The Blue Danube (1932 film)

{{Short description|1932 British film by Herbert Wilcox}}

{{Use dmy dates|date=December 2020}}

{{Use British English|date=June 2016}}

{{Infobox film

| name = The Blue Danube

| image = "The_Blue_Danube"_(1932).jpg

| caption = Original French poster

| director = Herbert Wilcox

| producer = Herbert Wilcox

| writer = Miles Malleson

| based_on = {{based on|story|Doris Zinkeisen}}

| starring = {{Plainlist|

}}

| music = Alfred Rode

| cinematography = Freddie Young

| editing = Michael Hankinson

| studio = {{Plainlist|

}}

| distributor = Woolf & Freedman Film Service (UK)

| released = {{film date|df=y|1932|01|11|London}}

| runtime = 72 minutes

| country = United Kingdom

| language = English

| budget =

| gross =

}}

The Blue Danube is a 1932 British romance film directed by Herbert Wilcox and starring Brigitte Helm, Joseph Schildkraut and Desmond Jeans.[https://www.imdb.com/title/tt0022701/ "Review: 'The Blue Danube'."] IMDb. Retrieved: 30 August 2016. Its plot, based on a short story by Doris Zinkeisen, concerns a Hungarian gypsy who leaves his girlfriend for a countess, but soon begins to suffer heartache.[https://web.archive.org/web/20090128200017/http://ftvdb.bfi.org.uk/sift/title/26963 "Film details: 'The Blue Danube, A Rhapsody' (1932)."] BFI, 16 April 2009. Retrieved: 30 August 2016.Low 1997, pp. 145, 296. The Blue Danube was made in both English and German-language versions.{{TOC limit|limit=2}}

Plot

In a Hungarian gypsy encampment, carefree Sandor ives with his beautiful sweetheart Yutka. Into their lives rides a blonde countess, with whom Sandor becomes infatuated.

Yutka soon flees from her faithless lover. Sandor roams the country, searching for his lost love, but finds her too late — she now wears furs and has her own aristocratic love—and Sandor returns heartbroken to his Romany encampment.

Cast

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Production

Herbert Wilcox later wrote in his memoirs that he made the film because he was frustrated from making a series of photographed stage plays. He wanted to make a "talking that did not talk - and without subtitles. Music, of course, was to be a dominant substitute for words or text".Wilcox p 138 He decided to make a film with minimal dialogue.

Critical reception

Wilcox claims the reviews he received were among the worst of his career. However he said the film recovered its cost from screening in Australia alone.Wilcox p 139

In contemporary reviews, Frank Nugent in The New York Times wrote, "The chief merit of "Blue Danube," a British film now showing at the Fifty-fifth Street Playhouse, is its presentation of Alfred Rode and his Royal Tzigany Band, a group of eighteen Hungarian gypsy musicians. They play the famous Strauss waltz, some melodies by Liszt and a guitar song of Mr. Rode's composition. Not being a music critic, nor possessing one's technical vocabulary, this corner must be content to report that the selections are played in a manner that sets one's blood to pounding. But Mr. Rode and his band are not all the story of 'Blue Danube.' To be exact, they are little of it, and the rest is a sorry tale of poor editing, incoherence and an overwrought performance by Joseph Schildkraut." The critic concluded that "there is nothing in the film's acting, direction or tempo to arouse enthusiasm."Nugent, Frank. [https://www.nytimes.com/movie/review?res=9803E2DF1E3CE23ABC4053DFB767838F629EDE "Movie review: Romany Romance."] The New York Times, 6 November 1934. Retrieved: 30 August 2016.

The Monthly Film Bulletin described the film as "very dated" and that it "must not be looked on as a typical example of Herbert Wilcox's production". The review concluded that neither the sound or photography were "up to modern standards".Y.M.D. "Blue Danube, The." Monthly Film Bulletin| (British Film Institute), Volume 5, Issue 49, 1938, p. 196.

More recently, TV Guide called it a "plodding Gypsy musical."[http://www.tvguide.com/movies/blue-danube/review/116604/ "Review: 'Blue Danube'."] TV Guide. Retrieved: 30 August 2016.

References

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=Bibliography=

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  • Low, Rachael. The History of British Film, Volume VII. London: Routledge, 1997. {{ISBN|978-0-4156-0493-2}}.

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