writer2 = Norman Strong, Barrett Whitfield

| length2 = 4:54

| title3 = Judgment Day

| length3 = 4:11

| title4 = Natacha

| length4 = 5:19

| title5 = Rock On

| length5 = 3:25

| title6 = Fever

| length6 = 3:48

| title7 = So Alive

| length7 = 2:51

| title8 = Use Me

| length8 = 4:04

| title9 = Sweet F.A.

| length9 = 3:30

| title10 = No New Tale to Tell

| length10 = 3:21

| title11 = Spiked

| length11 = 3:14

| title12 = The Light

| length12 = 5:49

| title13 = Sweet Lover Hangover

| length13 = 4:24

| title14 = Mirror People

| length14 = 4:23

| title15 = Bubble Man Intro

| length15 = 1:08

| title16 = Seventh Dream of Teenage Heaven

| length16 = 7:30

| title17 = Love Me

| length17 = 4:54

| title18 = It Could Be Sunshine

| length18 = 4:58

}}

Personnel

; Love and Rockets

; Production

  • Marc Kordelos – executive production
  • Ritchie Rees – executive production
  • Don C. Tyler – mastering

References