Stork (film)

{{Distinguish|Storks (film)}}

{{Use dmy dates|date=July 2021}}

{{Use Australian English|date=October 2012}}

{{Infobox film

| name = Stork

| image =

| caption =

| producer = Tim Burstall

| director = Tim Burstall

| writer = David Williamson

| based_on = The Coming of Stork by David Williamson

| starring = Bruce Spence
Jacki Weaver
Graeme Blundell

| music = Hans Poulsen

| cinematography = Robin Copping

| editing = Edward McQueen-Mason

| studio = Tim Burstall and Associates
Bilcock and Copping Film Productions

| distributor = Tim Burstall and Associates (initial release)
Roadshow Films
Umbrella Entertainment

| released = {{Film date|1971|12|27|df=yes}}

| runtime = 85 minutes

| country = Australia

| language = English

| budget = A$60,000Scott Murray, 'Tim Burstall', Cinema Papers Sept-Oct 1979 p493-494 or $80,000"{{cite news|newspaper=4 December 1976|page=8|first=Gavin|last=Souter|title = Australian film, makers take on all comers}}

| gross = A$224,000 (Australia)

}}

Stork is a 1971 Australian comedy film directed by Tim Burstall. Stork is based on the play The Coming of Stork by David Williamson. Bruce Spence and Jacki Weaver make their feature film debuts in Stork, being honoured at the 1972 Australian Film Institute Awards, where they shared the acting prize. Stork won the prize for best narrative feature and Tim Burstall won for best direction.{{Citation|title=Stork (at IMDb)|url=https://www.imdb.com/title/tt0067795/awards|access-date=2018-01-12}} Stork was one of the first ocker comedies.{{cite book |editor-last=Murray |editor-first=Scott |title=Australian Cinema |publisher=Allen & Unwin/AFC |location= St.Leonards, NSW. |year=1994 |pages= 76, 295 |isbn= 1-86373-311-6 }} Stork was the first commercial success of the Australian cinema revival called the Australian New Wave.{{cite book |last=McFarlane |first=Brian |author2=Mayer, Geoff |title=New Australian cinema: sources and parallels in American and British film |publisher=Cambridge University Press|year=1992 |page=[https://archive.org/details/newaustraliancin00mcfa/page/149 149] |isbn=978-0-521-38363-9 |url-access=registration |url=https://archive.org/details/newaustraliancin00mcfa/page/149 }}{{cite book |last=Reade |first=Eric |title=History and heartburn: the saga of Australian film, 1896-1978 |publisher=Harper & Row|year=1979 |pages=175–176 |isbn=978-0-8386-3082-2 }}

Plot

Stork is a 6-foot 7 hypochondriac who dreams of revolution and works at Holden. He is sacked from his job after doing a strip tease at work and goes to live in a share house in Carlton with his friend Westy and two trendy young men, Tony and Clyde, who share the same girlfriend, Anna. Stork loses his virginity to Anna and falls in love with her.

Anna falls pregnant and Clyde decides to marry her. Stork interrupts the wedding.

Cast

Production

The play The Coming of Stork had premiered in 1970 at La Mama Theatre, run by Betty Burstall. Her husband Tim Burstall saw the play and hired Williamson to adapt it, commenting that:

It had a kind of gaiety and brio. It was good-natured and it celebrated our own lives in a very straightforward way. It wasn't the precious or arty. It was Australian comedy of a pretty straightforward sort, but also of a pretty well-observed and accurate sort.[http://www.signis.net/malone/tiki-index.php?page=Tim+Burstall&bl&PHPSESSID=b84a60315abeb35485367633c6533d29 Interview with Tim Burstall, 30 March 1998] {{Webarchive|url=https://web.archive.org/web/20131115011440/http://www.signis.net/malone/tiki-index.php?page=Tim+Burstall&bl&PHPSESSID=b84a60315abeb35485367633c6533d29 |date=15 November 2013 }} Retrieved 14 October 2012

Most of the budget was raised privately; Burstall had obtained $7,000 from the Experimental Film and Television Fund to make a film called Filth which project manager Fred Schepisi allowed him to transfer over to Stork; $5,000 came from Bilcock and Copping, a company of Burstall's, with $21,000 from the sale of Burstall's Arthur Boyd paintings. Everyone was paid $200 a week. The film was shot in Melbourne in March and April 1971 on 16mm stock and a crew of twelve.David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p25

Williamson later said he felt Burstall directed Spence "a little bigger than I would have liked" and clashed in a few places with the director but on the whole the collaboration was a good one.{{cite magazine|first=Dave|last=Jones|title=David Williamson|magazine=Cinema Papers|issue=1|date=1 January 1974|page=7|url=https://ro.uow.edu.au/cgi/viewcontent.cgi?article=1000&context=cp}}

Release

Tim Burstall and his associates initially released the film themselves at St Kilda Palais, where it ran for a six-week season, earning $50,000 and returning $20,000 to the producers. They expanded the number of cinemas it played in, moving into Sydney. Hoyts and Greater Union refused to distribute but the film was picked up by Roadshow, who played it throughout Australia, using 35 mm prints blown up from the original.Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998 p262

The film was popular at the box office, taking $224,000 in film hire and returning $150,000 to the producers. It proved that low-budget films could be made and released profitably in Australia. This success led to Burstall and Roadshow establishing the production company Hexagon Productions.

Awards

The film won the following awards:

Home media

Stork was released on DVD by Umbrella Entertainment in September 2011. The DVD is compatible with region codes 2 and 4 and includes special features such as interviews with Tim Burstall, Alan Finney, Bruce Spence, David Williamson, Betty Burstall, Jacki Weaver and Rob Copping, a short film title Three Old Friends and the making of Three Old Friends.{{cite web|title=Umbrella Entertainment|url=http://www.umbrellaent.com.au/p-3002-stork.aspx|access-date=8 May 2013}}

References

{{Reflist}}