Template:POTD row/testcases
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Size tests
Behavior of Template:POTD row largely depends on the parameters {{para|size}} and {{para|rowsize}}. Test cases below represent POTD templates of various widths.
= 2019-08-07 =
Template:POTD/2019-08-07 uses {{para|size|390}}
{{POTD row
|image=Farmhouse in Provence, 1888, Vincent van Gogh, NGA.jpg
|size=390
|title=Farmhouse in Provence
|texttitle=Farmhouse in Provence
|caption=
Farmhouse in Provence, also known as Entrance Gate to a Farm with Haystacks, is an oil-on-canvas painting by Dutch painter Vincent van Gogh, produced in 1888, at the height of his career. It was painted while Van Gogh was living in Arles, in southern France. Partially due to having been inspired by painter Adolphe Monticelli, he sought the Provence region of France to further expand his painting skill and experience. Van Gogh used several pairs of complementary colors in the painting, the color contrast bringing an intensity to his work. The painting now hangs in the National Gallery of Art in Washington, D.C., as part of the Ailsa Mellon Bruce Collection.
|credit=Painting credit: Vincent van Gogh
}}
{{POTD row/sandbox
|image=Farmhouse in Provence, 1888, Vincent van Gogh, NGA.jpg
|size=390
|title=Farmhouse in Provence
|texttitle=Farmhouse in Provence
|caption=
Farmhouse in Provence, also known as Entrance Gate to a Farm with Haystacks, is an oil-on-canvas painting by Dutch painter Vincent van Gogh, produced in 1888, at the height of his career. It was painted while Van Gogh was living in Arles, in southern France. Partially due to having been inspired by painter Adolphe Monticelli, he sought the Provence region of France to further expand his painting skill and experience. Van Gogh used several pairs of complementary colors in the painting, the color contrast bringing an intensity to his work. The painting now hangs in the National Gallery of Art in Washington, D.C., as part of the Ailsa Mellon Bruce Collection.
|credit=Painting credit: Vincent van Gogh
}}
= 2019-08-02 =
Template:POTD/2019-08-02 uses {{para|size|300}}
{{POTD row
|image=Doña Isabel Cobos de Porc by Francisco Goya.jpg
|size=300
|title=Portrait of Doña Isabel de Porcel
|texttitle=Portrait of Doña Isabel de Porcel
|caption=
The Portrait of Doña Isabel de Porcel is an oil-on-canvas painting by Spanish painter Francisco Goya, produced around 1805. The portrait depicts Isabel Lobo Velasco de Porcel, who was born at Ronda around 1780 and was the second wife of Antonio Porcel. Isabel's husband was 25 years older than she; they met when she was 20 years old. Antonio Porcel was a liberal and an associate of Manuel Godoy, Prince of Peace, who was a friend of Gaspar Melchor de Jovellanos, who in turn brought him in contact with Goya, who lived nearby; the painting is said to have been a gift from the artist in return for hospitality. The half-length portrait depicts a young woman dressed in typical Spanish attire, a white shirt and a black mantilla. In spite of her "maja" attire, the richness of the textiles and her ladylike appearance give the picture an aristocratic elegance; at this time, wealthy Spanish "people of fashion" often wore the styles of lower class urban dandies and their female equivalents, as seen in Goya's famous clothed version of La maja. The painting is now in the collection of the National Gallery in London.
|credit=Painting credit: Francisco Goya
}}
{{POTD row/sandbox
|image=Doña Isabel Cobos de Porc by Francisco Goya.jpg
|size=300
|title=Portrait of Doña Isabel de Porcel
|texttitle=Portrait of Doña Isabel de Porcel
|caption=
The Portrait of Doña Isabel de Porcel is an oil-on-canvas painting by Spanish painter Francisco Goya, produced around 1805. The portrait depicts Isabel Lobo Velasco de Porcel, who was born at Ronda around 1780 and was the second wife of Antonio Porcel. Isabel's husband was 25 years older than she; they met when she was 20 years old. Antonio Porcel was a liberal and an associate of Manuel Godoy, Prince of Peace, who was a friend of Gaspar Melchor de Jovellanos, who in turn brought him in contact with Goya, who lived nearby; the painting is said to have been a gift from the artist in return for hospitality. The half-length portrait depicts a young woman dressed in typical Spanish attire, a white shirt and a black mantilla. In spite of her "maja" attire, the richness of the textiles and her ladylike appearance give the picture an aristocratic elegance; at this time, wealthy Spanish "people of fashion" often wore the styles of lower class urban dandies and their female equivalents, as seen in Goya's famous clothed version of La maja. The painting is now in the collection of the National Gallery in London.
|credit=Painting credit: Francisco Goya
}}
= 2012-02-06 =
Template:POTD/2012-02-06 uses {{para|size|250}} and {{para|rowsize|160}}
{{POTD row
|image=Butterfly magnification series collage.jpg
|size=250
|rowsize=160
|title=Scale (Lepidopteran anatomy)
|texttitle=Butterfly magnification series
|caption=Successive close-ups of the scales of a Peacock butterfly (at top) wing. Shown from left to right, top to bottom: (second row) a closeup of the scales of the specimen at top, high magnification view of coloured scales (different species); (third row) electron micrograph of a patch of wing (~×50 magnification), the scales close up (~×200); (last row) a single scale (×1000), microstructure of a scale (×5000).
|credit=Photos: MichaD (top and second row left), Shaddack (second row right), SecretDisc (micrographs)
}}
{{POTD row/sandbox
|image=Butterfly magnification series collage.jpg
|size=250
|rowsize=160
|title=Scale (Lepidopteran anatomy)
|texttitle=Butterfly magnification series
|caption=Successive close-ups of the scales of a Peacock butterfly (at top) wing. Shown from left to right, top to bottom: (second row) a closeup of the scales of the specimen at top, high magnification view of coloured scales (different species); (third row) electron micrograph of a patch of wing (~×50 magnification), the scales close up (~×200); (last row) a single scale (×1000), microstructure of a scale (×5000).
|credit=Photos: MichaD (top and second row left), Shaddack (second row right), SecretDisc (micrographs)
}}
= 2019-07-04 =
Template:POTD/2019-07-04 uses {{para|size|720}}
{{POTD row
|image=Boston skyline from Longfellow Bridge September 2017 panorama 2.jpg
|size=720
|title=Back Bay, Boston
|texttitle=Back Bay, Boston
|caption=
Back Bay is an officially recognized neighborhood of Boston, built on reclaimed land in the Charles River basin. Construction began in 1859, as the demand for luxury housing exceeded the availability in the city at the time; the area was fully built by around 1900. Back Bay was planned by architect Arthur Gilman, influenced by Haussmann's renovation of Paris. It is noted for its rows of Victorian brownstone homes – considered one of the most preserved examples of 19th-century urban design in the United States – and numerous architecturally significant buildings, as well as cultural institutions, such as the Boston Public Library. Initially conceived as a residential-only area, commercial buildings were permitted from around 1890 and Back Bay now features many office buildings, including the John Hancock Tower, Boston's tallest skyscraper. It is also considered a fashionable shopping destination and is home to several major hotels. Today, along with neighboring Beacon Hill, it is one of Boston's two most expensive residential neighborhoods. In 1973, Back Bay was listed as a historic district on the National Register of Historic Places.
This picture is a panoramic view of the Back Bay skyline, taken in 2017, as seen across the Charles River from the Longfellow Bridge. Among the buildings depicted, from left to right, are the Berkeley Building, the John Hancock Tower and the Prudential Tower.
|credit=Photograph credit: Tony Jin
}}
{{POTD row/sandbox
|image=Boston skyline from Longfellow Bridge September 2017 panorama 2.jpg
|size=720
|title=Back Bay, Boston
|texttitle=Back Bay, Boston
|caption=
Back Bay is an officially recognized neighborhood of Boston, built on reclaimed land in the Charles River basin. Construction began in 1859, as the demand for luxury housing exceeded the availability in the city at the time; the area was fully built by around 1900. Back Bay was planned by architect Arthur Gilman, influenced by Haussmann's renovation of Paris. It is noted for its rows of Victorian brownstone homes – considered one of the most preserved examples of 19th-century urban design in the United States – and numerous architecturally significant buildings, as well as cultural institutions, such as the Boston Public Library. Initially conceived as a residential-only area, commercial buildings were permitted from around 1890 and Back Bay now features many office buildings, including the John Hancock Tower, Boston's tallest skyscraper. It is also considered a fashionable shopping destination and is home to several major hotels. Today, along with neighboring Beacon Hill, it is one of Boston's two most expensive residential neighborhoods. In 1973, Back Bay was listed as a historic district on the National Register of Historic Places.
This picture is a panoramic view of the Back Bay skyline, taken in 2017, as seen across the Charles River from the Longfellow Bridge. Among the buildings depicted, from left to right, are the Berkeley Building, the John Hancock Tower and the Prudential Tower.
|credit=Photograph credit: Tony Jin
}}
Dual pictures
{{also|Template:POTD default/testcases#Dual pictures}}
Template:POTD/2020-05-06: Six pairs—reverse and obverse of banknotes. First and the last out of the set are tested below.
{{test case nowiki|collapsible=yes
|title=dual pictures #1
|
}}
{{test case nowiki|collapsible=yes
|title=dual pictures #6
|
}}
Tall picture
{{also|Template:POTD default/testcases#Tall picture}}
Template:POTD/2014-03-18: Tall image of a poster.
{{POTD row
|image=Thurston, the famous magician - East Indian Rope Trick.jpg
|size=100
|tall=yes
|title=East Indian Rope Trick
|texttitle=East Indian Rope Trick
|caption=
An advertisement for a 1927 enactment of the Indian rope trick by stage magician Howard Thurston. This form of stage magic is said to have been performed in and around India during the 19th century, though the factuality of this has been disputed.
|credit=Poster: The Otis Lithograph Co.; Restoration: Adam Cuerden
}}
{{POTD row/sandbox
|image=Thurston, the famous magician - East Indian Rope Trick.jpg
|size=100
|tall=yes
|title=East Indian Rope Trick
|texttitle=East Indian Rope Trick
|caption=
An advertisement for a 1927 enactment of the Indian rope trick by stage magician Howard Thurston. This form of stage magic is said to have been performed in and around India during the 19th century, though the factuality of this has been disputed.
|credit=Poster: The Otis Lithograph Co.; Restoration: Adam Cuerden
}}
Wide picture
{{also|Template:POTD default/testcases#Wide picture}}
Template:POTD/2018-02-09: Wide panorama of La Silla Observatory in Chile.
{{POTD row
|image=Boston skyline from Longfellow Bridge September 2017 panorama 2.jpg
|size=720
|title=Back Bay, Boston
|texttitle=Back Bay, Boston
|caption=
Back Bay is an officially recognized neighborhood of Boston, built on reclaimed land in the Charles River basin. Construction began in 1859, as the demand for luxury housing exceeded the availability in the city at the time; the area was fully built by around 1900. Back Bay was planned by architect Arthur Gilman, influenced by Haussmann's renovation of Paris. It is noted for its rows of Victorian brownstone homes – considered one of the most preserved examples of 19th-century urban design in the United States – and numerous architecturally significant buildings, as well as cultural institutions, such as the Boston Public Library. Initially conceived as a residential-only area, commercial buildings were permitted from around 1890 and Back Bay now features many office buildings, including the John Hancock Tower, Boston's tallest skyscraper. It is also considered a fashionable shopping destination and is home to several major hotels. Today, along with neighboring Beacon Hill, it is one of Boston's two most expensive residential neighborhoods. In 1973, Back Bay was listed as a historic district on the National Register of Historic Places.
This picture is a panoramic view of the Back Bay skyline, taken in 2017, as seen across the Charles River from the Longfellow Bridge. Among the buildings depicted, from left to right, are the Berkeley Building, the John Hancock Tower and the Prudential Tower.
|credit=Photograph credit: Tony Jin
}}
{{POTD row/sandbox
|image=Boston skyline from Longfellow Bridge September 2017 panorama 2.jpg
|size=720
|title=Back Bay, Boston
|texttitle=Back Bay, Boston
|caption=
Back Bay is an officially recognized neighborhood of Boston, built on reclaimed land in the Charles River basin. Construction began in 1859, as the demand for luxury housing exceeded the availability in the city at the time; the area was fully built by around 1900. Back Bay was planned by architect Arthur Gilman, influenced by Haussmann's renovation of Paris. It is noted for its rows of Victorian brownstone homes – considered one of the most preserved examples of 19th-century urban design in the United States – and numerous architecturally significant buildings, as well as cultural institutions, such as the Boston Public Library. Initially conceived as a residential-only area, commercial buildings were permitted from around 1890 and Back Bay now features many office buildings, including the John Hancock Tower, Boston's tallest skyscraper. It is also considered a fashionable shopping destination and is home to several major hotels. Today, along with neighboring Beacon Hill, it is one of Boston's two most expensive residential neighborhoods. In 1973, Back Bay was listed as a historic district on the National Register of Historic Places.
This picture is a panoramic view of the Back Bay skyline, taken in 2017, as seen across the Charles River from the Longfellow Bridge. Among the buildings depicted, from left to right, are the Berkeley Building, the John Hancock Tower and the Prudential Tower.
|credit=Photograph credit: Tony Jin
}}
Gallery in caption
{{test case nowiki|collapsible=yes
|title={{tag|gallery}} inside paramenter {{para|caption}}
|
}}