Sound-on-disc

{{One source|date=May 2023}}

File:VitaphoneDemo.jpg

Sound-on-disc is a class of sound film processes using a phonograph or other disc to record or play back sound in sync with a motion picture. Early sound-on-disc systems used a mechanical interlock with the movie projector, while more recent systems use timecodes.

Examples of sound-on-disc processes

=France=

  • The Chronophone (Léon Gaumont) "Filmparlants" and phonoscènes 1902–1910 (experimental), 1910–1917 (industrial)Thomas Louis Jacques Schmitt, « The genealogy of clip culture » in Henry Keazor, Thorsten Wübbena (dir.) Rewind, Play, Fast Forward, transcript, {{ISBN|978-3-8376-1185-4}}

=United States=

File:The Voice From The Screen (Oct 1926).webm sound-on-disc process]]

=United Kingdom=

  • British Phototone, short-lived UK system using 12-inch discs, introduced in 1928-29 (Clue of the New Pin)

=Other=

Film censorship

During the 1920s and early 1930s, films in the United States were subject to censorship by state and city censor boards, which often required cuts of scenes before a film would be licensed for exhibition. While films using the sound-on-film process could accommodate a patch for a requested cut with ease, a film using sound-on-disc would require an expensive retake.{{cite book |last1=Leff |first1=Leonard J. |author-link= |last2=Simmons |first2=Jerold L. |author-link2= |title=The Dame in the Kimono: Hollywood, Censorship, and the Production Code |publisher=University Press of Kentucky |edition=2nd |date=2001 |pages=6–7 |url=https://books.google.com/books?id=Z7QhzlWkFowC&q=%22sound-on-disc%22 |isbn=978-0-8131-9011-2}} If the cost of compliance with a censor board was too high, the film would not be shown in that state or city.

See also

References