Thurayyā Malḥas

{{Short description|Palestinian poet (1925–2013)}}

Thurayyā 'Abd al-Fattāḥ Malḥas (1925 – February 23, 2013; {{Langx|ar|ثريا ملحس}}) was a Palestinian poet and academic. She is considered a pioneer of free verse poetry among Palestinian women writers.{{Cite journal|last=Al-Taher|first=Bassmah B.|date=2020|title=A Palestinian Discourse: Historiographic Metafiction in Rula Jebreal's Miral|journal=Dirasat, Human and Social Sciences|volume=47|issue=4}}

Early life and education

Thurayyā Malḥas was born 1925 in Amman, in what was then the Emirate of Transjordan.{{Cite book|last1=ʻĀshūr|first1=Raḍwá|url=https://books.google.com/books?id=MB6gphBXU0kC|title=Arab Women Writers: A Critical Reference Guide, 1873-1999|last2=ʿĀšūr|first2=Raḍwá|last3=Ghazoul|first3=Ferial Jabouri|last4=Reda-Mekdashi|first4=Hasna|last5=McClure|first5=Mandy|date=2008|publisher=American Univ in Cairo Press|isbn=978-977-416-146-9|language=en}}{{Cite web|date=2013-02-24|title=ثريا ملحس في ذمة الله ..|url=https://www.ammonnews.net/article/145918|access-date=2021-08-25|website=Ammon News|language=ar}} She attended primary school in Amman, then moved to Jerusalem at age 15 and completed secondary school there. She spent time as a student at al-Ahliyya National School for Girls in Beirut, alongside fellow future creative figures such as Saloua Raouda Choucair, with whom she became close friends.{{Cite web|last=Scheid|first=Kirsten|date=Spring 2008|title=The Press Dossier: Reception and Production of an Artist and her Audience|url=http://arteeast.org/quarterly/the-press-dossier-reception-and-production-of-an-artist-and-her-audience/|access-date=2021-08-25|website=ArteEast|language=en-US}}

In 1945, Malḥas graduated from the American Junior College for Women, now Lebanese American University, with an associate's degree.{{Cite news|date=Winter 2011|title=Achievements of LAU Women Graduates throughout its History|volume=13|work=LAU Magazine & Alumni Bulletin|issue=4|url=https://issuu.com/lau-publications/docs/lau-magazine-vol13-issue4-winter2011}} She then studied Arabic and education at the American University of Beirut, graduating with a bachelor's degree in 1947 and a master's degree in 1951.{{Cite journal|last=Scheid|first=Kirsten|date=2019|title=A speculative examination of portraiture in Choucair's non-representational corpus|url=https://journals.usj.edu.lb/regards/article/view/135/123|journal=Regards|volume=22}} Later in the 1950s, she traveled to the United Kingdom to continue her studies at SOAS University of London. She had returned to the American Junior College for Women, renamed as the Beirut College for Women, to teach in 1952, and eventually rose to head the Arabic department.

Then, in 1981, she earned a Ph.D. in Arabic philosophy from Saint Joseph University and became a professor at the university.

Writing

Malḥas is considered the first Palestinian woman writer to produce free verse poetry, without relying on meter. This marked a shift in Palestinian women's literary output before the 1948 exodus, which had generally been characterized by highly traditional, flowery language. She was described by contemporary scholars as a "poetess of abstraction,"{{Cite journal|last=Naouri|first=Issa I.|date=1967|title=The Arab contemporary literature in the Hashemite Kingdom of Jordan|url=https://www.um.edu.mt/library/oar/bitstream/123456789/39410/1/JFA%2C_3%283%29_-_A1.pdf|journal=Journal of the Faculty of Arts, 3(3), 165-178.|volume=3|issue=165–178|pages=3}} and her prose poetry was characterized by lyrical and mystical elements, including "unfamiliar words and images." Sometimes described as modernist, Malḥas is also considered part of the first generation of modern women poets born in what was then Transjordan.{{Cite journal|last=Kafeety|first=Fadi H.|date=May 2019|title=The Forgotten Comrades: Leftist Women, Palestinians, and the Jordanian Communist Party, 1936–1957|url=https://academicworks.cuny.edu/cgi/viewcontent.cgi?article=4344&context=gc_etds|journal=The Graduate Center, City University of New York}}

Beginning in the 1940s, she wrote for various local publications in Lebanon, predominantly as an art critic, including covering her former classmate Saloua Choucair's first public show in Beirut in 1952.{{Cite book|url=https://www.worldcat.org/oclc/52557904

|title=Encyclopedia of women & Islamic cultures|date=2003–2007|publisher=Brill|others=Suad Joseph, Afsaneh Najmabadi|isbn=978-90-04-13247-4|location=Leiden|oclc=52557904}} In the mid-to-late 1940s, she began publishing poetry and prose in Al Adib magazine, and her signature style proved influential in the local literary scene.{{Cite book|last1=Schayegh|first1=Cyrus|url=https://books.google.com/books?id=mj3LCQAAQBAJ|title=The Routledge Handbook of the History of the Middle East Mandates|last2=Arsan|first2=Andrew|date=2015-06-05|publisher=Routledge|isbn=978-1-317-49706-6|language=en}}{{Cite journal|last=Moreh|first=S.|date=1974|title=Five Writers of Shi'r Manthūr in Modern Arabic Literature|url=https://www.jstor.org/stable/4282527|journal=Middle Eastern Studies|volume=10|issue=2|pages=229–233|doi=10.1080/00263207408700272|jstor=4282527|issn=0026-3206}}

Her first collection of prose poetry, al-Nashid al-Ta'ih ("The Wayward Hymn"), was published in 1949. She went on to publish a half-dozen other poetry collections between 1952 and 1968. She also published a book of poems in English, called Prisoners of Time. In 2001, her work was included in The Poetry of Arab Women: A Contemporary Anthology.{{Cite book|author=Handal, Nathalie|url=http://worldcat.org/oclc/1036827372|title=The poetry of Arab women : a contemporary anthology|date=2001|publisher=Interlink Books|oclc=1036827372}}

Though best known as a poet, she also wrote short stories, novels, and essays. Additionally, she produced various educational books and academic works, including Mikhail Naimy al-Adib al-Sufi, a study of the philosopher Mikhail Naimy, in 1964.{{Cite journal|last=Dabbagh|first=Hussein Muhammad Ali|date=1968|title=Mikhail Naimy: some aspects of his thought as revealed in his writings|url=http://etheses.dur.ac.uk/7992/1/7992_4990.PDF|journal=Durham University|via=Durham E-Theses Online}}

Personal life and death

Malḥas was married to fellow academic Musa Sulaiman.{{Cite journal|last=Scheid|first=Kirsten|date=2015-02-01|title=Toward a Material Modernism: Introduction to S. R. Choucair's "How the Arab Understood Visual Art"|journal=ARTMargins|volume=4|issue=1|pages=102–118|doi=10.1162/ARTM_a_00106|s2cid=57562087|issn=2162-2574|doi-access=free}} She died in Amman in 2013 at age 88.

References