The Callahans and the Murphys

{{short description|1927 film}}

{{Use mdy dates|date=September 2020}}

{{Infobox film

| name = The Callahans and the Murphys

| image = The Callahans and the Murphys (1927) - 1.jpg

| caption = Advertisement

| producer = Eddie Mannix

| director = George W. Hill

| writer = Frances Marion
Ralph Spence

| based_on = {{basedon|The Callahans and the Murphys|Kathleen Norris}}

| screenplay =

| starring = Marie Dressler
Polly Moran
Sally O'Neil

| cinematography = Ira H. Morgan

| editing = Hugh Wynn

| studio = Metro-Goldwyn-Mayer

| distributor = Metro-Goldwyn-Mayer

| released = {{Film date|1927|06|18}}

| runtime =70 minutes / 66 minutes

| language = Silent (English intertitles)

| country = United States

| budget =

}}

The Callahans and the Murphys is a 1927 American silent comedy film directed by George W. Hill. The film was based on a novel by Kathleen Norris,{{cite news |last1=McNally |first1=Frank |title=Making a show of us — Frank McNally on a 1927 film that outraged Irish America |url=https://www.irishtimes.com/opinion/an-irish-diary/2024/06/27/making-a-show-of-us-frank-mcnally-on-a-1927-film-that-outraged-irish-america/ |access-date=29 June 2024 |work=The Irish Times |date=29 June 2024 |language=en}} and was the first of several MGM films to star Marie Dressler and Polly Moran.{{cite web |url=http://www.silentera.com/PSFL/data/C/CallahansAndTheMurphys1927.html |title=Progressive Silent Film List: The Callahans and the Murphys |publisher=silentera.com |accessdate=February 26, 2013}} The film was released on June 18, 1927, but subsequently withdrawn from distribution by MGM after protests were lodged by Irish-American organizations.

Production

In 1927, screenwriter Frances Marion wanted to create a vehicle for a comeback for her friend Marie Dressler, a vaudevillian who had not made a film since 1918. She found Kathleen Norris's The Callahans and the Murphys, a lighthearted 1922 novel about the fraught relationship between two Irish-American families.{{cite book |title=The Callahans and the Murphys |date=1924 |orig-year=1922 |publisher=Doubleday, Page & Co |location=Garden City, New York |edition=First |url=https://archive.org/details/callahansmurphys0000kath/page/n7}} The story contained little filmable material so Marion kept the idea of rival Irish matrons and wrote an essentially original story for the screen.Walsh 1990 p. 33; Marion 1972 p. 153

Plot

Mrs. Callahan (Dressler) and Mrs. Murphy (Moran), are a couple of feuding tenement housewives working to keep control of their many children. Dan Murphy (Gray) falls in love with Ellen Callahan (O'Neill), and then later disappears after Ellen is pregnant. Mrs. Callahan (Dressler) decides to adopt the baby to save her daughters reputation, but finally finds out that Dan and Ellen were secretly married all along.

Cast

Reception

The preview screening was positive. Initial reviews in The New York Times{{cite news |title=The Screen; A Roughhouse Comedy |url=https://www.nytimes.com/1927/07/12/archives/a-roughhouse-comedy.html?searchResultPosition=4 |access-date=29 June 2024 |work=The New York Times |date=12 July 1927 |page=29 c. 3}} and Variety{{cite journal |title=Film Reviews; The Callahans and the Murphys |journal=Variety |date=13 July 1927 |volume=87 |issue=13 |page=22 |url=https://archive.org/details/variety87-1927-07/page/n76 |location=New York City}} regarded the film as a well-made if uninventive example of stage Irish slapstick and sentimentality.

Screenings in cities with large Irish-American communities were soon disrupted by protests against perceived anti-Irish sentiment, especially scenes of women drinking and fighting. Some protests were spontaneous, others orchestrated by organizations like the Ancient Order of Hibernians. A second round of protests alleged anti-Catholic sentiment, including mocking depictions of Saint Patrick's Day, the sign of the cross, and the crucifix.Couvares 1992 pp. 602, 605 Some saw the film as a Jewish Hollywood attack on Catholicism, others an attack on the Al Smith presidential campaign.Wilson p. 123 Patrick Ford's The Irish World newspaper condemned the film for portraying the Irish as "drunken, vulgar and indecent".{{cite journal |last1=Hanley |first1=Brian |title=The Irish World, FDR and the Great Depression |journal=New York Irish History |date=2003 |volume=17}}

The backlash surprised the studio, which pointed out that the novelist, producer and stars all had Irish heritage.Marion 1972 p. 157 Producer Eddie Mannix consulted Irving Thalberg, Will H. Hays and Jason Joy about how to respond. Repeated cuts were made in response to specific complaints. Intertitles were changed, the opener from "Goat Alley is a section where a courteous gentleman always takes off his hat before striking a lady" to "This is the story of the Callahans and the Murphys … both of that fast-fading old school families to whom the world is indebted for the richest and rarest of wholesome fun and humor". Marion suggesting changing the title to The Browns and the Jones. Amid continued protests, the film was withdrawn from circulation.

Preservation

File:The Callahans and the Murphys (1927) excerpt.webm

There are no complete prints of The Callahans and the Murphys located in any film archives.{{cite web |url=https://memory.loc.gov/diglib/ihas/loc.mbrs.sfdb.1708/ |access-date=18 March 2024 |work=The Library of Congress / FIAF American Silent Feature Film Survival Catalog |title=The Callahans And The Murphys / George Hill [motion picture] |date=1927 }} It was until recently considered a lost film.{{cite web |url=http://www.thegreatstars.com/lost_film_wanted.htm |title=The Callahans and the Murphys |work=TheGreatStars.com; Lost Films Wanted |archive-url=https://web.archive.org/web/20141225003106/http://www.thegreatstars.com/lost_film_wanted.htm |access-date=July 19, 2018 |url-status=usurped |archive-date=2014-12-25 }}{{cite news |url=https://www.nytimes.com/2024/03/15/movies/silent-film-irish-callahans-muphys.html |title=Down the Rabbit Hole in Search of a Few Frames of Irish American History |work=The New York Times |date=15 March 2024 |last1=Barry |first1=Dan |access-date=18 March 2024 }}

Two 16 mm rolls with excerpts from the film are known to exist.{{cite press release |url=https://ifi.ie/2024/03/excerpts-of-lost-1920s-silent-film-the-callahans-and-the-murphys-discovered-by-ifi-irish-film-archive/ |title=Excerpts of Lost 1920s Silent Film 'The Callahans and the Murphys' discovered by IFI Irish Film Archive |date=15 March 2024 |access-date=16 March 2024 }} One is in the National Audio-Visual Conservation Center of the Library of Congress, while the other was discovered in 2024 in the Irish Film Archive, stored under the title An Irish Picnic. Both have been restored and published online, the latter including expository notes for gaps in the narrative. The Library of Congress excerpt (2 minutes 46 seconds) shows a dispute over a borrowed cup of sugar.{{cite web |title=[The Callahans and the Murphys--excerpt] |url=https://www.loc.gov/item/2024600504/ |publisher=Library of Congress |access-date=29 June 2024 |location=Washington, D.C.}} The Irish Film Archive excerpt (5 minutes 23 seconds) is abridged from the controversial Saint Patrick's Day picnic scene.{{cite web |work=Irish Film Archive |publisher=Irish Film Institute |url=https://ifiarchiveplayer.ie/callahans-murphys/ |title=Excerpt from 'The Callahans and the Murphys' |date=10 March 2024 |access-date=15 March 2024 }}

See also

Sources

  • {{cite journal |last1=Couvares |first1=Francis G. |title=Hollywood, Main Street, and the Church: Trying to Censor the Movies Before the Production Code |journal=American Quarterly |date=1992 |volume=44 |issue=4 |pages=584–616 |doi=10.2307/2713216 |jstor=2713216 |issn=0003-0678}}
  • {{cite book |last1=Marion |first1=Frances |title=Off with their heads: A serio-comic tale of Hollywood |date=1972 |publisher=Macmillan |location=New York |pages=153–157 |url=https://archive.org/details/offwiththeirhead00mari/page/153 |url-access=registration |via=Internet Archive }}
  • {{cite journal |last1=Walsh |first1=Francis R. |title=‘The Callahans and the Murphys' (MGM, 1927): a case study of Irish-American and Catholic Church censorship |journal=Historical Journal of Film, Radio and Television |date=January 1990 |volume=10 |issue=1 |pages=33–45 |doi=10.1080/01439689000260021}}
  • {{cite journal |last1=Wilson |first1=Leslie Kreiner |title=The Education of Frances Marion and Irving Thalberg: Censorship, Development, and Distribution at MGM, 1927–1930 |journal=Quarterly Review of Film and Video |date=January 2014 |volume=31 |issue=2 |pages=123–135 |doi=10.1080/10509208.2011.606411}}

Citations

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