The Hi-Jackers

{{Short description|1963 British film by Jim O'Connolly}}

{{Use dmy dates|date=May 2016}}

{{Use British English|date=May 2016}}

{{Infobox film

| name = The Hi-Jackers

| image = The_Hi-Jackers_(1963_film).jpg

| caption = British quad poster

| director = Jim O'Connolly

| producer = John I. Phillips
Ronald Liles

| writer = Jim O'Connolly

| narrator =

| starring = Anthony Booth

| music = Johnny Douglas

| cinematography = Walter J. Harvey

| editing = Henry Richardson

| studio = Butcher's Film Service

| distributor = Butcher's Film Distributors (UK)

| released = {{Film date|1963|12}}

| runtime = 69 min.

| country = United Kingdom

| language = English

| budget =

| gross =

}}

The Hi-Jackers is a 1963 British black and white second feature ('B'){{Cite book |last1=Chibnall |first1=Steve |title=The British 'B' Film |last2=McFarlane |first2=Brian |publisher=BFI/Bloomsbury |year=2009 |isbn=978-1-8445-7319-6 |location=London |pages=163}} crime thriller film written and directed by Jim O'Connolly, starring Anthony Booth and Jacqueline Ellis.{{Cite web |title=The Hi-Jackers |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150055465 |access-date=30 October 2023 |website=British Film Institute Collections Search}}

Plot

Long-distance independent lorry driver Terry meets homeless and unemployed Shirley at a transport cafe and gives her a lift. His vehicle, carrying a valuable shipment of whisky, is then hijacked under cover of a fake road accident. Who tipped off the hijackers about the route Terry would take? Police Inspector Grayson investigates.

Cast

Critical reception

Monthly Film Bulletin said: "One or two aspirations towards originality – Carter's proficiency as a cook, a gangster's almost prudish refusal to take advantage of Shirley's helplessness – cannot disguise the formulary nature of this crime melodrama. The plot is thin and unconvincing; the heroine is one of those tiresomely well-spoken young women whose bursts of spirit (she is not averse to moral blackmail) strike one as both incongruous and unsympathetic. The lorry-drivers are quite well characterised, and Derek Francis brings a touch of class to the gourmet-mastermind which seems, less aptly, to have spilled over into the film as a whole. For a struggling haulage contractor Terry has a remarkably luxurious apartment; there's something gratuitously 'snob', too, about Patrick Cargill's supercilious police inspector."{{Cite journal |date=1 January 1964 |title=The Hi-Jackers |url=https://www.proquest.com/docview/1305832118 |journal=Monthly Film Bulletin |volume=31 |issue=360 |pages=74 |via=ProQuest}}

The Radio Times Guide to Films gave the film 2/5 stars, writing: "This low-budget crime thriller from the Butcher's studio is set in the rough-and-ready world of trucking. However, British lorry drivers don't have the cinematic glamour of their American counterparts, so identifying the familiar British faces – Anthony Booth (Tony Blair's father-in-law), Patrick Cargill, Glynn Edwards – is the main point of interest here."{{Cite book |title=Radio Times Guide to Films |publisher=Immediate Media Company |year=2017 |isbn=9780992936440 |edition=18th |location=London |pages=416}}

References

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