Somersault (film)

{{Infobox film

| name = Somersault

| image = Somersault movie poster.jpg

| caption = Theatrical release poster

| director = Cate Shortland

| producer = Anthony Anderson

| writer = Cate Shortland

| starring = {{Plainlist|

}}

| music = Decoder Ring

| cinematography = Robert Humphreys

| editing = Scott Gray

| studio = Red Carpet Productions

| distributor = Hopscotch Films

| released = {{Film date|df=yes|2004|5|17|Cannes|2004|9|16|Australia}}

| runtime = 106 minutes

| country = Australia

| language = English

| budget = A$4 million{{cite web|url=http://static.thecia.com.au/reviews/s/somersault.rtf |title=Hopscotch Presents Somersault |publisher=Cinematic Intelligence Agency |access-date=27 April 2012 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20120418002258/http://static.thecia.com.au/reviews/s/somersault.rtf |archive-date=18 April 2012 }}

| gross = A$2.1 million{{cite web|url=http://www.moviemarshal.com.au/id-somersault.html|title=Somersault|publisher=Movie Marshal|access-date=27 April 2012|url-status=dead|archive-url=https://web.archive.org/web/20120324032641/http://www.moviemarshal.com.au/id-somersault.html|archive-date=24 March 2012|df=dmy-all}}

}}

Somersault is a 2004 Australian romantic drama film written and directed by Cate Shortland in her feature directorial debut. It was released on 16 September 2004 and screened in the Un Certain Regard section at the 2004 Cannes Film Festival.{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/4199808/year/2004.html |title=Festival de Cannes: Somersault |access-date=3 December 2009|work=festival-cannes.com}} It also swept the field at the 2004 Australian Film Institute Awards, winning every single feature film award (13 in total).

Exploring the themes of sexuality, alienation and emotion, Somersault is about a 16-year-old girl named Heidi (Abbie Cornish) who flees her Canberra home to the mountain town of Jindabyne in New South Wales. There she meets Joe (Worthington), the son of a local farmer, and gradually forms a relationship with him, despite his difficulty in expressing his feelings. He also seems to be unsure of his sexual orientation, despite having better-than-average luck meeting women.

The soundtrack is written and performed by Australian band Decoder Ring. At the ARIA Music Awards of 2004 the soundtrack was nominated for Best Original Soundtrack Album.{{Cite web |title=2004 - Best Original Soundtrack / Cast / Show Album |url=http://www.ariaawards.com.au/history/award/best-original-soundtrack-cast-show-album |url-status=dead |archive-url=https://web.archive.org/web/20120202215122/http://www.ariaawards.com.au/history/award/best-original-soundtrack-cast-show-album |archive-date=2 February 2012 |access-date=12 July 2022 |website=Australian Recording Industry Association (ARIA)}}

Plot

Heidi, a pretty teenager living in the Canberra suburbs, tries to seduce her mother Nicole's boyfriend, and flees home when her mother catches her. She takes a bus to a ski resort in the Snowy River National Park where a man lives who once gave her his business card and invited her to contact him if she was ever in town. However, when she phones him, his wife answers the phone and he says that he does not remember her. She tries meeting some boys her age at a club and an older man in a ski shop but nobody wants to help her.

In a bar, a young man called Joe who saw her in the club the previous night buys her a drink. Without anywhere to sleep, he takes her to a motel but leaves for work in the morning. She strikes up a friendship with Irene, the woman who runs the motel who gives her breakfast. She asks for a job but, after Heidi says that her mother is dead, Irene allows her to stay in the room and pay the following day. Heidi calls Joe at his parents' farm but he doesn't return her calls. Irene, knowing she doesn't have the money for the room, puts her in her son's flat, though she still wants rent in due course. In order to pay for it, Heidi needs a job, and is hired at a petrol station. Joe sees her by accident and they go for a drink and back to her flat. Her co-worker is Bianca and they become friends later on after Bianca's mother offers her a lift home, where Joe is waiting at her flat. This begins a tentative dating relationship between the two.

One night, Joe and Heidi encounter some of his friends, who mock her for working in a petrol station. When Joe and Heidi go to a Chinese restaurant, she asks him if he loves her, and when he refuses to make any commitment or even discuss it, she swallows a bowl of hot chili peppers. He drags her to the bathroom to throw up and takes her back to the motel. He then goes to a party where his friends who mocked Heidi are hanging out. After a fight with one of his friends over Heidi, he then visits his neighbour Richard. Joe gets drunk and tells him how much he is obsessed with Heidi. Joe ends up kissing Richard, who is gay. Richard kisses him back but says he doesn't think Joe knows what he wants. Joe says nothing and disappears presumably into Richard's bedroom. The next morning, Joe drives home and his father is reading the newspaper at the breakfast table. Joe tells his father he's drunk and begins to cry. His father ignores his emotional distress.

Meanwhile, Heidi discovers that Bianca's father is the man she propositioned in the ski shop. When Heidi tries to leave, Bianca's father offers her a ride back home and tells her to stay away from his daughter because Heidi is a bad influence. The next day at work Bianca is cold and distant. When Heidi asks why, Bianca confesses her father told her everything. Angry, Heidi quits by storming out of the petrol station. That evening she goes to the night club and gets drunk. Two young men pick her up and go home with her. Although she is barely conscious, they kiss and undress her. One of the men undresses and is about to have sex with her when Joe comes in. Joe punches him in the face and Heidi and Joe leave. After they leave, Joe condemns Heidi's promiscuity and she accuses Joe of not caring for her, which he does not deny and drives off.

The next morning, Irene tells Heidi to leave. Heidi forces Irene to admit that her son is in prison for murder and confesses that her mother was not dead after all. Irene asks Heidi to call her mother and make amends. Later the next day, Heidi has packed up her things and is returning from a walk. Joe is waiting for her and is surprised to learn that Heidi is leaving. As they wait for Heidi's mother to come, Joe holds Heidi's hand — something he had difficulty doing previously.

The film ends as Heidi's mother arrives. Joe tries to give Heidi a kiss goodbye but Heidi stops him and says she's glad they met. Heidi embraces her mother, and when they drive off Heidi watches the icy scenery go by.

Cast

Abbie Cornish as Heidi
Sam Worthington as Joe
Lynette Curran as Irene
Nathaniel Dean as Stuart
Erik Thomson as Richard
Leah Purcell as Diane
Hollie Andrew as Bianca
Paul Gleeson as Roy
Olivia Pigeot as Nicole
Damian De Montemas as Adam
Anne Louise Lambert as Martha
Diana Glenn as Sally
Ben Tate as Sean

Reception

Somersault grossed $2,158,574 at the box office in Australia and was well received by critics.{{Cite web |url=http://film.vic.gov.au/resources/documents/AA4_Aust_Box_office_report.pdf |title=Film Victoria – Australian Films at the Australian Box Office |access-date=23 November 2010 |archive-date=23 July 2011 |archive-url=https://web.archive.org/web/20110723234802/http://film.vic.gov.au/resources/documents/AA4_Aust_Box_office_report.pdf |url-status=dead }} On review aggregator Rotten Tomatoes, the film has an approval rating of 84% based on 69 reviews, with an average rating of 6.9/10. The website's critics consensus reads, "A poignant coming-of-age tale marked by a breakout lead performance from Abbie Cornish and a successful directorial debut from Cate Shortland."{{cite web |title=Somersault (2004) |url=http://www.rottentomatoes.com/m/somersault/ |access-date=31 August 2022 |work=Rotten Tomatoes}} On Metacritic, the film has a weighted average score of 73, based on 21 critics, indicating "generally favorable reviews".{{cite web|title=Somersault Reviews – Metacritic|url=http://www.metacritic.com/movie/somersault|work=Metacritic|access-date=16 August 2017}}

Margaret Pomeranz and David Stratton of At the Movies both praised the film, giving it 4 stars. In her review, Pomeranz wrote "There's no doubting Cate Shortland's talent. Her vision for this film is delicate and wrenching, tentatively optimistic. I have images from the film that haunt me still, Heidi’s hands – that ultimate connecting point of us all, her vulnerable body wrapped up against the cold in her pale blue parka, the landscape of that world at the bottom of the mountains".{{cite web |date=9 September 2004 |title=At the Movies: Somersault |url=http://www.abc.net.au/atthemovies/txt/s1188200.htm |url-status=dead |archive-url=https://web.archive.org/web/20170822175002/http://www.abc.net.au/atthemovies/txt/s1188200.htm |archive-date=22 August 2017 |access-date=25 February 2015 |website=abc.net.au}} She gave additional praise to the performances of the cast.

Fenella Kernebone for SBS noted "Somersault is a real labour of love for Cate Shortland and every element in the film is carefully considered." Kernebone awarded the film four stars out of five.{{cite news | title=Somersault (review) | work=SBS | url=http://www.sbs.com.au/films/movie/531/Somersault |first=Fenella |last=Kernebone | access-date=14 February 2013}} Somersault premiered at the 2004 Cannes Film Festival, where it was screened as part of the Un Certain Regard and was the only Australian feature film at the festival that year.

=Accolades=

In the 2004 AFI Awards held on 29 October at Regent Theatre, Melbourne, Somersault made history by winning in all 13 categories. The film won the following awards: Best Film (awarded to producers Anthony Anderson and Jan Chapman); Best Direction (Cate Shortland); Best Original Screenplay (Cate Shortland); Best Actress in a Leading Role (Abbie Cornish); Best Actor in a Leading Role (Sam Worthington); Best Actress in a Supporting Role (Lynette Curran); Best Actor in a Supporting Role (Erik Thomson); Best Editing (Scott Gray); Best Cinematography (Robert Humphreys, A.C.S.); Best Sound (Mark Blackwell, Peter Smith and Sam Petty); Best Original Music Score (Decoder Ring); Best Production Design (Melinda Doring); Best Costume Design (Emily Seresin).

Somersault was also a big winner at the 2004 Film Critics Circle of Australia (FCCA) Annual Awards where it picked up five awards: Best Film; Best Director (Cate Shortland); Best Actress (Abbie Cornish); Best Cinematography (Robert Humphreys); Best Actress in a Supporting Role (Lynette Curran).

The film also dominated the publicly voted Lexus IF Awards, taking out six of its eight nominations. It won awards in the following categories: Best Director (Cate Shortland), Best Music, Best Cinematography, Best Script, Best Feature Film and Best Actress for Abbie Cornish.