Surutti
{{Short description|A Janya raga of Carnatic music}}
{{Use dmy dates|date=February 2023}}
{{Carnatic}}File:Harikambhoji_scale.svg
{{Infobox ragam|name=Surutti|synonym=|image_name=|image_alt=|mela=|chakra=|type=|arohanam={{svaraC|S|R2|M1|P|N2|D2|N2|S'}}|avarohanam={{svaraC|S'|N2|D2|P|M1|G3|P|M1|R2|S}}|jeeva=|chhaya=|nyasa=|vishesha=|equivalent=Mixolydian mode|similar=}}Surutti is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the janya ragam of 28th Melakarta rāgam Harikambhoji in the 72 melakarta rāgam system.{{Cite web |title=Raga Surutti - Raga Surabhi: Raga Surabhi |url=https://www.ragasurabhi.com/carnatic-music/raga/raga--surutti.html |access-date=2023-02-19 |website=www.ragasurabhi.com}} Subbarama Dikshitar classifies this a bhashanga raga.{{Cite web |date=2013-04-03 |title=suruTTi - Madras Heritage and Carnatic Music |url=https://sriramv.com/2013/04/03/surutti/ |access-date=2023-02-19 |website=sriramv.com |language=en-US}} Its a Vakra raga (Zig-zag raga scale with seven notes in Arohana and nine in Avarohana)
Parent scale this raga is equivalent to Khamaj thaat of Hindustani Music.Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH PublicationsRaganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras The Janaka raga of this raga is known as Harikedāragowla in the Muthuswami Dikshitar school of music.
The notes of this raga is equivalent to Mixolydian mode of Western music but note order is zig-zag.
Structure and Lakshana
Its {{IAST|ārohaṇa-avarohaṇa}} structure is as follows (see swaras in Carnatic music for details on below notation and terms):
- Arohana: {{svaraC|S|R2|M1|P|N2|D2|8=N2|9=S'|foot=yes}}
- Avarohana: {{svaraC|S'|N2|D2|P|M1|G3|P|M1|R2|S|foot=yes}}
(notes used in this scale are chatushruti rishabham, antara gandharam, shuddha madhyamam, panchamam chatushruti daivatam, kaishiki nishadham)
Notes
{{notelist}}
Compositions
The Classical compositions in this rāgam:
- Sri Venkatesa Girisham, Angarakam Ashrayamyaham, Balasubrahmanyam Bhajeham, Sri Vanchanatham by Muthuswami Dikshitar (Sanskrit)
- Geetarthamu, Ramachandra Nee Daya, Verevvare Gati by Tyagaraja Swami (Telugu)
- Thillai Ambalattanai by Gopalakrishna Bharathi (Tamil)
- Manamalar Alithu by Thanjavur Shankara Iyer (Tamil)
- Parvai Ondre Podhume (Tamil), Kathaya Kathaya Rasane (Sanskrit) and Thillana by Oothukadu Venkatasubbaiyer
- Kaana Venum by Arunachala Kavirayar (Tamil)
- Sivaperuman Kripai by Papanasam Sivan (Tamil)
- Shive Pahi by Mysore Vasudevachar (Sanskrit)
- Padam - Indendhu Vachitivira (Telugu) by Kshetrayya or Melattur Kashinathayya (Disputed)
- Padam - Kontegadu (Telugu) by Kshetrayya
- Padam - Alarsara Parithapam - Jalajabandhu (Malayalam) by Maharaja Swati Tirunal
- Javali - Mariyada Teliyakane (Telugu) by Patnam Subramanya Iyer
- Javali - Vega Neevu (Telugu) by Poochi Srinivasa Iyengar
- Javali - Varemi (Telugu) by Dharmapuri Subbarayar
- Varnam - Entho Prema (Telugu) by Pallavi Gopala Iyer
- Chouka Varnam - Samiyentani (Telugu) by Subbarama Dikshitar
- Varnam - Sami Nee Todi (Telugu) by Pallavi Seshaiyyer
- Inthakante ghanamika ledu (Telugu) by Annamacharya
Film Songs
class="wikitable"
!Song !Movie !Language !Composer !Lyricist !Singer !Ref. |
Alarshara Parithaapam
|Kalamandalam Saraswathi, Machad Vasanthi |
Alarshara Parithaapam |
See also
References
{{Reflist}}
{{Melakarta ragas|state=collapsed}}
{{Janya|state=collapsed}}
{{Music-theory-stub}}