The Mars Volta

{{Main|At the Drive-In|De Facto (band)}}

The roots of The Mars Volta are found in the band At the Drive-In.{{cite web|url=https://www.allmusic.com/artist/the-mars-volta-mn0000045560/biography|title=The Mars Volta – Biography|last=Fink|first=Matt|website=AllMusic|access-date=July 28, 2008}} ATDI imploded on the verge of a commercial breakthrough, partly due to boredom, partly to musical differences.{{cite web|url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6529559.ece|title=The Mars Volta's unveil Octahedron|last=Eggar|first=Robin|date=June 21, 2009|website=The Sunday Times |access-date=March 25, 2011}}{{dead link|date=September 2024|bot=medic}}{{cbignore|bot=medic}} Members Cedric Bixler-Zavala and Omar Rodríguez-López began to further explore their experimental, dub-influenced side project called De Facto, which featured Bixler-Zavala on drums, Rodríguez-López on bass, Isaiah "Ikey" Owens on keyboards, and Jeremy Ward on vocals, loops and sound effects.

During 2001 Eva Gardner joined the members of De Facto on bass, and they recorded two songs with drummer Blake Fleming and producer Alex Newport, which became the first demo by The Mars Volta. The lineup for their first public show at Chain Reaction in Anaheim, California was Rodríguez-López, Bixler-Zavala, Owens, Gardner, Ward, and drummer Jon Theodore. This lineup recorded three more tracks with Alex Newport, which became the EP Tremulant, released in early 2002 by Gold Standard Laboratories.

After the demise of At the Drive-In, Rodríguez-López and Bixler-Zavala found themselves once again starting from the ground up, touring and performing in smaller venues. In their early years The Mars Volta were characterized by chaotic live shows and heavy drug use.{{cite web|url=http://www.harpmagazine.com/articles/detail.cfm?article_id=4807|title=The Mars Volta: Spaced Out|last=Kelley|first=Trevor|website=Harp|access-date=July 28, 2008|archive-url=https://web.archive.org/web/20061031055306/http://www.harpmagazine.com/articles/detail.cfm?article_id=4807|archive-date=October 31, 2006|url-status=usurped}}

{{Main|De-Loused in the Comatorium}}

Following Tremulant, The Mars Volta continued touring with a fluid line-up while preparing to record their debut full-length album De-Loused in the Comatorium, produced with Rick Rubin and released on June 24, 2003. Whereas Tremulant had no general theme (except the prophetic mentioning) De-Loused was a unified work of speculative fiction telling the first-person story of someone in a drug-induced coma, battling the evil side of his mind. Though lyrically obscure, The Mars Volta stated in interviews that the album's protagonist is based on their late friend Julio Venegas, or "Cerpin Taxt", an El Paso poet and artist who went into a coma for several years after a deliberate drug overdose, recovered and later committed suicide. He died jumping from the Mesa Street overpass onto Interstate-10 in El Paso during afternoon rush-hour traffic.{{Citation needed|date=July 2010}} (Venegas' death was also referenced in the At the Drive-In song "Embroglio" from their album Acrobatic Tenement.)

In an interview with The Aquarian Weekly in 2008, Bixler-Zavala said about working with Rubin, "Rick really over-simplified some of the parts that we thought were unique, and just made them very digestible. He's got this thing about representing the common man's ears—I'd rather jab the common man's ears. If we don't, we'll never get to a place where future music exists."[http://www.theaquarian.com/2008/01/30/the-mars-volta-happy-pastors/ The Happy Pastors], by Daniel Alleva, [http://www.theaquarian.com The Aquarian Weekly], January 30, 2008.

The Mars Volta had no official bassist during the recording session, but Flea (of the Red Hot Chili Peppers) played bass on nine of the album's ten songs, with Justin Meldal-Johnsen playing double bass on "Televators". Flea's bandmate John Frusciante also contributed additional guitar, synthesizer and backing vocals to "Cicatriz ESP". After several temporary replacements, a permanent bassist for the band was found in Juan Alderete (formerly of Racer X).

Despite limited promotion, De-Loused earned strong reviews, and appeared on several 'year-end best-of' lists. The album remains The Mars Volta's best-seller, with over 500,000 copies sold. Rolling Stone ranked a track from De-Loused, "Drunkship of Lanterns", the 91st Best Guitar Song Ever. The band later released a limited-edition storybook version of the album, available by download from the Gold Standard Laboratories website. The book speaks of Cerpin Taxt (Julio Venegas) and his suicide.

While on tour with the Red Hot Chili Peppers in support of the album, founding member Jeremy Ward died of a heroin overdose. The band had canceled the tour's second leg, and the first single from De-Loused was later dedicated to Ward. It was this event which finally convinced band leaders Rodríguez-López and Bixler-Zavala to purportedly quit using opioids. Bixler-Zavala recalled: "One day, we were all getting high, and Jeremy asked me if I could see he had worms in his head. I never touched the stuff again. His passing was the final nail in the coffin. We never went back."

{{Main|Frances the Mute}}

As the band resumed touring to support De-Loused, they added Marcel Rodríguez-López (Omar's brother) on percussion. Work on their second album began in 2004. That year the band received the American Society of Composers, Authors and Publishers Vanguard Award.{{cite web|url=http://www.ascap.com/eventsawards/awards/vanguard/ |title=ASCAP Vanguard Award |publisher=ascap.com |access-date=October 15, 2011}}

File:The Mars Volta.jpg – Amsterdam October 16, 2005]]

In 2005, the band released Frances the Mute. The story given by the band on the album's concept concerns a diary that had been found in a repossessed car by late sound technician Jeremy Ward, while working as a repo-man. The author of the diary is unknown but appeared to be someone who was adopted and was searching for their birth parents, and who may have suffered from mental illness caused by the death of a loved one. The lyrics for each track on the album are loosely based on characters and life events described in this person's diary.

Frances the Mute started as a bigger commercial hit than De-Loused, moving 123,000 copies in its first week, and debuting at No. 4 on the Billboard album charts.{{cite magazine|url=https://www.billboard.com/articles/news/63797/50-cent-massacres-album-chart-competition |title=50 Cent Massacres Album Chart Competition |last=Whitmire |first=Margo |date=March 9, 2005 |magazine=Billboard |access-date=April 18, 2009 |url-status=dead |archive-url=https://web.archive.org/web/20141001054514/http://www.billboard.com/articles/news/63797/50-cent-massacres-album-chart-competition |archive-date=October 1, 2014 }} Reviews of Frances were generally positive (with a 75 on Metacritic) if somewhat polarized; Rolling Stone called it "a feverish and baroque search for self that conjures up the same majesty and gravity as Led Zeppelin three decades before", and even the detractors of Frances the Mute generally praised the band's musical abilities.{{cite web|url=http://uk.launch.yahoo.com/050228/33/1xj49.html|title=The Mars Volta – Frances the Mute|last=Gill|first=Jaime|date=February 28, 2005|website=Reviews|publisher=Yahoo! Music|access-date=July 28, 2008|archive-date=April 5, 2005|archive-url=https://web.archive.org/web/20050405231123/http://uk.launch.yahoo.com/050228/33/1xj49.html|url-status=dead}} "L'Via L'Viaquez" was later released as the 12 minute B-side to "The Bible And The Breathalyzer" single, a song which did not appear on the album. Frances the Mute has sold nearly 465,000 copies in the United States, according to Nielsen SoundScan ratings.{{cite magazine|url=https://www.billboard.com/articles/news/57949/mars-volta-feeling-vicarious-on-third-album |title=Mars Volta Feeling 'Vicarious' on Third Album |last=Cohen |first=Jonathan |date=June 30, 2006 |magazine=Billboard |access-date=April 18, 2009 |url-status=dead |archive-url=https://web.archive.org/web/20140930071512/http://www.billboard.com/articles/news/57949/mars-volta-feeling-vicarious-on-third-album |archive-date=September 30, 2014 }}

Rodríguez-López wrote all of the instrumental parts as well as arranging and producing the recording sessions himself. He used a method that Miles Davis used to evoke great performances from bandmates: refusing to let the other members hear each other's parts, or the context of their own part, thereby forcing them to play each part as if it were a self-sufficient song. In order to accomplish this, the musicians recorded to the pulse of a metronome.{{citation needed|date=September 2011}} While in the studio, Rodríguez-López recruited Adrián Terrazas-González to play saxophone, flute, and additional wind instruments for the album. Terrazas-González was added as a permanent member to The Mars Volta while touring in support of Frances the Mute.

Several songs written during the original recording sessions for the album never made the final cut. Notably, the self-titled 14-minute epic "Frances the Mute", which was originally to open the album and was ultimately supposed to decode the album's concept, was not included due to time constraints. Instead the track was featured as a b-side to the single release for "The Widow".

File:The Mars Volta live 2005.jpg November 30, 2005 with drummer Jon Theodore]]

On May 21, 2005, instead of playing a traditional set at KROQ's Weenie Roast Festival, the band played a 50-minute improvisation jam that was jokingly named on-the-spot as "Abortion, The Other White Meat" by Rodríguez-López. In keeping with The Mars Volta's tradition of testing and developing new work live, parts of "Abortion" later appeared on "Population Council's Wet Dream" from Rodríguez-López's 2009 album Old Money.

Midway through their headlining U.S. tour, former At the Drive-In member Paul Hinojos left the band Sparta to join The Mars Volta, claiming, "My time with Sparta has run its course, and simply wasn't fun anymore." Hinojos joined as live rhythm guitarist and became the band's sound manipulator, the position previously held by the late Ward. Hinojos had previously toured with The Mars Volta in 2003 and 2004.

During mid-2005, the band toured in support of the album with System of a Down and curated the All Tomorrow's Parties festival at Camber Sands in England.{{cite web|url=http://www.atpfestival.com/archive/archived_event.php?archive=19|title=2005 – Curated by Mars Volta – Camber Sands, UK |publisher=All Tomorrow's Parties|access-date=July 28, 2008}} In addition, a full-length live album named Scabdates was released on November 8, 2005.

{{Main|Amputechture}}

Upon finishing the majority of touring for Frances the Mute in fall 2005, Rodríguez-López traveled to Amsterdam and wrote what became Amputechture, which was released on September 8, 2006, in Europe, on September 9, 2006, in Australia and on September 12, 2006, in the U.S. Rodríguez-López spent much of his time in Amsterdam working on and performing various solo projects most notably under the name "Omar Rodriguez Quintet". During this time Rodríguez-López also composed the score to the film El Búfalo de la Noche, which was written and directed by Guillermo Arriaga and Jorge Hernandez Aldana respectively. The Mars Volta as a whole performed the score.

Amputechture was produced by Rodríguez-López and mixed by Rich Costey. Jeff Jordan provided the artwork, making it their first album not to feature the work of Storm Thorgerson. It was once again a concept album, but rather than telling a story, the album was a series of vignettes, with each song telling a different story. It became the last album with drummer Jon Theodore, whom Rodríguez-López fired before touring in support of the album. Rodríguez-López said in an interview with an Italian fan site that Theodore was the only member in the band who was not happy playing live and brought down the moods of the rest.{{citation needed|reason=https://www.youtube.com/watch?v=0_KtT8XtQQI|date=June 2015}}

File:MarsVoltaJohnFrusciante.JPG in Toronto on September 25, 2006]]

John Frusciante was featured on every track on Amputechture, except for "Asilos Magdalena". Rodríguez-López contributed the solos and riffs where the guitar work needed to be doubled. Bixler-Zavala said in an interview, "...he taught Frusciante all the new songs and Frusciante tracked guitars for us so Omar could sit back and listen to the songs objectively. It's great that he wants to help us and do that."{{Citation needed|date=May 2012}}

On July 28, 2006, the drummer's spot was filled by Blake Fleming, formerly of Laddio Bolocko, Dazzling Killmen, and the very first Mars Volta demos. A new song titled "Rapid Fire Tollbooth" was debuted live on September 22, 2006, in Chicago, Illinois, as reported by fans and attendees of the show who had received set lists from the stage. The song originally appears on Rodríguez-López's solo album Se Dice Bisonte, No Búfalo. The song eventually evolved into the track "Goliath" from the band's fourth studio album.

On September 25, 2006, The Mars Volta played a unique set on the opening night of a double-header in Toronto, Ontario. Cedric Bixler-Zavala fell ill and could not perform, so The Mars Volta played with John Frusciante on third guitar. The set consisted of over 47 minutes of instrumental material, including a lengthy cover of the Pink Floyd composition "Interstellar Overdrive". On October 17, 2006, while opening for the Red Hot Chili Peppers in East Rutherford, New Jersey, the band played with drummer Deantoni Parks as Rodríguez-López had fired Fleming because of complications within the band. Parks remained with the band only until the conclusion of the Japanese tour because of his prior commitments with other bands. On October 31, 2006, in Cleveland, Ohio, as Parks could not perform, The Mars Volta played an approximately 40-minute improvisation set as a rehearsal for another drummer, Thomas Pridgen.

On a 2006 episode of The Henry Rollins Show, The Mars Volta performed "Tetragrammaton" and "Day of the Baphomets" in a rare television performance. Afterwards, they did an interview with Rollins about the creation of Amputechture.

{{Main|The Bedlam in Goliath}}

File:Thomas Pridgen.JPG playing at the Roy Wilkins Auditorium in Saint Paul, Minnesota on April 21, 2008]]

In 2007, Thomas Pridgen became the new permanent drummer for the band. Pridgen's first full-time appearance was at the March 12 show in New Zealand, where the band debuted the song "Idle Tooth" which was later renamed "Wax Simulacra" for the forthcoming album. After shows in New Zealand and Australia, The Mars Volta toured a few West Coast venues as the headliner, then entered the studio to record their fourth LP, The Bedlam in Goliath.{{cite web|url=http://digitalproducer.digitalmedianet.com/articles/viewarticle.jsp?id=152162&afterinter=true|title=The Mars Volta Records New Album at Ocean Way|date=June 15, 2007|website=News|publisher=Digital Producer|access-date=July 28, 2008|url-status=dead|archive-url=https://web.archive.org/web/20080518171120/http://digitalproducer.digitalmedianet.com/articles/viewarticle.jsp?id=152162|archive-date=May 18, 2008}} One of these performances was captured in a live concert DVD (which remains unreleased) shot by director Jorge Hernandez Aldana.{{cite web|url=http://www.themarsvoltaitalia.com/omar_eng.htm|title=Interview With Omar Alfredo Rodriguez-Lopez|date=June 20, 2007|website=Interview|publisher=themarsvoltaitalia.com|access-date=July 28, 2008|url-status=dead|archive-url=https://web.archive.org/web/20110304150549/http://www.themarsvoltaitalia.com/omar_eng.htm|archive-date=March 4, 2011}}

Despite finding a permanent drummer and getting the band back on track, the recording and production of the album was reportedly plagued by difficulties related to a bad experience with a Ouija board purchased in a curio shop in Jerusalem.{{cite web|last=Moon |first=Tom |url=https://www.npr.org/templates/story/story.php?storyId=18513345 |title=Unwelcome Spirits Haunt 'The Bedlam in Goliath' |publisher=NPR |date=January 29, 2008 |access-date=October 15, 2011}} According to Rodríguez-López, their original engineer experienced a nervous breakdown, his studio flooded twice, and both he and mixer Rich Costey claimed that various tracks would disappear at random.

On November 5, 2007, The Mars Volta released a document by Jeremy Robert Johnson titled, "The Mars Volta's Descent into Bedlam: A Rhapsody in Three Parts".{{Cite web|url=http://www.themarsvolta.com/|archiveurl=https://web.archive.org/web/20081221072855/http://themarsvolta.com/TBIG.doc|url-status=usurped|title=usurped title|archive-date=December 21, 2008|website=Themarsvolta.com|access-date=January 29, 2025}}{{Cite web|url=http://www.jeremyrobertjohnson.com/TMVDIB.pdf|title=PDF: The Mars Volta's Descent into Bedlam: A Rhapsody in Three Parts|website=Jeremyrobertjohnson.com|access-date=January 29, 2025}} The document includes a history of the band and describes the obstacles and inspirations they encountered in the creation of The Bedlam in Goliath. On November 20, 2007 "Wax Simulacra", the first single from the forthcoming album, was released with a cover of "Pulled to Bits" by Siouxsie and the Banshees as the b-side.

The band kicked off their supporting tour with a December 29, 2007 "secret show" at the Echoplex in Los Angeles, California, followed by a special New Year's Eve performance at San Francisco's Bill Graham Civic Auditorium.{{cite web |url=http://www.themarsvolta.com |title=The Mars Volta Announce New Years Eve Extravaganza |publisher=Themarsvolta.com |access-date=October 15, 2011 |url-status=usurped |archive-url=https://web.archive.org/web/20051231044814/http://www.themarsvolta.com/ |archive-date=December 31, 2005 }} That night they played their first ever acoustic set, which included six songs and a live performance of "Miranda, That Ghost Just Isn't Holy Anymore". The band then departed on a club tour of the U.S. east coast throughout January, with an album release show at San Diego's Soma, followed by another month's worth of European dates from mid-February to mid-March.

On January 2, 2008, The Mars Volta released an online game called "Goliath: The Soothsayer", based on a true story that inspired their forthcoming album The Bedlam In Goliath. The album chronicles the band's purported experience with the "Soothsayer", a Ouija board owned by vocalist Cedric Bixler-Zavala and its transition from a source of fun on tour to a psycho-spiritual force that almost tore the band apart. The game was available for a limited time exclusively via Amazon.com.{{cite news|url=https://www.nme.com/news/nme/32582|title=The Mars Volta set to release online game|date=November 16, 2007|work=NME |access-date=April 18, 2009}}

On January 17, 2008, the band made their U.S. network television debut, performing "Wax Simulacra" on the Late Show with David Letterman (Rodríguez-López, Bixler-Zavala and Hinojos had appeared on the show with At the Drive-In in 2000). On January 22, they made a surprise appearance at Toronto, Ontario, Canada's MTV Live studios, where they performed "Wax Simulacra" and an extended version of "Goliath". In late January, the new album debuted at a career-best No. 3 on the Billboard 200.

File:Omar Rodríguez-López.JPG in Saint Paul, Minnesota on April 21, 2008]]

The song "Wax Simulacra" won the 2009 Grammy Award for Best Hard Rock Performance. It was the band's first nomination and win.{{cite web|url=http://www.grammy.com/grammy_awards/51st_show/list.aspx |title=GRAMMY.com |publisher=GRAMMY.com |access-date=September 11, 2009}} The band members thanked their families and Bixler urged people not to forget the memories of the recently departed Lux Interior and Ron Asheton.

{{Main|Octahedron (album)}}

Omar Rodríguez-López had discussed the band's next album as early as January 2008, the month that The Bedlam in Goliath was released,{{cite web|url=http://www.abc.net.au/triplej/musicnews/s2528267.htm |title=triple j music news: New Mars Volta album in July |publisher=ABCnet.au |date=March 27, 2009 |access-date=September 11, 2009}} claiming "I consider it to be our acoustic album."{{cite news|last=Hyden |first=Steven |url=https://www.avclub.com/content/interview/omar_rodriguez_lopez_of_the |title=Omar Rodriguez-Lopez of The Mars Volta | Music |newspaper=A.V. Club |access-date=September 11, 2009}} Cedric Bixler-Zavala had expressed an urge for the album to not be released on a major label.{{cite web |url=http://www.philadelphiaweekly.com/articles/16219 |archive-url=https://archive.today/20120525115224/http://www.philadelphiaweekly.com/articles/16219 |url-status=dead |archive-date=May 25, 2012 |title=Mission to Mars – philadelphia weekly online |publisher=Philadelphiaweekly.com |date=July 14, 2008 |access-date=October 15, 2011 }} In February 2009, Rodríguez-López claimed "the next two Mars Volta records are already recorded and waiting for a release date."{{cite web|url=http://www.spinner.com/2009/02/02/mars-volta-revel-in-records-grammy-nomination/ |title=Mars Volta Revel in Records, Grammy Nomination |publisher=Spinner |date=February 2, 2009 |access-date=September 11, 2009}}

On April 14, 2009, The Mars Volta announced their fifth studio album, entitled Octahedron. It was released June 23 in the United States and June 22 in the rest of the world. A vinyl version was released on July 21 in a limited edition of 500 LPs.{{cite web |url=http://www.invisible-movement.net/2009/03/the-mars-voltas-octahedron-out-on |title=The Mars Volta's Octahedron out on June 19,?! | John Frusciante unofficial website – Invisible Movement |publisher=Invisible-movement.net |access-date=September 11, 2009 |archive-url=https://web.archive.org/web/20090330043853/http://www.invisible-movement.net/2009/03/the-mars-voltas-octahedron-out-on |archive-date=March 30, 2009 |url-status=dead }} In the spirit of distillation of the band's sound, Rodríguez-López asked woodwind player/percussionist Adrián Terrazas-González and live rhythm guitarist/sound manipulator Paul Hinojos to leave.{{cite web |url=http://themarsvolta.com/biography |title=Biography |publisher=The Mars Volta |access-date=September 11, 2009 |url-status=usurped |archive-url=https://web.archive.org/web/20090918222152/http://www.themarsvolta.com/biography |archive-date=September 18, 2009 }}{{cite web |url=http://stereokill.net/2009/04/14/the-mars-volta-confirm-new-album/ |archive-url=https://web.archive.org/web/20140714202850/http://stereokill.net/2009/04/14/the-mars-volta-confirm-new-album/ |url-status=dead |archive-date=July 14, 2014 |title=The Mars Volta confirm new album |publisher=stereokill.net |date=July 5, 2009 |access-date=September 11, 2009 }} Regarding their departure, percussionist Marcel Rodríguez-López noted that: "it's like we got a whole new band. It's two less members – we got to play differently."{{cite web |url=http://www.drummagazine.com/handdrum/post/all-in-the-mars-volta-familia/ |title=All in the Mars Volta Familia |publisher=DRUM! Magazine |access-date=July 1, 2011 |url-status=dead |archive-url=http://archive.wikiwix.com/cache/20110703101008/http://www.drummagazine.com/handdrum/post/all-in-the-mars-volta-familia/ |archive-date=July 3, 2011 }}

The first single released in North America was "Since We've Been Wrong". The first European single was "Cotopaxi".

An excerpt from The Mars Volta's performance at the All Tomorrow's Parties, UK 2005 A Nightmare Before Christmas festival was featured in the All Tomorrow's Parties film, which was released in cinemas during October 2009.

During the Octahedron tour, the show on October 23 in Raleigh, NC was unexpectedly cancelled. It was supposed to be the final show of the North American leg of the tour, but was cancelled due to an argument between Bixler-Zavala and Thomas Pridgen, the drummer at the time, which ended with Pridgen abruptly leaving the venue. A month later, Pridgen confirmed his departure from The Mars Volta via Facebook stating he was "not in TMV anymore".{{cite web|url=http://www.jambase.com/Articles/Story.aspx?StoryID=20672|title=The Mars Volta: Another New Drummer|date=November 30, 2009|publisher=Jam Base|access-date=March 25, 2011|url-status=dead|archive-url=https://web.archive.org/web/20091206191829/http://www.jambase.com/Articles/Story.aspx?StoryID=20672|archive-date=December 6, 2009}} In a February 2011 interview, Pridgen said he left the group "because the singer had a jealous ego trip. There's nothing more to elaborate on";{{cite magazine|url=http://blogs.westword.com/backbeat/2011/02/qa_with_thomas_pridgen_of_the.php|title=Q&A with Thomas Pridgen of the Memorials|last=Eustice|first=Kyle|date=February 23, 2011|magazine=Westword|access-date=March 25, 2011|url-status=dead|archive-url=https://web.archive.org/web/20110226012412/http://blogs.westword.com/backbeat/2011/02/qa_with_thomas_pridgen_of_the.php|archive-date=February 26, 2011}} however, Juan Alderete stated in 2013 that "Thomas got really drunk, did some bad things and did some real damage to the trust we all had with him."{{cite web|url=https://www.reddit.com/r/IAmA/comments/1gleok/i_am_juan_alderete_the_bassist_of_zavalaz_the/|title=I am Juan Alderete, the bassist of ZAVALAZ, The Mars Volta, Big Sir, Vato Negro and the creator of PedalsAndEffects.com. Ask me anything! |publisher=Reddit|website=AMA|date=June 18, 2013|access-date=March 11, 2015}} The band later completed the tour with drummer Dave Elitch. They played throughout Europe and Australia until the end of January 2010.

In October 2010, The Mars Volta played two shows in Brazil and Chile.{{cite web|url=http://www.swu.com.br/pt/blog-swu/swu-anuncia-the-mars-volta/ |title=SWU anuncia The Mars Volta | SWU Começa com você |publisher=Swu.com.br |access-date=July 1, 2011}}{{cite web |url=http://www.rockaxis.com/article_info_rock.php?articles_id=12337&osCsid=11d312c8f72409e65fd51c803747cdc5 |archive-url=https://web.archive.org/web/20100823072302/http://www.rockaxis.com/article_info_rock.php?articles_id=12337&osCsid=eab81b578a474e8b98650f93cc3a38dd |url-status=dead |archive-date=August 23, 2010 |title=Rockaxis |language=es |publisher=Rockaxis |date=August 18, 2010 |access-date=July 1, 2011 }} Long-time keyboardist, Ikey Owens, was absent during these dates due to touring commitments with his own project, Free Moral Agents.

{{Main|Noctourniquet}}

Shortly after Octahedron{{'}}s release, Rodríguez-López claimed to have put the supposed follow-up "on hold" and was starting work on a completely new album. In an April 2010 interview with Rolling Stone, Rodríguez-López talked about trying to loosen his grip in the studio. He claimed to have finished writing the album, and was awaiting lyrics and vocals from Bixler-Zavala.{{Cite web|url=https://www.rollingstone.com/music/news/;kw=%5B13193,132434%5D|archiveurl=https://web.archive.org/web/20100527144246/http://www.rollingstone.com/music/news/;kw=%5B13193,132434%5D|url-status=dead|title=Music -- Latest News -- How Omar Rodriguez-Lopez Learned the Art of Collaboration|archive-date=May 27, 2010|website=Rollingstone.com|access-date=January 29, 2025}} Rodríguez-López spent most of 2010 focusing on his solo career, and little information regarding the sixth Mars Volta album was released. During this year drummer Deantoni Parks began touring with Rodríguez-López as well as appearing on several solo records, and Cathy Pellow of Sargent House Records confirmed that Parks was in talks to become the next drummer for The Mars Volta.

In 2011, Rodríguez-López spoke about the band's new album in several interviews, saying that it would feature thirteen songs which, "[are] a simplified version of what we've done before",{{cite web|url=https://www.nme.com/news/the-mars-volta/55423 |title=The Mars Volta added to Sonisphere bill – ticket details | News |website=NME |date=March 14, 2011 |access-date=July 1, 2011}} and would be released "Whenever the record label decides to put it out".{{cite web|url=http://www.nochelatina.com/Articles/8701/Interview-with-Omar-Rodriguez-Lopez |title=Interview with Omar Rodriguez Lopez |publisher=Nochelatina.com |date=February 22, 2011 |access-date=July 1, 2011}} Bixler-Zavala took the opportunity to make a few remarks on the sound of the album, indicating a drastic change in sound for the band, referring to the new sound as "future punk".{{cite web|url=http://www.antiquiet.com/news/2011/03/mars-volta-sxsw/|title=The Mars Volta Surprise SXSW, Debut New Material|last=Scoczynski Filho|first=Fernando|date=March 20, 2011|publisher=antiquiet|access-date=March 25, 2011}}

On March 19, 2011, the Omar Rodriguez-Lopez Group performed at SXSW. Bixler-Zavala joined the group as a vocalist, performing entirely new material with the band, which led to speculations of the show being a secret Mars Volta show under the Omar Rodríguez-López Group moniker. The Group continued to tour throughout April with the same lineup of Bixler-Zavala, Omar and Marcel Rodríguez-López, Juan Alderete, Deantoni Parks and (previously offstage) keyboardist/sound manipulator Lars Stalfors. An official Mars Volta tour began in summer of 2011, consisting of them opening for Soundgarden on select dates. This was in addition to their opening slot for the Red Hot Chili Peppers in their one-off gig in Hong Kong on August 9, 2011.{{cite web |last=Firecloud |first=Johnny |url=http://www.craveonline.com/music/articles/166437-soundgarden-mars-volta-tour |archive-url=https://web.archive.org/web/20110426061746/http://www.craveonline.com/music/articles/166437-soundgarden-mars-volta-tour |url-status=dead |archive-date=April 26, 2011 |title=Soundgarden Announces Tour, Taps The Mars Volta To Open |publisher=CraveOnline |date=April 22, 2011 |access-date=July 1, 2011 }} During these shows the band (featuring the same six members) continued to play the new material premiered during the Omar Rodríguez-López Group tour earlier in the year, with Bixler-Zavala telling the crowd at one show that he was "inviting them to a private rehearsal for their new album," confirming the material was off the band's upcoming album.

Keyboardist Ikey Owens, who had played with the band since its inception, was noticeably absent from all 2011 dates. When asked in an interview, Owens stated that he knew "Absolutely nothing [of the upcoming album]. I haven't heard one note of it; I haven't played on it. I don't know if I am going to play on it; I have no idea".{{cite web|url=http://www.lifessweetbreath.com/interviews/13-ikey-owens-of-free-moral-agents-and-the-mars-volta.html|title=Life's Sweet Breath: Interview; Ikey Owens Of Free Moral Agents and The Mars Volta|last= Leman|first= Jordan|date=March 27, 2011|publisher=LSB|access-date=February 13, 2012}} Bassist Juan Alderete later revealed via his Twitter page that Owens was no longer playing with The Mars Volta as he was busy "producing bands".{{cite web |url = https://www.twitter.com/J_Alderete/status/87297474120781824 |title=Juan Alderete Twitter|access-date = July 2, 2011 }} Marcel Rodríguez-López and Lars Stalfors took over keyboard and synth duties with the band in lieu of Owens.

On January 5, 2012, a new song titled "Zed and Two Naughts", a song revealed to be from the band's upcoming album, was confirmed to be included on the MLB 12: The Show Soundtrack.{{cite web|url=http://blog.us.playstation.com/2012/01/05/mlb-12-the-show-soundtrack-revealed/ |title=MLB 12 The Show Soundtrack Revealed – PlayStation Blog |date=January 5, 2012 |website=Blog.us.playstation.com |access-date=April 15, 2012}}

On January 12, it was revealed that the upcoming album would be called Noctourniquet.{{cite web|url=https://www.reddit.com/tb/oe6x1 |title=The Mars Volta's upcoming sixth studio LP is officially titled "Noctourniquet" – Album artwork & info leaked from CES via |date=January 12, 2012 |publisher=Reddit.com |access-date=April 15, 2012}} Later that week, an official page went up confirming Noctourniquet as the album title along with unveiling the album art and a full track listing and announcing March 27, 2012 as the release date.{{Cite web|url=http://www.themarsvolta.com/|archiveurl=https://web.archive.org/web/20120119233935/http://www.themarsvolta.com/splash/|url-status=usurped|title=usurped title|archive-date=January 19, 2012|website=Themarsvolta.com|access-date=January 29, 2025}}{{cite magazine|last=Matthew Perpetua |url=https://www.rollingstone.com/music/news/the-mars-volta-announce-new-album-noctourniquet-20120117 |title=The Mars Volta Announce New Album, 'Noctourniquet' | Music News |magazine=Rolling Stone |date=January 17, 2012 |access-date=April 15, 2012}} The album's first single, "The Malkin Jewel," was first broadcast on February 13 and subsequently released on February 14.{{cite magazine|url=https://www.rollingstone.com/music/songreviews/the-malkin-jewel-20120215|archive-url=https://web.archive.org/web/20130128022619/http://www.rollingstone.com/music/songreviews/the-malkin-jewel-20120215|url-status=dead|archive-date=January 28, 2013|title=The Malkin Jewel|magazine=Rolling Stone|access-date=March 9, 2018}}

After the conclusion of the Noctourniquet tour, Omar Rodríguez-López decided to put The Mars Volta on hold to fully concentrate on his new project, Bosnian Rainbows, which also features Deantoni Parks. When asked in an interview if the band will reunite, he stated:

I don't know, and I'm not insecure enough to have to ask myself that. It's like, we've done that for ten years, eleven years. Now we're all doing different things, and everything that we're doing informs how we express ourselves, and so if that happens then it happens and if it doesn't it doesn't. It's not something to be worried about. It shouldn't occupy a space in the mind. There's way too many things that are much too important to occupy space in the mind.

On January 23, 2013, Cedric Bixler-Zavala revealed that he was no longer a part of The Mars Volta on Twitter and that the band had broken up.{{cite web|url=https://twitter.com/cedricbixler_|title=Cedric Bixler-Zavala|date=January 23, 2013|publisher=Twitter|access-date=January 23, 2013}}

Bixler-Zavala subsequently focused on his solo music and eventually formed a new band, Zavalaz, which also includes Juan Alderete. He stated shortly after that he was "currently not on speaking terms" with Rodríguez-López and that "the falling out had been four years in the making, so the final announcement on my part was really just to let the children know that Mom and Dad were splitting up".{{cite web|last=Comingore|first=Aly|title=Getting to Know Zavalaz - Cedric Bixler-Zavala Talks New Project, Mars Volta Breakup|date=June 13, 2013|url=http://www.independent.com/news/2013/jun/13/getting-know-zavalaz/|publisher=Independent.com|access-date=June 13, 2013}}

Rodríguez-López, meanwhile, did not rule out the possibility of The Mars Volta reuniting in the future: "Because of all my anger and how I dealt with people, I spent so much of my life just closing doors left and right. At this point, I refuse to close any, only to open new ones. Whatever comes my way - as long as it's filled with joy and positivity - I want to give my talents to it. [...] I'm not interested in throwing tantrums any more."[http://www.clevescene.com/cleveland/omar-and-the-howlers/Content?oid=3178021 "Omar and the Howlers"]. Cleveland Scene, February 20, 2013. Retrieved on February 23, 2013. He elaborated further on an article with Billboard, acknowledging Bixler-Zavala's decision to depart TMV, effectively ending the over 20 year musical partnership between Rodríguez-López and Bixler-Zavala for the foreseeable future. Rodríguez-López stated, "I was making a film and heard about it hours later; people were like, 'Are you OK?' I understand where he's coming from; I've known the guy for 22 years. I'll always respect and support any decision he makes. If that's how he wants it, I totally get it and I support it."{{cite magazine|last=Graff|first=Gary|title=Omar Rodriguez-Lopez on Bosnian Rainbows, Lessons from At The Drive-In, Mars Volta|url=https://www.billboard.com/articles/news/1549951/omar-rodriguez-lopez-on-bosnian-rainbows-lessons-from-at-the-drive-in-mars|magazine=Billboard|access-date=March 26, 2013}}

In August 2013, a collection of unreleased songs, demos, alternate versions, and in-studio jams roughly spanning from 2005 until the Noctourniquet sessions, dubbed The Ramrod Tapes, was leaked online. The source of these recordings still remains unknown.{{cite web|last=Carlson|first=Alex|title=Mars Volta Demos Revealed|url=http://www.sputnikmusic.com/news/28275/Mars-Volta-Demos-Revealed/|website=SputnikMusic|access-date=August 17, 2013}}

In February 2014, several posts on the Comatorium message board by sources close to the band revealed that Bixler-Zavala and Rodríguez-López had been meeting and speaking again, hinting at a possible Mars Volta reunion.{{Citation needed|date=January 2017}} The rumors were further fueled when Bixler-Zavala's wife Chrissie posted a picture on Instagram of her husband and Rodríguez-López holding Bixler's twin boys at a California beach. On April 9, a new project featuring Rodríguez-López and Bixler-Zavala, Antemasque was announced; Antemasque also featured Flea on bass and Dave Elitch on drums.{{cite magazine|last=Baroni|first=Nastassia|title=Mars Volta Members Unite With Flea For New Project, Antemasque|url=http://musicfeeds.com.au/news/mars-volta-members-unite-with-flea-for-new-project-antemasque/|magazine=Music Feeds|access-date=April 9, 2014}}

On October 14, 2014, founding member Isaiah "Ikey" Owens was found dead in his hotel room while on tour in Mexico with Jack White. According to a representative, Owens died of a heart attack.{{cite magazine|last=Young|first=Alex|title=Jack White's keyboardist, Isaiah "Ikey" Owens, found dead in Mexico|url=https://consequence.net/2014/10/jack-whites-keyboardist-isaiah-ikey-owens-found-dead-in-mexico/|magazine=Consequence of Sound|access-date=October 14, 2014}}

In an interview with Rolling Stone on July 11, 2016, when asked about a potential return of The Mars Volta, Rodriguez-Lopez stated, "At some point, we'd love to do [Mars Volta] again too, you know what I mean? There's so much to do there as well."{{cite magazine|last=Young|first=Alex|title=Omar Rodriguez-Lopez says The Mars Volta are alive and well: "There's so much to do there"|url=https://consequence.net/2016/07/omar-rodriguez-lopez-says-the-mars-volta-are-alive-and-well-theres-so-much-to-do-there-as-well/|magazine=Consequence of Sound|access-date=July 13, 2016}} In February 2018, Bixler-Zavala confirmed on Twitter that The Mars Volta will "be back soon",{{cite tweet |last= Bixler-Zavala|first=Cedric|user=cedricbixler_ | number=962120912844681216 | date=February 9, 2018 | title=Damn. I wish I had half the confidence your proclamation has! Thank you for the kind words. We will be back soon | access-date=February 25, 2018}} but later clarified that At the Drive-In activity will take precedence for the immediate future.{{cite tweet |last= Bixler-Zavala|first=Cedric|user=cedricbixler_ | number=962820868744216576 | date=February 11, 2018 | title=I appreciate the rabid infection that spreads when anything Volta is discussed, but it'll be a while b4 that ship takes off. Still got a lot of ground to cover w my current family @AtTheDriveIn all I did was praise a fans enthusiasm & casually mention volta being a thing. | access-date=February 25, 2018}} In May 2019, further tweeting from Bixler-Zavala suggested he and Rodríguez-López had been experimenting with new material.{{Cite web|url=https://pitchfork.com/news/the-mars-volta-reunion-is-happening-cedric-bixler-zavala-says/|title=The Mars Volta Reunion Is "Happening," Cedric Bixler-Zavala Says|website=Pitchfork|date=May 26, 2019 |language=en|access-date=June 19, 2019}}

On February 23, 2021, Hamburg based label Clouds Hill Group announced{{cite tweet|number=1364125648642580481|user=cloudshillmusic|title=We are honored to announce that...|date=February 23, 2021}} they had acquired rights to handle the band's discography, as well as Omar Rodriguez-Lopez' entire back catalogue, with official reissues of both discographies expected.

On March 4, 2021, Clouds Hill posted a video on Twitter{{cite tweet|number=1367399419851595778|user=cloudshillmusic|title=Coming Soon #TheMarsVolta|date=March 4, 2021}} titled 'Coming Soon', featuring audio from De-Loused in the Comatorium, as well as alternate artwork of the album cover. This was later confirmed as the 18-LP box set of the band's entire discography titled La Realidad de Los Sueños (The Reality of Dreams), including unreleased material from the De-Loused in the Comatorium sessions titled Landscape Tantrums. The set was released on April 23, 2021.{{cite web|url=https://pitchfork.com/news/the-mars-volta-announce-massive-18-lp-vinyl-box-set/|title=The Mars Volta Announce Massive 18-LP Vinyl Box Set|website=Pitchfork|last=Bloom|first=Madison|date=March 5, 2021|access-date=March 5, 2021}}

{{main|The Mars Volta (album)|Que Dios Te Maldiga Mi Corazón|Lucro Sucio; Los Ojos del Vacio}}

On June 18, 2022, the band revealed the coordinates to a location in Los Angeles, California, where fans were allowed to preview new music from the band via an art installation called "L'ytome Hodorxí Telesterion".{{Cite web |last1=Bloom |first1=Madison |last2=Strauss |first2=Matthew |date=2022-06-21 |title=The Mars Volta Return With First New Song in 10 Years |url=https://pitchfork.com/news/the-mars-volta-return-with-first-new-song-in-10-years-listen/ |access-date=2022-09-18 |website=Pitchfork |language=en-US}} This was followed up by the release of the single "Blacklight Shine" and a tour announcement, marking both their first new music and first live shows in ten years.{{Cite web|url=https://loudwire.com/mars-volta-blacklight-shine-new-song-video/|title=The Mars Volta Release Their First New Song in 10 Years, 'Blacklight Shine'|website=Loudwire|date=June 21, 2022 |language=en|access-date=June 12, 2022}} {{Cite web|url=https://twitter.com/themarsvolta/status/1539247300450652162/|title=The Mars Volta Tour 2022|website=Twitter|date=June 22, 2022 |language=en|access-date=June 22, 2022}} The band released a follow-up single "Graveyard Love" on July 8.{{cite web |last=Deville |first=Chris |title=The Mars Volta – 'Graveyard Love' |url=https://www.stereogum.com/2192438/the-mars-volta-graveyard-love/news/ |website=Stereogum |access-date=11 July 2022 |date=8 July 2022}} The band subsequently announced their first album in 10 years, The Mars Volta, which was released on September 16.{{cite web|url=https://pitchfork.com/news/the-mars-volta-announce-first-album-in-a-decade-share-new-song-listen/|title=The Mars Volta Announce First Album in a Decade, Share New Song: Listen|website=Pitchfork|last=Corcoran|first=Nina|date=August 5, 2022|access-date=August 6, 2022}} On March 10, 2023, the band announced an acoustic version of their self-titled album titled Que Dios Te Maldiga Mi Corazón, which released on April 21.[https://twitter.com/themarsvolta/status/1634208340740898817] {{dead link|date=January 2025}}

A documentary film, Omar and Cedric: If This Ever Gets Weird, which chronicles Omar and Cedric's friendship across several decades, premiered at select film festivals in 2023 and 2024. Directed by Nicolas Jack Davies, the film received a one-day cinematic release on November 20, 2024, across the US.

Beginning on February 25, 2025, the band played an entire unreleased new album during their sets opening for Deftones' arena tour.{{Cite web |last=Burton |first=Poppy |date=2025-02-26 |title=The Mars Volta debut as-yet-unannounced album live while opening for Deftones in Portland |url=https://www.nme.com/news/music/the-mars-volta-debut-as-yet-unannounced-album-live-while-opening-for-deftones-in-portland-3841686 |access-date=2025-04-11 |website=NME |language=en-GB}} The Mars Volta's ninth studio album, Lucro Sucio; Los Ojos del Vacío, was officially announced by the Clouds Hill label on April 7, and released on April 11.{{Cite web |date=2025-04-11 |title=The Mars Volta release new album Lucro sucio; Los ojos del vacio |url=https://consequence.net/2025/04/the-mars-volta-lucro-sucio-los-ojos-del-vacio-stream/ |access-date=2025-04-11 |website=Consequence |language=en}}

The band's music has been described as progressive rock{{cite news | url=http://www.laweekly.com/music/ikey-owens-jack-white-the-mars-volta-was-more-than-a-hired-gun-5147767 | title=Ikey Owens (Jack White, The Mars Volta) Was More Than a Hired Gun | newspaper=LA Weekly |last=Bennett, Sarah| date=October 15, 2014 | access-date=November 22, 2015}}{{cite web | url=http://www.nydailynews.com/entertainment/music-arts/album-review-mars-volta-noctourniquet-article-1.1050882 | title=Album Review: The Mars Volta, "Noctourniquet" | website=Daily News (New York) | date=March 27, 2012 | access-date=November 22, 2015 | last=Farber, Jim}}{{cite web | url=http://www.digitalspy.com/music/news/a453417/the-mars-voltas-cedric-bixler-zavala-announces-split/ | title=The Mars Volta's Cedric Bixler-Zavala announces split | website=Digital Spy | access-date=November 22, 2015 | last=Eames, Tom| date=January 24, 2013 }} and experimental rock. {{cite magazine | url=http://loudwire.com/cedric-bixler-zavala-announces-departure-from-mars-volta/ | title=Singer Cedric Bixler-Zavala Announces Departure From Mars Volta | magazine=Loudwire | date=January 24, 2013 | access-date=November 22, 2015 | last=Hartmann, Graham}}{{cite web | url=https://www.nme.com/news/the-mars-volta/61306 | title=The Mars Volta to release new album this year | website=NME | date=January 8, 2012 | access-date=November 22, 2015 | last=Bychawski, Adam}}

The band's music includes elements from a wide variety of genres, including hardcore, psychedelic rock, and free jazz. Omar Rodríguez-López commented, "Progressive is not a dirty word for people to use about us. If you're not moving forward, you're stagnant. And that's no way to live." Almost the entire band's output was composed solely by Rodríguez-López, with lyrics and vocal melodies written by Cedric Bixler-Zavala. They cited artists/bands such as King Crimson, Led Zeppelin, Pink Floyd, Can, Captain Beefheart, Frank Zappa, Larry Harlow, Miles Davis, Fela Kuti, Ennio Morricone, Throbbing Gristle, Talk Talk, Black Flag, Brainiac, Björk, Roni Size, Jaga Jazzist and Aphex Twin as their influences.{{cite web|url=http://forum.thecomatorium.com/forum/index.php?showtopic=20371|title=Influences - Five-Hundred Little Qs|website=The Comatorium|access-date=March 11, 2015|archive-date=July 15, 2021|archive-url=https://web.archive.org/web/20210715024834/http://forum.thecomatorium.com/forum/index.php?showtopic=20371|url-status=dead}} According to Rodríguez-López, cinema also largely influences his songwriting: "Creating tension, creating flow, creating scenes, creating fast-paced scenes, creating minimal dialogue – it's one of our biggest influences".{{cite web|url=http://forum.thecomatorium.com/forum/index.php?showtopic=20371#entry494779|title=Influences - Five-Hundred Little Qs|website=The Comatorium|access-date=March 11, 2015|archive-date=July 15, 2021|archive-url=https://web.archive.org/web/20210715024834/http://forum.thecomatorium.com/forum/index.php?showtopic=20371#entry494779|url-status=dead}}

Many artists and bands have cited The Mars Volta as an influence, including Mastodon,{{cite web|access-date=April 19, 2020|title=Under the Influence: Mastodon's Brann Dailor|date=November 13, 2014 |website=The Skinny|first=Dave |last=Kerr|url= https://www.theskinny.co.uk/music/playlists/under-the-influence-brann-dailor-mastodon|url-status=live|archive-date=September 12, 2015|archive-url=https://web.archive.org/web/20150912102418/https://www.theskinny.co.uk/music/playlists/under-the-influence-brann-dailor-mastodon}} Lizzo,{{cite web|location=New York |access-date=June 15, 2018|url=https://www.youtube.com/watch?v=sHU2VD6j72I|title=Lizzo Creates the Playlist of Her Life | magazine=Teen Vogue|date=June 15, 2018 }} Protest the Hero,{{ cite web | access-date = March 18, 2017 | url = http://connect.citizen.co.za/lifestyle/4820/a-chat-with-protest-the-hero/ | quote = Q: You probably get asked this quite a lot, but who / what are your musical influences?
Rody Walker: [...] The Mars Volta and The Dillinger Escape plan have always been big ones [...] | title = A chat with Protest the Hero | date = April 22, 2015 | newspaper = The Citizen | url-status = dead | archive-url = https://web.archive.org/web/20170319022438/http://connect.citizen.co.za/lifestyle/4820/a-chat-with-protest-the-hero/ | archive-date = March 19, 2017 | df = mdy-all }}{{ cite web | access-date = March 18, 2017 | url-status = live | archive-url = https://web.archive.org/web/20150215003322/http://www.reddit.com/r/progmetal/comments/2t2v0l/i_am_luke_hoskin_from_protest_the_hero_ask_me/ | archive-date = February 15, 2015 | url = https://www.reddit.com/r/progmetal/comments/2t2v0l/i_am_luke_hoskin_from_protest_the_hero_ask_me/ | title = I am Luke Hoskin from Protest the Hero. Ask me Anything! | publisher = Reddit | website = AMA | date = January 20, 2015 }} Nick Hipa of As I Lay Dying,{{ cite web | access-date = March 19, 2017 | url = http://www.seymourduncan.com/blog/backstage-pass/interview-with-nick-hipa-of-as-i-lay-dying | title = Interview with Nick Hipa of As I Lay Dying | date = August 7, 2012 | last = Kat King | quote = Q: What bands have influenced you personally?
Nick Hipa: [...] During my college years I got into the less technical but creative style of bands like The Refused, At The Drive-In, Radiohead, and The Mars Volta. [...] | website = www.seymourduncan.com | url-status = live | archive-url = https://web.archive.org/web/20120811094414/http://www.seymourduncan.com/blog/backstage-pass/interview-with-nick-hipa-of-as-i-lay-dying | archive-date = August 11, 2012 }} The Fall of Troy,{{ cite web | access-date = April 21, 2017 | title = Interview: Andrew Forsman from The Fall of Troy | url = http://ozprog.com/2016/06/interview-andrew-forsman-from-the-fall-of-troy/ | date = June 27, 2016 | website = ozprog.com | url-status = live | archive-url = https://web.archive.org/web/20160710214524/http://ozprog.com/2016/06/interview-andrew-forsman-from-the-fall-of-troy/ | archive-date = July 10, 2016 | df = mdy-all }} Danny Marino of The Agonist,{{ cite web | access-date = February 22, 2017 | url = http://www.powerofmetal.dk/interviews15/theagonist_interview.html | date = February 2015 | title = Interview with Danny Marino - February 2015 | website = PowerOfMetal.dk | quote = Q: Which artists and bands is your songwriting influenced by?
Danny Marino: So many different ones - Opeth, Devin Townsend, The Mars Volta [...] | first = Cristina | last = Somcutean | url-status = live | archive-url = https://web.archive.org/web/20160711165235/http://www.powerofmetal.dk/interviews15/theagonist_interview.html | archive-date = July 11, 2016 }} Tor Oddmund Suhrke of Leprous,{{ cite web | access-date = February 21, 2017 | date = August 1, 2016 | url = https://www.ultimate-guitar.com/news/interviews/we_are_our_own_worst_critics_-_an_interview_with_leprous_tor_oddmund_suhrke.html | title = 'We Are Our Own Worst Critics' - An Interview With Leprous' Tor Oddmund Suhrke | website = Ultimate Guitar Archive | first = Steven | last = Rosen | url-status = live | archive-url = https://web.archive.org/web/20170223130814/https://www.ultimate-guitar.com/news/interviews/we_are_our_own_worst_critics_-_an_interview_with_leprous_tor_oddmund_suhrke.html | archive-date = February 23, 2017 }} Jonathan Nido of The Ocean,{{cite web|access-date=April 19, 2020|url=https://distortednews.wordpress.com/2010/05/02/interview-jona-nido-robin-staps-of-the-ocean/|title=Interview: Jona Nido & Robin Staps Of The Ocean|date=May 2, 2010|website=DistortedNews}}{{cite web|access-date=April 19, 2020|url=https://www.sonicabuse.com/coilguns-speak-to-sonicabuse/|title=Coilguns Speak To SonicAbuse|date=April 4, 2012 |website=Sonicabuse.com}} Mutiny on the Bounty,{{ cite web | access-date = March 19, 2017 | url = http://www.lordsofmetal.nl/nl/interviews/view/id/2842 | website = www.lordsofmetal.nl | title = Mutiny On The Bounty | first = Martin | last = Perescis | date = September 2009 | url-status = live | archive-url = https://archive.today/20170820175501/http://www.lordsofmetal.nl/nl/interviews/view/id/2842 | archive-date = August 20, 2017 | df = mdy-all }} The Old Dead Tree,{{ cite web | access-date = February 22, 2017 | quote = Our main influences are bands like PINK FLOYD, PARADISE LOST, THE MARS VOLTA [...] | url = http://www.terrorverlag.com/interviews/the-old-dead-tree-manuel-munoz/ | title = THE OLD DEAD TREE (MANUEL MUNOZ) | date = October 7, 2005 | first = Michael | last = Werneke | url-status = live | archive-url = https://web.archive.org/web/20170223132658/http://www.terrorverlag.com/interviews/the-old-dead-tree-manuel-munoz/ | archive-date = February 23, 2017 }} Canvas Solaris,{{cite web|access-date=April 19, 2020|archive-url=https://web.archive.org/web/20081208235618/https://myspace.com/canvassolaris|archive-date=December 8, 2008|url-status=dead|title=Canvas Solaris|url=https://myspace.com/canvassolaris}}{{cite web|access-date=April 19, 2020|url=https://www.powerofmetal.dk/interviews/canvas_solaris.htm|title= Interview with Hunter, Canvas Solaris (March 8th, 2006)|website=Powerofmetal.dk|url-status=live|archive-url=https://web.archive.org/web/20190725070507/https://www.powerofmetal.dk/interviews/canvas_solaris.htm|archive-date=July 25, 2019}} and Syriak of Unexpect.{{ cite web | date = October 5, 2006 | access-date = February 22, 2017 | url = http://www.thegauntlet.com/article/23454/UNEXPECT-Interview | title = UNEXPECT Interview | first = Sam | last = Rahn | website = TheGauntlet.com | url-status = live | archive-url = https://web.archive.org/web/20170223125636/http://www.thegauntlet.com/article/23454/UNEXPECT-Interview | archive-date = February 23, 2017 }}

A number of other artists have been quoted expressing admiration for their work such as Neil Peart of Rush,{{ cite book | title = Traveling Music: The Soundtrack of my Life and Times | first = Neil | last = Peart | date = September 28, 2004 | isbn = 1-55022-664-9 | publisher = ECW Press | page = 371 | quote = [...] Matt introduced me to some great new bands, like Dredg, the Mars Volta, and Porcupine Tree, younger musicians who were still pursuing excellence and honesty in rock music. }} Tool,{{cite web|location=London |access-date=April 23, 2020|url=https://www.loudersound.com/features/tool-count-the-days|title=Tool's 10,000 Days: inside prog-metal's most enigmatic album|first=Tommy |last=Udo|date=October 18, 2019|magazine=Classic Rock|publisher=LouderSound.com|url-status=live|archive-url=https://web.archive.org/web/20191207233020/https://www.loudersound.com/features/tool-count-the-days|archive-date=December 7, 2019}} Steven Wilson of Porcupine Tree,{{cite web|url=http://noisefull.com/interviews/steven-wilson|title=Steven Wilson|last=Karadimitris|first=Chris|date=February 26, 2013|website=Noisefull.com|archive-url=https://web.archive.org/web/20160428162226/http://noisefull.com/interviews/steven-wilson|archive-date=April 28, 2016|url-status=live|access-date=February 21, 2017|quote=[...] you had bands like Muse, like Sigur Ros, like The Mars Volta, all of them have sold a lot of records, but have also been great artists.}} James Hetfield of Metallica,{{cite web|access-date=August 20, 2017|url=https://www.ultimate-guitar.com/news/general_music_news/metallica_what_we_love_about_the_mars_volta.html|title=Metallica: What We Love About The Mars Volta|website=Ultimate Guitar Archive|date=August 14, 2017|quote=James Hetfield: What I love about them is - they push the limits on pretty much everything. Guitar playing, vocals... I remember Cedric [Bixler-Zavala] having pedals on the floor for his vocals. I had never seen that before! And he was pushing them and doing weird stuff with his voice - really treating it like an instrument, very cool! They even had a bongo player at one point! Jon - unbelievable! I remember watching him live. You [Lars] were there, we saw them in a little joint somewhere in Australia. That was one of the craziest gigs I've seen. The energy those guys had... And they were all wearing fancy boots too! That was the combination that blew my mind. 'They're going crazy and they look good too!' [Laughs]|url-status=live|archive-url=https://archive.today/20170820174106/https://www.ultimate-guitar.com/news/general_music_news/metallica_what_we_love_about_the_mars_volta.html|archive-date=August 20, 2017}} Holger Czukay of Can,{{ cite web | access-date = February 22, 2017 | quote = One of my today's favorites is the singer from The Mars Volta, Cedric Bixler and guitarist Omar Rodriguez from Texas. [...] | title = Interview with Holger Czukay - CAN | url = http://muzicisifaze.com/interviu.php%EF%B9%96id=9.html | publication-date = October 16, 2005 | first1 = Horia | last1 = Diaconescu | first2 = Ioan | last2 = Cora | website = Muzici și Faze }} Mike Portnoy of Dream Theater,{{ cite web | quote = Some modern bands and artists that I have a tremendous amount of respect for are: Muse, Opeth, Lamb Of God, Radiohead, The Flaming Lips, The Mars Volta [...] | access-date = February 22, 2017 | url = http://hudsonmusic.com/features/interviews/mike-portnoy-5-minutes/ | website = HudsonMusic.com | title = Mike Portnoy: 5 minutes | url-status = live | archive-url = https://web.archive.org/web/20170211235444/http://hudsonmusic.com/features/interviews/mike-portnoy-5-minutes/ | archive-date = February 11, 2017 | df = mdy-all }} Lil B, {{Cite AV media |url=https://www.youtube.com/watch?si=zLTGtsbsbXNzciu4&t=377&v=7Mmbb6lwatI&feature=youtu.be |title=Nardwuar vs. Lil B |date=2011-03-23 |last=NardwuarServiette |access-date=2025-02-21 |via=YouTube}} “I’m very punk rock, like you know, Mars Volta [...]” and Kanye West.{{cite web |date=July 21, 2020 |title=Kanye West on Twitter |url=https://twitter.com/kanyewest/status/1285811409721282561?lang=en |url-status=dead |archive-url=https://web.archive.org/web/20220328005143/https://twitter.com/kanyewest/status/1285811409721282561?lang=en |archive-date=March 28, 2022 |access-date=March 27, 2022 |website= |location=}}

In 2008, they were named Best Prog-Rock Band by Rolling Stone magazine.{{cite magazine|url= https://www.rollingstone.com/news/coverstory/20200609/page/39|archive-url= https://web.archive.org/web/20080421173332/http://www.rollingstone.com/news/coverstory/20200609/page/39|url-status= dead|archive-date= April 21, 2008|title= Best Prog-Rock Band|access-date= July 24, 2008|last= Serpick, Evan|magazine=Rolling Stone}}

According to the liner notes for Amputechture, The Bedlam in Goliath, Octahedron, Noctourniquet and The Mars Volta: "The partnership between Omar Rodríguez-López & Cedric Bixler-Zavala is The Mars Volta. These compositions are then performed by The Mars Volta Group."

• Josh Moreau - bass guitar (September–October 2022, 2023–present; filling in for Eva Gardner)
• Teri Gender Bender - backing vocals (February 2025–present)

{{Main|The Mars Volta discography}}

• De-Loused in the Comatorium (2003)
• Frances the Mute (2005)
• Amputechture (2006)
• The Bedlam in Goliath (2008)
• Octahedron (2009)
• Noctourniquet (2012)
• The Mars Volta (2022)
• Que Dios Te Maldiga Mi Corazón (2023)
• Lucro Sucio; Los Ojos del Vacio (2025)

{{Reflist}}

{{Commons category|The Mars Volta}}

• [https://www.themarsvoltaofficial.com Official Band Website]
• [https://www.orlprojects.com Omar Rodríguez-López Official Website]
• [http://www.themarbleshrine.com The Mars Volta Live Concert Repository]
• [https://web.archive.org/web/20041016012556/http://www.themarsvoltaitalia.com/ The Mars Volta Italian fansite]
• [https://web.archive.org/web/20090203112521/http://theoffline.com/interviews/the.mars.volta.php Interview with Omar about The Bedlam in Goliath]

{{The Mars Volta}}

{{Authority control}}

{{DEFAULTSORT:Mars Volta, The}}

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