The Merry Widow (1925 film)

{{short description|1925 film}}

{{Use American English|date=January 2025}}

{{Use mdy dates|date=September 2020}}

{{Infobox film

| name = The Merry Widow

| image = The Merry Widow (1925 film).jpg

| caption =

| director = Erich von Stroheim

| producer = Erich von Stroheim
Irving Thalberg (uncredited)

| writer = Erich von Stroheim
Benjamin Glazer

| based_on = {{based on|The Merry Widow
1905 operetta|Franz Lehár}}
Victor Léon (libretto)
Leo Stein (libretto)

| starring = Mae Murray
John Gilbert
Roy D'Arcy
Tully Marshall

| music = William Axt (uncredited)
David Mendoza (uncredited)
Franz Lehár (non-original music)

| cinematography = Oliver T. Marsh
William H. Daniels

| editing = Frank E. Hull
Margaret Booth (uncredited)

| distributor = Metro-Goldwyn-Mayer

| released = {{Film date|1925|8|26}}

| runtime = 137 minutes

| country = United States

| language = Silent (English intertitles)

| budget = $592,000{{cite journal|first=H. Mark|last=Glancy|title=MGM film grosses, 1924-1948: The Eddie Mannix Ledger|journal=Historical Journal of Film, Radio and Television|volume=12|number=2|year=1992|pages=127–144|doi=10.1080/01439689200260081}}{{cite journal|first=H. Mark|last=Glancy|title=Appendix|journal=Historical Journal of Film, Radio and Television|volume=12|number=S2|year=1992|pages=1–20|doi=10.1080/01439689208604539}}

| gross = $1.933 million (worldwide rentals)}}

File:The Merry Widow (1925).webm

The Merry Widow is a 1925 American silent romantic drama, black comedy film directed and written by Erich von Stroheim. Released by Metro-Goldwyn-Mayer, the film stars Mae Murray, John Gilbert, Roy D'Arcy, and Tully Marshall,Variety film review, September 2, 1925, p.36.Harrison's Reports film review; September 12, 1925, p.147. with pre-fame uncredited appearances by Joan Crawford and Clark Gable. The film is based on Franz Lehár's 1905 operetta of the same name, and was its second film adaptation, the first being a 1918 Hungarian film directed by Michael Curtiz.

Plot

As described in film magazine reviews,{{Citation |title=New Pictures: The Merry Widow |journal=Exhibitors Herald |volume=22 |issue=8 |pages=51 |date=16 August 1925 |publisher=Exhibitors Herald Company |location=Chicago, Illinois |url=https://archive.org/details/exhibitorsherald22unse/page/n912/mode/1up |access-date=21 July 2022}} {{Source-attribution}} Prince Danilo meets Sally the dancer and, when he proposes marriage, his uncle, King Nikita I of Monteblanco and Queen Milena object because she is a commoner. Sally marries Baron Sadoja, an old wealthy roue who later dies from a stroke. Prince Danilo’s parents now encourage the marriage. A slurring remark is the cause of a duel between the cousins and Danilo is wounded, sacrificing his cousin whom he believes Sally loves. Crown Prince Mirko is assassinated and Danilo becomes heir to the throne. Sally visits Danilo at the hospital and asks him to marry her.

Cast

=Uncredited=

Selected cast that were uncredited:

Production

File:Merry Widow poster.jpg

{{box quote|width=30em|bgcolor=cornsilk|fontsize=100%|salign=center|quote= “Though Stroheim and Mae Murray hated each other, the performance which he got from her in The Merry Widow was worth everything else she ever did put together.”— Edward Wagenknecht in The Movies in the Age of Innocence (1962).Wagenknecht, 1962 p. 217}}

The film was shot over twelve weeks with a budget of $592,000. Filming was tense as Mae Murray and the film's director, Erich von Stroheim, did not get on well. After production, Metro-Goldwyn-Mayer decided it could no longer work with the director after he added sexually explicit scenes and changed the operetta's libretto.{{Cite journal|last=Sullivan|first=Chris|date=February 2019|title=Erich Von Stroheim|journal=Chap|volume=Spring 2019|pages=23–27}}

Reception

Upon its release, the film was both a critical and box office success. Critics praised Murray's dramatic skills while also noting that von Stroheim had "made an actress out of Miss Murray".{{cite book|last=Ankerich|first=Michael G. |title=Mae Murray: The Girl with the Bee-Stung Lips|year=2012|publisher=University Press of Kentucky|isbn=978-0-813-14038-4|pages=166–168}} According to MGM records The Merry Widow took in approximately $1.081 million in theater rentals from the United States and Canada, an additional $852,000 from foreign rentals, and earned a profit of $758,000.Scott Eyman, Lion of Hollywood: The Life and Legend of Louis B. Mayer, Robson, 2005 p. 99 {{ISBN|0-7432-0481-6}}

Other adaptations

The Merry Widow was adapted for the screen in 1934, 1952, 1962, and 1994.

See also

References

{{Reflist}}

Works cited