Tetsuji Hayashi
{{Short description|Japanese composer and musician (born 1949)}}
{{Infobox musical artist
| name = Tetsuji Hayashi
| image =
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| native_name = 林 哲司
| native_name_lang = ja
| birth_name =
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| birth_date = {{Birth date and age|1949|08|20}}
| birth_place = Fuji, Shizuoka, Japan
| origin =
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| genre = {{hlist|City pop|J-pop}}
| occupation = Composer, singer-songwriter, arranger
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| years_active = 1973–present
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| associated_acts = {{ubl|Gurunion
|Masaki Ueda
}}
| website = {{URL|http://www.hayashitetsuji.com/}}
| module = {{Infobox person
| child = yes
| education = Nihon University
}}
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}}
{{nihongo|Tetsuji Hayashi|林 哲司|Hayashi Tetsuji|born August 20, 1949|lead=yes}} is a Japanese composer, singer-songwriter, and arranger known for his influential contributions to the development of J-pop and city pop during the 1980s. He was exposed to Western pop music from an early age, sparking his passion for music. He honed his skills as a composer and arranger, and in 1978, he composed Mariya Takeuchi's debut album, Beginning, followed by her hit single "September" in 1979 and "Mayonaka no Door" for Miki Matsubara that same year. His collaborations extended to other prominent artists such as S. Kiyotaka & Omega Tribe, Masaki Ueda and Junichi Inagaki.
Despite initially planning retirement in 2008, Hayashi returned to the spotlight due to fan support at a commemorative concert. Since then, he has continued to compose and produce music. His legacy was celebrated with the release of the compilation album 50th Anniversary Special A Tribute of Hayashi Tetsuji: Saudade in 2023, accompanied by a concert showcasing his impact.
Early life and education
Tetsuji Hayashi was born on August 20, 1949, in Fuji, Shizuoka, as the youngest of five siblings. His father ran a paper mill. Exposed to Western pop music from an early age, he and his brother were lent an acoustic guitar by an employee of his father's. He attended Shizuoka Prefectural Fuji High School and was inspired by school band performances and the style of the Beatles. He begged his parents for an electric guitar to join a circle of seniors. Around this time, he began composing, admiring Yūzō Kayama and imitating others, eventually writing 200 songs as a student.{{cite web|url=https://www.at-s.com/news/article/shizuoka/1336164.html|title=林哲司さん記念書籍寄贈 音楽活動５０年 富士、富士宮市に|language=ja|date=October 14, 2023|website=Shizuoka Broadcasting System}}{{cite web|url=https://www.at-s.com/news/article/shizuoka/1146051.html|title=胸騒ぎのエレキ 校内でバンド演奏、あふれた聴衆 作曲家・林哲司さん【富嶽から羽ばたく 富士高１００周年①】|language=ja|date=November 13, 2022|author=Miyagi, Toru|website=Shizuoka Broadcasting System}} By the time he was 20, he entered the Yamaha Music School, sponsored by the Yamaha music magazine Light Music, which he would later go on to edit.{{cite book|last=Hiroaki|first=Iwaki|editor=Makaino, Motohiro|editor2 =Manabe, Shinichi|date=April 15, 2018|title=Shōwa Kayō Shokugyō Sakkyokka Gaido|location=Japan|publisher=Shinko Music Entertainment|pages= 258–259|isbn=978-4-401-64371-4|language=ja}}
Career
= Early career =
In 1972, he submitted his song "Sore ga Koi no Owari Nara" to the 3rd World Popular Song Festival hosted in Chile, which helped him debut as a singer-songwriter in April 1973. He met singer Junko Ohashi before her debut in June 1974, and provided her with the songs "Kyashī no Uwasa" and "Rainy Saturday & Coffee Break."{{cite web|url=https://www.nikkansports.com/entertainment/news/202311110000275.html|title=大橋純子さん死去 林哲司が追悼「アマチュアから一緒」「僕らが待っていた新しいボーカリスト」|date=November 11, 2023|language=ja|website=Nikkan Sports}} In 1975, businessmen from Fuji Pacific Music showcased a demo tape of Hayashi's work, including songs by Ohashi, at Midem in Cannes, France. The song "Sore ga Koi no Owari Nara" became a favorite of Chas Peate, the producer of the British rock band Jigsaw, and would be included as a song in Pieces of Music, under the name "If I Have To Go Away." Originally planned to be only included in Jigsaw's album, the song was deemed more complete than expected and was released as a single in 1977, charting in both the United Kingdom and the United States.{{cite web|url=https://www.zakzak.co.jp/article/20230202-RYLU447MHFK7JNNYB7RCN4WKFA/|title=ジグソー『Ｉｆ Ｉ Ｈａｖｅ Ｔｏ Ｇｏ Ａｗａｙ』全英・全米でチャートイン 「日本でのヒットがないことに一抹の寂しさ」|language=ja|date=February 2, 2023|website=Zakzak}}
= Composing hits =
{{Multiple image
| image1 = Kiyotaka Sugiyama, 2019 (cropped).jpg
| image2 = Mariya Takeuchi (cropped).jpg
| image3 = Momo Kikuchi (crop 2).jpg
| footer = Hayashi has composed songs for Kiyotaka Sugiyama, Mariya Takeuchi, and Momoko Kikuchi.
| total_width = 440
}}
In 1978, he helped compose the song "Goodbye Summer Breeze" for Mariya Takeuchi's debut album Beginning. The following year, he wrote "September," Takeuchi's third single, which earned her the Japan Record Award for Best New Artist at the 21st Japan Record Awards in December 1979.{{cite web|url=https://dot.asahi.com/articles/-/203227?page=1|title=竹内まりやの「September」は恐る恐る、”運命のバンド”はオメガトライブ 林哲司の50年|language=ja|date=October 14, 2023|website=Aera Dot}} That same year, he composed the song "Mayonaka no Door" for Miki Matsubara.{{cite web|url=https://www.billboard.com/music/music-news/mayonaka-no-door-stay-with-me-popularity-explained-9503609/|title=Global Popularity of 1979 City Pop Track ‘Mayonaka no Door – Stay With Me’ Explained|date=December 21, 2020|website=Billboard}} The single's commercial success significantly boosted the popularity of both Matsubara and Hayashi.{{cite web |last1=Chan |first1=Justin |title=A Japanese song has unpredictably become a massive hit among TikTokers — and their parents |url=https://www.yahoo.com/now/japanese-song-unpredictably-become-massive-230223595.html |website=In The Know |publisher=Yahoo News |access-date=July 19, 2021 |date=January 8, 2021}} In 1984 he also took part in the composition of the third opening theme of the 1981 anime Urusei Yatsura, "Pajama Jama Da".
Back in 1983, he became involved with the band S. Kiyotaka & Omega Tribe, which was part of the Omega Tribe project by Koichi Fujita with Kiyotaka Sugiyama as the lead singer.{{cite web|url=https://www.ntvm.co.jp/interview/new005/002.html|title=林哲司さんインタビュー|language=ja|page=3|website=Nippon TV}}{{cite web|url=https://www.tokyo-sports.co.jp/articles/-/192841|title=【この人の哲学】「杉山清貴＆オメガトライブ」誕生秘話|language=ja|date=May 29, 2020|website=Tokyo Sports}} He contributed to writing all of their singles and multiple other songs, including "Summer Suspicion" (1983), "Kimi no Heart wa Marine Blue" (1984), and "Futari no Natsu Monogatari" (1985), the latter of which was completed in two days.{{cite web|url=https://www.nikkei.com/article/DGKKZO73229850R00C23A8BE0P00/|title=世界が求めた日本の哀愁|language=ja|date= August 1, 2023 |website=Nikkei}}{{cite web|url=https://www.sponichi.co.jp/entertainment/yomimono/music/anokoro/05/kiji/K20110526000883420.html|title=【1985年５月】ふたりの夏物語／わずか３日で完成 オメガトライブ最大のヒットも…|language=ja|date= May 26, 2011 |website=Sports Nippon}} He convinced the group to record a final album after they had voted to split up, resulting in the 1985 album First Finale.{{cite web|url=https://www.daily.co.jp/gossip/hayashi/2016/07/12/0009278396.shtml|title=杉山清貴＆オメガトライブ（４）|language=ja|date=July 12, 2016|website=Daily Sports}}
That same year he became involved with Omega Tribe, he met Junichi Inagaki and later provided the songs "Maria" and "Idasenakute" for Inagaki's third album J.I., as well as providing the song "Kanashī Iroyane" for Masaki Ueda.{{cite web|url=https://www.zakzak.co.jp/article/20230720-I3OFUMUITVPITCDOYG5A4TQFXY/|title=成功への道筋を広げた稲垣潤一のアルバム『Ｊ．Ｉ．』 林哲司作曲の「ＭＡＲＩＡ」と「言い出せなくて」が収録|language=ja|date=July 20, 2023|website=Zakzak}} After he wrote "Summer Suspicion," idol Akina Nakamori requested that he write a song for her. She asked for something between the strong "Shōjo A" and the gentle "Second Love." Although Hayashi found this a challenging request, he wrote the song "Kita Wing".{{cite web|url=https://dot.asahi.com/articles/-/203629?page=1|title=中森明菜は自ら「北ウイング」と名付けた 作曲数6千曲以上の林哲司が依頼を受ける条件|language=ja|website=Aera Dot|date=October 15, 2023}} He also became widely active as a music director and producer of film and drama soundtracks and events. In 1987, he contributed to the film Hachikō Monogatari by both singing and composing music for its soundtrack.{{cn|date=August 2024}}
= Retirement plans and rejoining music =
By 2008, Hayashi had decided to retire, but on October 23, 2008, he appeared at a concert to commemorate the 35th anniversary of his career at the Tokyo International Forum. With guests such as Sugiyama, Ueda, Inagaki, and Takeuchi (the latter of whom was invited as a secret guest), the support from his fans at the event changed Hayashi's mind about retiring.{{cite web|url=https://www.zakzak.co.jp/article/20231026-2TGKY4LLV5KFNA675SO4CSH7QY/|title=ポールとバカラックに学んだ「音楽との向き合い方」|language=ja|date=October 26, 2023|website=Zakzak}} He returned to work as a producer and composer, collaborating with Sugiyama on the 2011 album Kiyotaka Sugiyama meets Tetsuji Hayashi Reunited. The following year, he wrote the song "Namidame no Alice" for Shiori Tamai, which became known as a "divine song" among fans.{{cite web|url=https://www.zakzak.co.jp/article/20230629-EJ7SCHRKZJJ7BCXXPJRP2XEMUY/|title=松井五郎（作詞家） 玉井詩織「涙目のアリス」作詞、あふれるアーティスティックな才能 『Ｔａｌｋ＆Ｌｉｖｅ』７月２日ゲスト出演|language=ja|website=Zakzak|date=June 29, 2023}} In 2018, he formed The Band Eight and began working as a performer within the band. In July of the same year, he started the "Song File Live" series, which delivers his hit songs to his fans, with Kiyotaka Sugiyama as the first guest.{{cn|date=August 2024}}
In November 2021, he composed the song "Watching Over You" by Peach & Apricot, a duo formed by Mariya Takeuchi and Anri. This marked the first collaboration between Hayashi and Takeuchi since 1981's "Ichigo no Yuuwaku," and his first collaboration with Anri since 1983's "You Are Not Alone."{{cite web|url=https://www.oricon.co.jp/news/2212754/full/|title=相葉雅紀「身を委ねたい」 主演ドラマ主題歌ユニット正体は竹内まりや&杏里 |language=ja|website=Oricon}} In March 2023, his song "Hidarimune no Seiza" was included in the compilation album Pacific Breeze 2: Japanese City Pop, AOR & Boogie 1972-1986, compiled and released by Light in the Attic Records.{{cite web|url=https://pitchfork.com/news/light-in-the-attic-announces-new-pacific-breeze-compilation/|title=Light in the Attic Announces New Pacific Breeze Compilation|date=March 10, 2020|author=Ruiz, Matthew Ismael|website=Pitchfork}} In September 2023, VAP announced the album 50th Anniversary Special A Tribute of Hayashi Tetsuji: Saudade to be released on November 8, 2023. The album features multiple artists Hayashi had ties to, including Shoko Nakagawa, Akina Nakamori, and Kiyotaka Sugiyama.{{cite web|url=https://natalie.mu/music/news/540294|title=林哲司50周年トリビュートアルバムに上坂すみれ、中川翔子＆ヒャダイン、中森明菜ら参加|language=ja|website=Natalie|date=September 8, 2023}} Prior to the album's release, Hayashi held his 50th anniversary concert on November 5, 2023, at the Tokyo International Forum to promote the album. The concert featured performances by S. Kiyotaka & Omega Tribe, Asako Toki and Emi Meyer.{{cite web |url=https://natalie.mu/music/news/541186|title=林哲司50周年公演に杉山清貴＆オメガトライブ、土岐麻子、エミ・マイヤー、松城ゆきの追加|language=ja|website=Natalie}}
Artistry
Hayashi has stated that he didn't like traditional enka songs, describing them as having few melodic changes. He believed that songs should have more musicality. Collaborator Kiyotaka Sugiyama, who first met Hayashi during his time as the lead singer of S. Kiyotaka & Omega Tribe, stated that Hayashi's melodies sounded easy but were actually difficult to perform.{{cite web|url=https://www.daily.co.jp/gossip/hayashi/2016/07/19/0009297789.shtml|title=成功アイドルは資質＆送り手側の体制がしっかり|language=ja|website=Daily Sports|date=July 19, 2016}} Due to the resurgence of city pop in the 2010s and 2020s, songs he wrote, particularly "Mayonaka no Door," gained renewed popularity. In 2020, Indonesian singer and YouTuber Rainych covered the song, and it reached number 49 on the Oricon charts.{{cite web |last1=Zhang |first1=Cat |title=The Endless Life Cycle of Japanese City Pop |url=https://pitchfork.com/features/article/the-endless-life-cycle-of-japanese-city-pop/ |website=Pitchfork |access-date=July 19, 2021 |date=February 24, 2021}} During an interview with NHK, he said that he believed the reason for the song's resurgence was that people were now accustomed to streaming music.{{Cite web|url= https://www.nhk.or.jp/radio/magazine/article/gogocafe/kDUVFlon1L.html|title= 世界が再評価、作曲家・林哲司の音楽|language=ja|work=NHK|date=February 4, 2022}}
References
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