Summer School Teachers

{{Infobox film

| name = Summer School Teachers

| image = File:Summer School Teachers.jpg

| caption = Film poster by John Solie

| director = Barbara Peeters

| producer = Julie Corman

| writer = Barbara Peeters

| starring = Candice Rialson

| music = J.J. Jackson

| cinematography = Eric Saarinen

| editing = Barbara Pokras

| distributor = New World Pictures

| released = {{Film date|1974}}

| runtime = 85 mins

| country = USA

| language = English

| budget = $1.2 million{{Cite news|title=A Woman's Place Is in... Exploitation Films?: A Trend-Setter in the Youth Market Women in Exploitation Films|author=Gross, Linda.|date=Feb 12, 1978|work=Los Angeles Times|page=34}} or $250,000

| gross =

}}

Summer School Teachers is a 1974 feature film directed and written by Barbara Peeters and starring Candice Rialson. It is about three female friends who all teach at a school over the summer.[http://www.grindhousedatabase.com/index.php/Summer_School_Teachers Summer School Teachers] at Grindhouse Movie Database

The film was an unofficial follow up to The Student Teachers (1973).

Plot

Three friends from Iowa go to California for the summer, rent an apartment together, and teach at the same high school. PE teacher Conklin coaches an all-girl football team despite the opposition of the resident coach, and romances one of the male teachers. Sally teaches photography and despite being engaged to a man back home, has affairs with an eccentric rock star with a food fetish, and with a male chauvinist teacher who talks her into posing nude for some photos. Chemistry teacher Denise becomes involved with one of her students, a juvenile delinquent, who is falsely accused of participating in car stealing. Conklin finds out that funds for sport are being misspent by the coach. Both she and Sally are suspended, but all ends happily with the all-girl football team triumphant.

Cast

Candice Rialson as Conklin
Pat Anderson as Sally
Rhonda Leigh Hopkins as Denise
Will Carney as Jeremy
Grainger Hines as Bob
Christopher Barrett as Jeff
Dick Miller as Sam
Vince Barnett as Principal Adams
Norman Bartold as Agwin
Michael Greer as John John Lacey
Barbara Pell as Janice
Ka-Ron Sowell Brown as Jessie
Merie Earle as Ethel
Cecil Elliott as Freida
John Kerry as Hiram

Production

Barbara Peeters had worked for a number of years at New World Pictures in various capacities, notably second unit directing, and asked Roger Corman when she was going to get the chance to direct her own movie. Corman asked if she could write a "three girls" movie about teachers and Peeters agreed. She was from Iowa and made the film about teachers coming from Iowa.{{cite web|url=https://www.youtube.com/watch?v=9S7Gv1Gxwc4|title=Liberating Hollywood: Women Directors Barbara Peeters|date=26 June 2019|website=UCLA Film and Television Archive}}

Peeters said Corman felt the "three girl" formula worked for him. "It had the right amount of exploitation. You had three stories so you didn't have to get too deep on any of them and you could have three naked girls at some point in the movie and you had to have some action. It was the same formula and it had worked for him for a very long time."

At the time Peeters said she enjoyed working for Roger Corman:

He is always available and he doesn't hire you unless he trusts you. As long as you open big and close big and try to resolve three stories in the end, Roger lets you do what you want. Just be sure you put in either a sex scene or an action sequence every 15 minutes.

Reception

Roger Corman attributed the film's popularity to its strong female liberation statement, which he thought was the strongest of any film made by New World Pictures.Ed. J. Philip di Franco, The Movie World of Roger Corman, Chelsea House Publishers, 1979 p 208

=Critical=

The Los Angeles Times called it "an entertaining and breezy exploitation film... even though she operates on a very superficial level, screenwriter Peeters deals with real issues like the danger of labelling people or the trauma of teacher-student romance. As a director, Peeters excels in zany slapstick".{{Cite news|title=A Parlay of ERA, Sex and Football|author=Gross, Linda.|date=Apr 29, 1977|work=Los Angeles Times|page=g19}}

Diabolique magazine said the film was "feels like a screwball comedy rather than something sleazy. There is nudity... but the women are confident and in control: they do most of the seducing, they stick up for each other and the sisterhood, and the messages are mostly positive – girls should be able to do whatever boys can do, physical fitness is good, corruption is bad. This is the best character Rialson ever played."{{cite magazine|url=https://diaboliquemagazine.com/the-cinema-of-exploitation-goddess-candice-rialson/|magazine=Diabolique Magazine|first=Stephen|last=Vagg|title=The Cinema of Exploitation Goddess Candice Rialson|date=November 26, 2019}}