Tilla Durieux

Born Ottilie Helene Angela Godeffroy[https://orf.at/stories/3289647/ "Leopold Museum widmet sich Filmstar Tilla Durieux"], ORF

on 18 August 1880 in Vienna, she was the daughter of the Austrian chemist Richard Max Victor Godeffroy (1847–1895){{ÖBL2|Richard|Godeffroy|1847|1895|title=Godeffroy, Richard (1847–1895), Chemiker|volume=2|year=1957|page=14}} and his wife, the Hungarian pianist Adelheid Ottilie Augustine Godeffroy (née Hrdlicka, died 1920), who was born in Romania.{{cite book|last=Durieux|first=Tilla|year=1971|title=Meine ersten neunzig Jahre: Erinnerungen|publisher=Herbig|location=Munich|isbn=978-3776605624|pages=312–314|language=de}} After graduating from elementary school, she switched to the public school in Alsergrund, Vienna. She was baptized in the evangelical parish Augsburg Confession in Vienna.{{cite web|url=https://core.ac.uk/download/pdf/11581838.pdf |title=Tilla Durieux – Selbstbilder und Images der Schauspielerin |author=Melanie Ruff |date=19 October 2007 |access-date=6 December 2022}} On 31 May 1928 she converted to Catholicism{{ill|Sigrid Bauschinger|de}}, Die Cassirers, Munich, Beck 2015, p. 347.

She adopted "Durieux" as a stage name because her mother disapproved of her acting career. She trained as an actress in Vienna and made her debut at the Moravian Theatre in Olmütz (now Olomouc) in 1902. She then moved to Berlin where she worked with Max Reinhardt and with a group of expressionist artists around Kurt Hiller and Jakob van Hoddis. In 1903, she performed as Salome (in conjunction with Gertrud Eysoldt) in Oscar Wilde's play of the same name. The role brought Durieux great recognition, drawing the attention of well-known artists, including Auguste Renoir, Max Slevogt, Lovis Corinth, and Franz von Stuck, all of whom painted her portrait.

{{cite book

| last = LeFurgy

| first = Bill | date = 2022

| title = Sex, Art and Salome: Historical Photographs of a Princess, Dancer, Stripper, and Feminist Inspiration

| location = Takoma Park, MD

| publisher = Highkicker Books

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In 1911 Durieux entered the stage of the Lessing Theater where, on 1 November 1913, she became the second actress to perform the role Eliza Doolittle in a German language production of George Bernard Shaw's play Pygmalion, half a year before its English premiere on 11 April 1914.{{cite book|author=Richard Huggett|author-link=Richard Huggett (playwright)|year=1969 |title=The Truth About Pygmalion |publisher=Random House}} From 1915 she performed at the Royal Schauspielhaus Berlin. In 1923, Durieux appeared on Broadway in Dario Niccodemi's play The Shadow at the 39th Street Theatre.{{IBDB title|8930|The Shadow}}

In 1904, Durieux married the Berlin Secession painter Eugen Spiro, whose younger sister was Baladine Klossowska. They divorced consensually in 1905, after she had fallen in love with Paul Cassirer. She started dating the successful art dealer and editor and they got married in 1910. The marriage lasted 16 years, however Cassirer was very affected when Durieux wanted to divorce him. When their divorce was declared in 1926, Cassirer committed suicide in a room next to the court room where their hearing had taken place.{{sfn|Durieux|1971|p=314}}

Soon after, Durieux married general director Ludwig Katzenellenbogen. In 1927 they were the main financiers of Erwin Piscator's Neues Schauspielhaus project. Durieux was a public character of 1920s Berlin and associated with numerous celebrities like the photographer Frieda Riess.

File:Tilla Durieux by Becker & Maass.jpg

In 1933, Durieux and Katzenellenbogen left Nazi Germany for Switzerland to escape Nazi rule. She continued to perform at the Vienna Theater in der Josefstadt and in Prague. In 1937 she moved to Zagreb, Croatia (then in the Kingdom of Yugoslavia) where she became a member of the International Red Aid. Durieux unsuccessfully tried to obtain visa for the United States. In 1941 Ludwig Katzenellenbogen was arrested by Gestapo agents in Thessaloniki and deported to Sachsenhausen concentration camp. He died in 1944 at {{ill|Jüdisches Krankenhaus Berlin|de}}.{{citation needed|date=July 2023}}

Durieux managed to return to West Germany in 1952, appearing on stages in Berlin, Hamburg, and Münster. The plays in which she performed included A Dream Play by August Strindberg, {{ill|The Chinese Wall (drama)|lt=The Chinese Wall|de|Die Chinesische Mauer|fa|دیوار چین (نمایش‌نامه)|ko|중국의 장벽|sh|Die Chinesische Mauer}} by Max Frisch, and the {{ill|Atriden-Tetralogie|de}} by Gerhart Hauptmann.

In 1971 Durieux underwent surgery for a hip fracture and died of post-operative sepsis. Although the date on her gravestone is 21 January 1971, she died on 21 of February 1971, which would have been the 100th birthday of Paul Cassirer.{{cite book|last=Oertwig|first=Bernd|author-link=:de:Bernd Oertwig|year=2019|title=Berühmte Tote leben ewig. Berliner Schicksale|publisher=Verlag für Berlin-Brandenburg|location=Berlin|isbn=978-3947215-584|page=240|language=de}}

Durieux's marriage to her second husband, Paul Cassirer, brought her into the world of art collecting. In addition to family portraits, the Tilla Durieux and Paul Cassirer Collection included modern works of art. When she and her third husband, Ludwig Katzenellenbogen, emigrated from Nazi Germany in 1933, they took some artworks with them.{{Cite web |last=Mlikota |first=Antonija |title=The Destiny of the Tilla Durieux Collection after its Transfer from Berlin to Zagreb |url=https://www.lootedart.com/web_images/pdf2019/XXII_2019_MLIKOTA.pdf|website=lootedart.com}}

File:Pierre-Auguste Renoir 104.jpg]]

Durieux’s collection was integrated into the {{ill|Zlata Lubienski|hr}} Art Collection. On November 13, 1945, the Commission for Gathering and Protecting of Cultural Monuments and Antiques proclaimed that the Zlata Lubienski Art Collection was a ‘protected’ collection under the Section for Museums of the Department of Art and Culture of the Ministry of Education of the Federal Republic of Croatia. Scholars have emphasized the ambiguous meaning of the word "protection". Lubienski and Durieux contested the decision but were denied.

On February 17, 1982, the City Institute for the Conservation of Cultural and Natural Heritage for the City Council in Zagreb gave a permit for the export of the Tilla Durieux Collection. A commission whose members included Ida Slade Šilović (City Institute for the Conservation of Cultural and Natural Heritage for the City Council in Zagreb), Zdenko Kuzmić and Zdenka Kazmar (City Museum in Zagreb), Dubravka Osrečki (Committee for Public Affairs) and Ljiljana Poljak (from City Administration) was established. The Tilla Durieux Collection was divided, leaving nineteen art works in Zagreb{{Cite book|last=Damjanović |first=Dragan |date=2021|chapter=Works of Max Slevogt in the Tilla Durieux Collection in Zagreb|url=https://www.bib.irb.hr/1137152|title=Max Slevogts Netzwerke. Kunst-, Kultur- und Intellektuellengeschichte des späten Kaiserreichs und der Weimarer Republik|editor=Gregor Wedekind|pages=69–88|isbn=978-3110660951|publisher=De Gruyter}}{{Cite web |title=Tilla Durieux and her art collection in Zagreb |url=http://nmz.hr/ |access-date=2023-02-07 |publisher=Narodni Muzej Zadar Zadar National Museum]}} as a part of a new Tilla Durieux Collection at the City Museum in Zagreb while 58 items were exported to Germany, where many were sold.

The heirs of Ludwig Katzenellenbogen and his ex-wife Estella have listed fifty artworks with the {{ill|Deutsches Zentrum Kulturgutverluste|de}}.{{Cite web |title=Suche {{!}} Lost Art-Datenbank |url=https://www.lostart.de/de/suche?filter%5Bparent_report%5D%5B0%5D=Katzenellenbogen,%20Ludwig%20und%20Estella%20(541069)&filter%5Breport_type%5D%5B0%5D=Suchmeldung&filter%5Btype%5D%5B0%5D=Objektdaten |access-date=2023-02-07|website={{ill|Lost Art-Datenbank|de}}}}

• The Holocaust in the Independent State of Croatia

{{Reflist}}

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• {{IMDb name|0244134}}
• {{IBDB name|id=38800}}
• [http://tilla.mdc.hr/En_Tilla_Durieux.aspx Tilla Durieux and her Art Collection]
• [http://www.metmuseum.org/works_of_art/collection_database/european_paintings/Tilla_Durieux_Ottilie_Godeffroy_1880_1971/viewObject.aspx?&OID=110001883&PgSz=1 Portrait of Tilla Durieux painted by Renoir: Metropolitan Museum of Art]
• [https://digipres.cjh.org/delivery/DeliveryManagerServlet?dps_pid=IE8834399 Spielen und träumen], a 1922 autobiographical work on Durieux's childhood at the Leo Baeck Institute New York

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Category:Austrian stage actresses

Category:Austrian film actresses

Category:Austrian silent film actresses

Category:Austrian television actresses

Category:Austrian expatriates in Germany

Category:Austrian expatriates in Switzerland

Category:Austrian expatriates in Croatia

Category:Actresses from Vienna

Category:1880 births

Category:1971 deaths

Category:Commanders Crosses of the Order of Merit of the Federal Republic of Germany

Category:20th-century Austrian actresses

Category:Emigrants from Nazi Germany to Switzerland

Category:Austrian art collectors