Three-legged crow#China

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In Chinese mythology and culture, the three-legged crow is called the sanzuwu ({{zh|s=三足乌|t=三足烏|p=sān zú wū}}; Cantonese: saam¹zuk¹wu¹; Shanghainese: sae tsoh u) and is present in many myths. It is also mentioned in the Shanhaijing. The earliest known depiction of a three-legged crow appears in Neolithic pottery of the Yangshao culture.{{citation|title=The shape of the turtle: myth, art, and cosmos in early China |first=Sarah |last=Allan |publisher=SUNY Press|year=1991|isbn=0-7914-0460-9|url=https://books.google.com/books?id=LqBHRAoO0qQC&dq=three-legged+bird+sunbird&pg=PA31|page=31}}

File:Threeleggedbird han dynasty.jpg (206 BCE – 220 CE) found in Henan province depicting a three-legged crow]]

The sanzuwu in a disc represents the sun and is also one of the Twelve Ornaments that is used in the decoration of formal imperial garments in ancient China.{{Cite book|last=Welch |first=Patricia Bjaaland|url=https://www.worldcat.org/oclc/893707208|title=Chinese art : a guide to motifs and visual imagery |date=2012|publisher=Tuttle Publishing |isbn=978-1-4629-0689-5|location=Boston, US |pages=164|oclc=893707208}}{{Cite journal|author=Yuan Zujie |date=2007|title=Dressing for power: Rite, costume, and state authority in Ming Dynasty China|url=http://dx.doi.org/10.1007/s11462-007-0012-x|journal=Frontiers of History in China |volume=2|issue=2|pages=181–212|doi=10.1007/s11462-007-0012-x|s2cid=195069294|issn=1673-3401}}{{Cite book |last=Wen |first=Benebell |url=https://www.worldcat.org/oclc/939277861 |title=The Tao of Craft: Fu Talismans and Casting Sigils in the Eastern Esoteric Tradition |date=2016 |isbn=978-1-62317-067-7 |publisher=North Atlantic Books |location=Berkeley, California |page=343 |oclc=939277861 }}

The most popular depiction and myth of a sanzuwu is of a sun crow called the Yangwu ({{zhi|c=陽烏}}), more commonly referred to as the Jinwu ({{zhi|c=金烏|l=golden crow}}) or "golden crow". Even though it is described as a corvid, it is usually coloured red instead of black.{{cite book|title=Animal Motifs in Asian Art: An Illustrated Guide to Their Meanings and Aesthetics |author=Katherine M. Ball |publisher=Courier Dover Publications |year=2004|isbn= 978-0-486-43338-7|url=https://books.google.com/books?id=LqBHRAoO0qQC&dq=three-legged+bird+sunbird&pg=PA31|page=241}} A silk painting from the Western Han excavated at the Mawangdui archaeological site also depicts a "golden crow" in the sun.{{cite web |url=http://61.187.53.122/Collection.aspx?id=1348&lang=en |title=T-shaped painting on silk from Xin Zhui's tomb |work=Hunan Museum }}

In ancient Chinese depictions, the Chinese god of creation, Fuxi, is often depicted carrying the sun disk with the {{zhl|c=金烏|p=jīnwū |l=golden crow}} while the Chinese goddess of creation, Nüwa, holds the moon disk which contains a gold-striped toad.{{Cite book|author=Ma Boying |title=History Of Medicine In Chinese Culture, A (In 2 Volumes)|publisher=World Scientific Publishing Company |year=2020|isbn=9789813238008|pages=108}}

According to folklore, there were originally ten sun crows which settled in 10 separate suns. They perched on a red mulberry tree called the Fusang, literally meaning "the leaning mulberry tree", in the East at the foot of the Valley of the Sun. This mulberry tree was said to have many mouths opening from its branches.{{harvnb|Allan|1991|p=27}} Each day one of the sun crows would be rostered to travel around the world on a carriage, driven by Xihe, the 'mother' of the suns. As soon as one sun crow returned, another one would set forth in its journey crossing the sky. According to the Shanhaijing, the sun crows loved eating two grasses of immortality, one called the Diri ({{zhi|c=地日|p=dìrì|l=ground sun}}), and the other the Chunsheng ({{zhi|c=春生|l=spring grow}}). The sun crows would often descend from heaven on to the earth and feast on these grasses, but Xihe did not like this; thus, she covered their eyes to prevent them from doing so.{{cite book|title=Handbook of Chinese mythology|author1=Lihui Yang|author2=Deming An|author3=Jessica Anderson Turner|publisher=ABC-CLIO|year=2005|isbn=978-1-57607-806-8|url=https://archive.org/details/handbookofchines0000unse/page/95|pages=[https://archive.org/details/handbookofchines0000unse/page/95 95–96]}} Folklore also held that, at around 2170 BC, all ten sun crows came out on the same day, causing the world to burn; Hou Yi, the celestial archer, saved the day by shooting down all but one of the sun crows.

File:Chengdu_2007_341.jpg sits upon a throne, flanked by Tiger (west, autumn, yin) and Dragon (east, spring, yang). She is surrounded by a nine-tailed fox, two seated women, a leaping frog, a male attendant, and a three-legged crow, Eastern Han dynasty, 25{{snd}}220 CE.]]

The sanzuwu is also depicted with the Queen Mother of the West who are believed to be her messengers.

In Chinese mythology, there are other three-legged creatures besides the crow, for instance, the yu {{linktext|lang=zh|魊}} "a three-legged tortoise that causes malaria".Wolfram Eberhard (1968), The Local Cultures of South and East China, E.J. Brill, 193-195.

The three-legged crow symbolizing the sun has a yin yang counterpart in the chánchú {{lang|zh|蟾蜍}} "three-legged toad" symbolizing the moon (along with the moon rabbit). According to an ancient tradition, this toad is the transformed Chang'e lunar deity who stole the elixir of life from her husband Houyi the archer, and fled to the moon where she was turned into a toad.Wolfram Eberhard (1986), A Dictionary of Chinese Symbols: Hidden Symbols in Chinese Life and Thought, Routledge, 292.

The Fènghuáng is commonly depicted as being two-legged but there are some instances in art in which it has a three-legged appearance.[http://www.avians.net/paragon/fenghuang.htm Feng Huang, Emperor of Birds][http://www.ancientspiral.com/phoenix.htm Ancient Spiral: The Phoenix] {{webarchive|url=https://web.archive.org/web/20080517083532/http://ancientspiral.com/phoenix.htm |date=2008-05-17 }}

Xi Wangmu (Queen Mother of the West) is also said to have three green birds ({{zh|labels=no|c=青鳥|p=qīngniǎo}}) that gathered food for her and in Han-period religious art they were depicted as having three legs.{{cite book|title=A Chinese Bestiary: Strange Creatures from the Guideways Through Mountains and Seas |author=Richard E. Strassberg |publisher=University of California Press|year=2002|isbn= 978-0-520-21844-4|url=https://books.google.com/books?id=e-NEfzqA4pUC&q=A+Chinese+bestiary&pg=PA196|page=195}}[http://www.bookrags.com/Xi_Wangmu Xi Wangmu Summary] In the Yongtai Tomb dating to the Tang dynasty Era, when the Cult of Xi Wangmu flourished, the birds are also shown as being three-legged.[http://www.eskimo.com/~webguy/china99/721tang.htm China 1999 – Tang Dynasty Day]

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{{Main|Yatagarasu}}

Image:Tennō Jimmu.jpg towards the plain of Yamato.]]

In Japanese mythology, this flying creature is a raven or a jungle crow called Yatagarasu {{Nihongo||八咫烏||"eight-span crow"}}{{harvp|Ponsonby-Fane|1953| pp=143-152}} and the appearance of the great bird is construed as evidence of the will of Heaven or divine intervention in human affairs.{{harvp|Ponsonby-Fane|1963|p=11}}

Although Yatagarasu is mentioned in a number of places in Shintō, the depictions are primarily seen on Edo wood art, dating back to the early 1800s wood-art era. Although not as celebrated today, the crow is a mark of rebirth and rejuvenation; the animal that has historically cleaned up after great battles symbolized the renaissance after such tragedy.

Yatagarasu as a crow-god is a symbol specifically of guidance. This great crow was sent from heaven as a guide for legendary Emperor Jimmu on his initial journey from the region which would become Kumano to what would become Yamato, (Yoshino and then Kashihara). It is generally accepted that Yatagarasu is an incarnation of Kamotaketsunumi no Mikoto, but none of the early surviving documentary records are quite so specific.{{harvp|Ponsonby-Fane|1953|p=147}}

In more than one instance, Yatagarasu appears as a three legged crow not in Kojiki but in Wamyō Ruijushō.

Both the Japan Football Association and subsequently its administered teams such as the Japan national football team use the symbol of Yatagarasu in their emblems and badges respectively.[http://www.jfa.or.jp/eng/general_info/index.html Organisation｜JFA｜Japan Football Association] The winner of the Emperor's Cup is also given the honor of wearing the Yatagarasu emblem the following season.

Although the Yatagarasu is commonly perceived as a three-legged crow, there is in fact no mention of it being such in the original Kojiki. Consequently, it is theorised that this is a result of a later possible misinterpretation during the Heian period that the Yatagarasu and the Chinese Yangwu refer to an identical entity.

Image:Korean three-legged bird mural.jpg period, Ohoe Tomb nº 4, 6th – 7th century, Ji'an, China.]]

In Korean mythology, it is known as Samjok-o ({{Korean|hangul=삼족오|hanja=三足烏}} – literally "three-legged crow"). During the Goguryeo period, the ancient Korean people thought the Samjok-o to be a symbol of the sun and of great power, often representing the Taewang ({{Korean|hangul=태왕|hanja=太王|lit=Emperor; Greatest of Kings|labels=no}}) and Goguryeo's sovereignty. It was also believed that the three-legged crow lived in the sun while a toad lived in the moon. The Samjok-o is such a highly respected symbol of power, even superior to both the dragon and the Korean bonghwang, that it carried into Silla, Goryeo, Joseon, and modern Korea.

Samjok-o appeared in the story Yeonorang Seonyeo. A couple, Yeono and Seo, lived on the beach of the East Sea in 157 (King Adalala 4), and rode to Japan on a moving rock. The Japanese took two people to Japan as kings and noblemen. At that time, the light of the sun and the moon disappeared in Silla. King Adalala sent an official to Japan to return the couple, but Yeono said to take the silk that was made by his wife, Seo, and sacrifice it to the sky. As he said this, the sun and moon were brighter again.{{Cite web|title=삼족오|url=http://folkency.nfm.go.kr/kr/topic/detail/5550|website=Encyclopedia of Korean Folk Culture}}

In modern Korea, Samjok-o is still found especially in television dramas such as Jumong. The three-legged crow was one of several emblems under consideration to replace the bonghwang in the Korean seal of state when its revision was considered in 2008.[http://english.chosun.com/w21data/html/news/200601/200601160004.html "Three-Legged Bird to Replace Phoenix on State Seal,"] {{webarchive|url=https://web.archive.org/web/20060118055234/http://english.chosun.com/w21data/html/news/200601/200601160004.html|date=2006-01-18}} Chosun Ilbo (Seoul). January 16, 2006. The Samjok-o appears also in Jeonbuk Hyundai Motors FC's current emblem. There are some Korean companies using Samjok-o as their corporate logos.

• Birds in Chinese mythology
• Three-legged turtle
• triskelion

{{Reflist|30em}}

• {{cite book |last=Ponsonby-Fane |first=Richard Arthur Brabazon |author-link=Richard Ponsonby-Fane |date=1953 |title=Studies in Shintō and Shrines: Papers Selected from the Works of the Late R.A.B. Ponsonby-Fane, LL. D. |volume=1 |series=Dr. Richard Ponsonby-Fane Series |oclc=374884 |publisher=Ponsonby Memorial Society |location=Kyoto |url=https://books.google.com/books?id=tjEvAAAAYAAJ&q=Studies+in+Shinto+and+Shrines}}
• {{cite book |last=Ponsonby-Fane |first=Richard Arthur Brabazon |author-link=Richard Ponsonby-Fane |date=1963 |title=The Vicissitudes of Shinto |volume=5 |series=Dr. Richard Ponsonby Fane Series |oclc=36655 |publisher=Ponsonby Memorial Society |location=Kyoto |url=https://books.google.com/books?id=IGkrAAAAIAAJ&q=Vicissitudes+of+Shinto}}

{{Chinese mythology}}

{{Japanese mythology}}

{{DEFAULTSORT:Three-Legged Crow}}

Category:Chinese legendary creatures

Category:Japanese legendary creatures

Category:Korean legendary creatures

Category:Legendary creatures with supernumerary body parts

Category:Mythological corvids

Category:Birds in Chinese mythology

Category:East Asian mythology

Category:Yangshao culture