Sydney Box

{{Short description|British film producer and screenwriter (1907–1983)}}

{{Infobox person

| name = Sydney Box

| image =

| caption =

| birth_name = Frank Sydney Box[http://www.freebmd.org.uk Births England and Wales 1837-1915]

| birth_date = {{birth date|df=yes|1907|4|29}}

| birth_place = Beckenham, Kent, England, UK

| death_date = {{death date and age|df=yes|1983|5|25|1907|4|29}}

| death_place = Perth, Western Australia, Australia

| occupation = {{hlist|Film producer|writer|screenwriter|film company co-founder}}

| spouses = Muriel Box (1935–1969),
Sylvia Knowles

| children = 1 daughter

| yearsactive = 1935–1967

}}

Frank Sydney Box (29 April 1907 – 25 May 1983) was a British film producer and screenwriter, and brother of British film producer Betty Box. In 1940, he founded the documentary film company Verity Films with Jay Lewis.{{cite book|last=Spicer|first=Andrew|title=Sydney Box|url=https://books.google.com/books?id=sY1LGFNtCOEC&pg=PA18|access-date=13 April 2012|series=British Film Makers|year=2006|publisher=Manchester University Press|isbn=978-0-7190-5999-5|page=18}}

He produced and co-wrote the screenplay, with his then wife director Muriel Box, for The Seventh Veil (1945), which received the 1946 Oscar for best original screenplay.{{Cite news |last=Morley |first=Carol |date=2023-02-19 |title=Who was Muriel Box, Britain's most prolific female film director? |language=en-GB |work=The Observer |url=https://www.theguardian.com/film/2023/feb/19/muriel-box-female-film-director-carol-morley-sunday-feature |access-date=2023-02-19 |issn=0029-7712}}

Sydney and Muriel married in 1935, had a daughter Leonora the following year, and divorced in 1969.{{Cite web|date=2013-10-05|title=Power women of the 1950s: Muriel and Betty Box|url=http://www.theguardian.com/books/2013/oct/06/women-muriel-betty-box-rachel-cooke-film|access-date=2021-07-15|website=The Guardian|language=en}}

Gainsborough Studios

The couple were hired after the war by the Rank Organisation to run Gainsborough Studios. They disapproved of the Gainsborough melodramas which had been the studio's major successes for several years, and switched production to a broader range of more "realistic" films with mixed results. Box made 36 films at Gainsborough, which was merged into the Rank Organization in 1949. It has been argued Box's overexpansion "killed" Gainsborough.{{cite magazine|magazine=Filmink|url=https://www.filmink.com.au/forgotten-british-film-moguls-ted-black/|first=Stephen|last=Vagg|date=1 December 2024|access-date=1 December 2024|title=Forgotten British Film Moguls: Ted Black}}

In 1951 Box founded his own production company London Independent Producers with William MacQuitty.

Box ended his cinema career in 1958 to concentrate on working in television. He was part of a consortium that launched the ITV franchise, Tyne Tees Television in 1959.

According to Sue Harper and Vincent Porter:

Box was a skilled entrepreneur who was able to raise regular loans from the NFFC and to encourage others' talents. According to his assistant David Deutsch, he provided, more effectively than anyone he had ever known, 'the right environment for creative people to work, welcoming, encouraging and subtly influencing'. Box’s position as an outsider—a socialist of sorts, a realist by instinct, and a feminist by default—meant that he became increasingly excluded from the meritocracy. He lacked a strong visual sense, but this was supplied by Muriel Box, whose lively inventiveness was accompanied by an uncompromising sexual radicalism, which pleased her but not the distributors or the audiences.{{cite book|title= British cinema of the 1950s : the decline of deference|last1=Harper|first1= Sue|last2=Porter|first2=Vincent|date=2003|publisher= Oxford University Press|page=162}}