The Streets of London (1934 film)

Captain Fairweather deposits money with the banker Gideon Bloodgood. After learning that Bloodgood's bank is shaky, Fairweather tries to retrieve the money and dies in an argument with the banker. Bloodgood keeps the money but his clerk, Badger, finds out about it. Years later he blackmails his old boss with proof of the murder.

• Frank Harvey as Badger
• Ethel Newman as Mrs Fairweather
• Leonard Stephens as Paul Fairweather
• Phyllis Baker as Lucy
• Guy Hastings as Gideon Bloodgood
• Campbell Copelin as Hon. Mark Levingstone
• Noel Boyd as Aleda
• Ashton Jarry as Edwards
• Frank Bradley as Captain Fairweather
• George Blunt as Puffy
• Beatrice Esmonde as Mrs Puffy
• Darcy Kelway as Don Puffy

{{Infobox play

| name = The Poor of New York/The Streets of London

| image =

| image_size =

| caption =

| writer = Dion Boucicault

| characters =

| setting =

| premiere = 1857

| place = New York

| orig_lang = English

| subject =

| genre = Melodrama

|

}}The play was a melodrama originally presented in the US in 1857 as The Poor of New York then adapted to a London setting in 1864 as The Streets of London. This version reached Australia in 1887.

It was revived in London in 1933, with the production sending up the material as a farce. This proved popular, as did Thring's Australian production at the Garrick Theatre in Melbourne in 1933.{{cite news |url=http://nla.gov.au/nla.news-article17392995 |title=Music and Drama |newspaper=The Sydney Morning Herald |date=3 July 1937 |accessdate=10 August 2012 |page=12 |via=National Library of Australia}}{{cite news |url=http://nla.gov.au/nla.news-article11710553 |title=Music, Drama & Films Back to the Sixties |newspaper=The Argus |location=Melbourne |date=13 November 1933 |access-date=10 August 2012 |page=5 |via=National Library of Australia}}

Thring decided to film the production as part of a number of theatre adaptations – the other one being Clara Gibbings.{{cite news |url=http://nla.gov.au/nla.news-article17039526 |title=English Plays |newspaper=The Sydney Morning Herald |date=12 January 1934 |access-date=10 August 2012 |page=6 |via=National Library of Australia}} He used the same cast as the stage production.

Frank Harvey was reported as working on a script in January 1934. The play had been mounted as a farce but Harvey set it back in its own period and to emphasise that it catered for 19th century tastes. It was done as a play within a play, so the audience would see theatre curtains and glimpses to the audience.{{cite news |url=http://nla.gov.au/nla.news-article29891325 |title=Australian Films |newspaper=The Sydney Morning Herald |date=31 January 1934 |access-date=10 August 2012 |page=8 |via=National Library of Australia}} At one stage it was announced that the running time would only be 40 minutes but in the end it went for over an hour.{{cite news |url=http://nla.gov.au/nla.news-article58713988 |title=Old-Time Play |newspaper=The Sunday Times |location=Perth |date=11 February 1934 |accessdate=10 August 2012 |page=6 Section: First Section |via=National Library of Australia}}

The film appears to have been made immediately after Clara Gibbings in February 1934.{{cite news |url=http://nla.gov.au/nla.news-article17103389 |title=Efftee Films |newspaper=The Sydney Morning Herald |date=27 July 1934 |accessdate=10 August 2012 |page=7 |via=National Library of Australia}} Vision of theatre audiences was taken at the Tivoli in Melbourne on 17 February 1934.{{cite news |url=http://nla.gov.au/nla.news-article11738222 |title=Advertising. |newspaper=The Argus |location=Melbourne |date=10 February 1934 |accessdate=10 August 2012 |page=30 |via=National Library of Australia}}

The film was rejected for registration under the quality clause of the New South Wales Film Quota Act. It appears never to have had a public screening in Australia.Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998 p169

The film was released in England in 1936 but received poor reviews, Picturegoer{{'}}s critic calling it:

A burlesque of transpontine melodrama which fails to come off and only succeeds in being tiresomely boring. The actors also fail to enter into the right spirit of burlesque and the production, generally, is of a poor standard.{{cite news |url=http://nla.gov.au/nla.news-article11041140 |title=Screen Notes: By Preview |newspaper=The Argus |location=Melbourne |date=10 June 1936 |access-date=10 August 2012 |page=11 |via=National Library of Australia}}

Peter Fitzpatrick, Thring's biographer, later wrote that seeing the film today "it is still hard to avoid, let alone answer, the question that must surely have struck Frank Thring as he watched its rushes: why was it made?"Fitzpatrick p 223

The play was re-staged at the Minerva Theatre and featured in the 1952 documentary Theatre in Australia.{{YouTube|id=QONAuO8oBhM#t=6m30s|title=Theatre in Australia (1952)}} – see 6'30" to 10'30".{{cite news |url=http://nla.gov.au/nla.news-article28671054 |title=Australian Women's Big Role in Theatrical Film |newspaper=The Sunday Herald |location=Sydney |date=17 February 1952 |accessdate=21 October 2012 |page=14 |via=National Library of Australia}}

{{reflist}}

• Fitzpatrick, Peter, The Two Frank Thrings, Monash University Press, 2013

• {{IMDb title|0324089|title=The Streets of London}}
• [http://www.ozmovies.com.au/movie/streets-of-london The Streets of London] at Oz Movies
• [https://archive.org/details/poorofnewyorkdra00bouc The Poor of New York by Dion Boucicault] at Internet Archive – this play was adapted to a London setting to become The Streets of London

{{F.W. Thring}}

{{DEFAULTSORT:Streets of London (1934 film), The}}

Category:1934 films

Category:Australian black-and-white films

Category:Films directed by F. W. Thring

Category:Australian films based on plays

Category:1930s English-language films

Category:Films based on works by Dion Boucicault