Stephanie Dabney
{{Use mdy dates|date=November 2022}}
{{Short description|African American dancer (1958–2022)}}
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| birth_date = {{birth date|1958|07|11}}
| birth_place = Philadelphia, Pennsylvania, U.S.
| death_date = {{death date and age|2022|09|28|1958|07|11}}
| death_place = New York City, U.S.
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| years_active = 1975–1996
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| dances = Ballet
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Stephanie Renee Dabney (July 11, 1958 – September 28, 2022) was an American dancer who performed as a prima ballerina with Dance Theatre of Harlem from 1979 through 1994.{{Cite news|url=https://www.nytimes.com/1994/03/14/arts/review-dance-a-company-still-in-search-of-a-repertory.html|title=Review/Dance; A Company Still in Search Of a Repertory|last=Kisselgoff|first=Anna|date=March 14, 1994|work=The New York Times}} Dabney is best known for her performances in John Taras' The Firebird, which she performed all over the world, as well as at the opening ceremony of the 1984 Summer Olympics in Los Angeles.{{Cite news|url=https://www.csmonitor.com/1984/0809/080907.html|title=Dramatic, zestful Dance Theater of Harlem in London|last=Willis|first=Margaret|date=August 9, 1984|work=The Christian Science Monitor}}{{Cite web|url=https://www.yahoo.com/news/standing-ovation-25-african-american-181149720.html|title=Standing ovation! These 25 African American ballerinas paved the way for Misty Copeland|last=Pratt|first=Stacy|date=April 13, 2017|website=Yahoo News}}{{Cite news|url=https://www.nytimes.com/1985/06/25/arts/ballet-harlem-troupe-s-giselle.html|title=BALLET: HARLEM TROUPE'S 'GISELLE'|last=Dunning|first=Jennifer|date=June 25, 1985|work=The New York Times}}
Early life
Born in Philadelphia, Pennsylvania into a military family, Dabney was raised in Youngstown, Ohio where she began her ballet training at Ballet Western Reserve at the age of 4. After seeing the Alvin Ailey American Dance Theater perform on tour, with dancers who looked like her, Dabney decided to become a professional dancer.{{Cite web |url=https://mobballet.org/index.php/2017/09/05/stephanie-dabney/ |title=Stephanie Dabney |website=MOBBallet.org |access-date=July 26, 2019}} The following year, Dance Theatre of Harlem conducted a residency in her town, during which Dabney enrolled in a masterclass with the company. Arthur Mitchell, co-founder and artistic director of DTH, observed her in class and invited her to study at his school in New York. Because she had already been awarded a scholarship to study at The Ailey School, she declined.{{Cite news |url=https://www.nytimes.com/1982/01/15/arts/dance-theater-of-harlem-a-magnet-for-youth.html |title=DANCE THEATER OF HARLEM A MAGNET FOR YOUTH |last=Dunning |first=Jennifer |date=January 15, 1982 |work=The New York Times}}
However, after one week at The Ailey School she realized that she preferred ballet to modern dance and decided to transfer to Dance Theatre Harlem's school. Three months later, in 1975, she joined the company as an apprentice under the name Stephanie Baxter.
Career
Working her way up through the company's repertory, Dabney had her breakthrough when John Taras selected her to premiere in the title role of his new version of The Firebird with costumes and sets by Geoffrey Holder.{{Cite news|url=https://www.nytimes.com/2010/10/06/nyregion/06about.html|title=A Firebird No Longer in Toe Shoes|last=Lee|first=Trymaine|date=October 5, 2010|work=The New York Times}} Dabney received ecstatic reviews from the three leading dance critics at The New York Times, Anna Kisselgoff, Jennifer Dunning, and Jack Anderson, for her performance.{{Cite news|url=https://www.nytimes.com/1984/09/28/arts/dance-harlem-troupe-at-city-center.html|title=DANCE: HARLEM TROUPE AT CITY CENTER|last=Kisselgoff|first=Anna|date=September 28, 1984|work=The New York Times}}{{Cite news|url=https://www.nytimes.com/1988/07/02/arts/review-dance-fokine-infuses-a-program-by-the-harlem-troupe.html|title=Review/Dance; Fokine Infuses a Program by the Harlem Troupe|last=Anderson|first=Jack|date=July 2, 1988|work=The New York Times}}{{Cite news|url=https://www.nytimes.com/1985/06/22/arts/ballet-harlem-dance-theater-in-triple-bill-of-diverse-styles.html|title=BALLET: HARLEM DANCE THEATER IN TRIPLE BILL OF DIVERSE STYLES|last=Dunning|first=Jennifer|date=June 22, 1985|work=The New York Times}} From that point onward, "Stephanie Baxter" was billed as "Stephanie Dabney".
Capitalizing on the success of Firebird, Arthur Mitchell had the company's Kennedy Center premiere of the work filmed and shown as part of Kennedy Center Tonight on WNET-TV at 9. The resulting program, Stravinsky's 'Firebird' by Dance Theatre of Harlem, featured a documentary on behind-the-scenes aspects of the production, and interviews with the creative team, followed by a live performance. This presentation was directed by Kirk Browning and produced and edited for Pittsburgh station WQED-TV by Beverly Baroff.{{Cite news|url=https://www.nytimes.com/1982/05/05/arts/tv-the-harlem-dancers-firebird.html|title=TV: THE HARLEM DANCERS' 'FIREBIRD'|last=O'Connor|first=John|date=May 5, 1982|work=The New York Times}} Two years later, Dabney was invited to perform as the Firebird alongside DTH as part of the opening ceremony of The 1984 Summer Olympics in Los Angeles.{{Cite news|url=https://www.nytimes.com/1984/08/13/sports/a-striking-closing-ceremony.html|title=A STRIKING CLOSING CEREMONY|last=Litsky|first=Frank|date=August 13, 1984|work=The New York Times}}
Over the course of her career with DTH, Dabney was celebrated for her performances in a wide range of repertory that included: George Balanchine's Concerto Barocco,{{Cite news|url=https://www.nytimes.com/1988/10/31/arts/reviews-dance-harlem-troupe-celebrates-itself-on-the-stage.html|title=Reviews/Dance; Harlem Troupe Celebrates Itself on the Stage|last=Anderson|first=Jack|date=October 31, 1988|work=The New York Times}} The Four Temperaments,{{Cite news|url=https://www.washingtonpost.com/archive/lifestyle/1991/04/09/dance/71b610ea-bfa2-4697-b467-b5671eb121c6/|title=Dance|last=Tomalonis|first=Alexandra|date=April 9, 1991|newspaper=The Washington Post}} and Allegro Brilliante,{{Cite news|url=https://www.washingtonpost.com/archive/.../92f3cf6d-6dcc-4e5f-bdb3-ca6a490025ba/|title=HARLEM'S FINE-TUNED BALANCHINE|last=Jackson|first=George|date=March 15, 1989|newspaper=The Washington Post}} Glenn Tetley's Voluntaries, Bronislava Nijinska's Rondo Capriccioso,{{Cite news|url=https://www.nytimes.com/1989/06/29/arts/review-ballet-solemn-giddy-dazzling-nijinska.html|title=Review/Ballet; Solemn, Giddy, Dazzling: Nijinska|last=Anderson|first=Jack|date=June 29, 1989|work=The New York Times}} Arthur Mitchell's Manifestations,{{Cite news|url=https://www.nytimes.com/1981/01/12/arts/the-dance-theater-of-harlem-troupe.html|title=THE DANCE: THEATER OF HARLEM TROUPE|last=Anderson|first=Jack|date=January 12, 1981|work=The New York Times}} Ruth Page and Bentley Stone's Frankie and Johnny,{{Cite news|url=https://www.nytimes.com/1983/02/19/arts/dance-harlem-theater-s-othello.html|title=Dance; Harlem Theatre's Othello|last=Kisselgoff|first=Anna|date=February 13, 1983|work=The New York Times}} Billy Wilson's Concerto in F,{{Cite news|url=https://www.nytimes.com/1987/03/21/arts/dance-agon-offered-by-troupe-in-harlem.html|title=DANCE: 'AGON' OFFERED BY TROUPE IN HARLEM|last=Dunning|first=Jennifer|date=March 21, 1987|work=The New York Times}} and Frederic Franklin's Swan Lake{{Cite news|url=https://www.washingtonpost.com/archive/lifestyle/1990/03/21/dance/9b8a6831-dd97-4fb9-a113-19c5b991361c/|title=Dance|last=Jackson|first=George|date=March 20, 1990|newspaper=The Washington Post}} & Creole Giselle.{{Cite news|url=https://www.nytimes.com/1989/06/24/arts/review-dance-harlem-troupe-displays-a-balanchine-presence.html|title=Review/Dance; Harlem Troupe Displays A Balanchine Presence|last=Dunning|first=Jennifer|date=June 24, 1989|work=The New York Times}}{{Cite web |url=https://www.latimes.com/archives/la-xpm-1985-05-14-ca-19214-story.html |title=Dance review : Dabney and Williams Join Harlem Theatre's 'Giselle' |date=May 14, 1985 |website=Los Angeles Times |access-date=July 26, 2019}}
Retirement
In 1990 Dabney was diagnosed with HIV. In 1996, following a year long battle with opportunistic infections, she formally retired from performing.{{Cite news|url=https://www.thefreelibrary.com/LIVING+WITH+AIDS%3A+SIX+DANCERS+SHARE+THEIR+STORIES.-a067832282|title=LIVING WITH AIDS: SIX DANCERS SHARE THEIR STORIES|last=Perron|first=Wendy|date=December 1, 2000|work=Dance Magazine}} Since retirement she has taught ballet at Spelman College.{{Cite book|title=Through The Eyes of a Dancer|last=Perron|first=Wendy|publisher=Wesleyan University Press|date=November 5, 2013|isbn=9780819574091|pages=163–169}} Dabney died at a nursing home in Manhattan, New York City on September 28, 2022, from cardiopulmonary arrest at the age of 64.{{cite web|title=Stephanie Dabney, Electrifying Prima Ballerina, Dies at 64|url=https://www.nytimes.com/2022/10/08/arts/dance/stephanie-dabney-dead.html|publisher=The New York Times|last=Bauer|first=Claudia|date=October 8, 2022|accessdate=October 8, 2022}}
References
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Category:Dance Theatre of Harlem dancers
Category:American HIV/AIDS activists
Category:20th-century American dancers
Category:African-American ballerinas
Category:Educators from Philadelphia
Category:People from Youngstown, Ohio
Category:Spelman College faculty