Tohl Narita

{{short description|Japanese visual artist (1929–2002)}}

{{Use American English|date=March 2021}}

{{Expand Japanese|topic=bio|成田亨|date=November 2022}}

{{Infobox person

| name = Tohl Narita

| image = Tohl Narita - Godzilla Raids Again.jpg

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| caption = Narita on the set of Godzilla Raids Again in 1955

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| birth_name = Tōru Narita

| birth_date = {{birth-date|September 3, 1929}}

| birth_place = Kobe, Hyōgo, Japan

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| death_date = {{death-date and age|February 26, 2002|September 3, 1929}}

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| education =

| alma_mater = Musashino Art University

| occupation = {{hlist|Painter|sculptor|designer|art director|special effects director|author}}

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| spouse = Ruri

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| children = Kairi

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| website = {{URL|tohlnarita.com}}

| module =

| signature = Tohl Narita Signature.svg

}}

{{Nihongo|Tōru "Tohl" Narita{{Cite web |title=庵野秀明プロデュース「成田亨 複製絵画」受注制作販売のお知らせ |trans-title=News of order production and sales of "Recreation of Tōru Narita's Painting" produced by Hideaki Anno |url=https://atac.or.jp/narita-art/ |access-date=November 18, 2022 |website=Anime Tokusatsu Archive Centre |language=ja}}|成田 亨|Narita Tōru|{{IPA|ja|nəˈriːtə|pron}}; September 3, 1929 – February 26, 2002}} was a Japanese visual artist. He is best known for creating the characters and mechanics for the television programs in the Ultra series: Ultra Q, Ultraman, and Ultraseven.{{Cite web |date=2024-03-30 |title=Always Shooting, Never Shot: Motohiro Hayakawa’s Fantasy Battlegrounds |url=https://pen-online.com/arts/always-shooting-never-shot-motohiro-hayakawas-fantasy-battlegrounds/ |access-date=2025-01-20 |website=Pen Magazine International |language=en}}

Biography

=Childhood and education (1929–1954)=

Narita was born on September 3, 1929, in Kobe City, Hyōgo, Japan. His family moved to Aomori shortly after his birth.{{sfn|Narita|2014|p=2}}{{cite web |title=The secrets behind the hero design for the movie Shin Ultraman Unveiled |url=https://en.tsuburaya-prod.co.jp/news/1680 |publisher=Tsuburaya |access-date=3 August 2020}} When he was eight months old, Narita suffered a burn on his left hand after grabbing charcoal from the hearth in his abode; his hand didn't heal even after having many surgeries.{{sfn|Narita|2014|pp=2, 381}}

Narita began school in April 1936, at Aomori Municipal Furukawa Elementary School.{{sfn|Narita|2014|p=381}} At eight years old, his family moved to Ōshō Village, Muko District, Hyōgo (presently Amagasaki), and was transferred to Ritsudai Sho Jinjo Elementary School (presently Amagasaki Municipal Osho Elementary School). Due to the school's separation, Narita completed the fourth grade at Ritsudai Sho Jinjo Second Elementary School (presently Amagasaki Nishi Elementary School, where he stayed six years until the age of fourteen. During his time in elementary school, he was bullied due to his language differences and the burn on his left hand. Narita also decided he wanted to become a painter in the future.{{sfn|Narita|2014|p=2}}

After graduating from Aomori Junior High (now Aomori High School), Narita worked as a printer to save money, and in 1950 entered Musashino Art School (presently Musashino Art University).{{sfn|Narita|2014|p=2}} Initially, he majored in Western painting but felt dissatisfied with the class{{sfn|Narita|1996|pp=69-71}} and moved to the sculpting department.{{sfn|Narita|2014|p=2}}

=Career (1954–1987)=

{{Expand section|date=November 2022}}

File:Tohl_(Toru)_Narita,_visual_artist_and_creator_of_Ultraman.jpg

After graduating from Musashino Art School, he made part of his income doing special effects production work on the 1954 film Godzilla. He then began working as a Tokusatsu artist for Toei starting in 1960. In 1965 he began working for Tsuburaya Visual Effects Productions (later renamed Tsuburaya Productions). In addition to working as a designer, Narita was also a sculptor, painter, and director of special effects. He is best noted for his work on the Ultra series, known in the vernacular as "Narita's Monsters". He went on to work in TV special effects for the shows, Assault! Human!!, Enban Sensō Bankid, and Mighty Jack. In 1968 he became a freelance artist and worked on films and movies including Children of Nagasaki, The Bullet Train, Mahjong horoki, and Men and War.

He continued to create and exhibit his oil painting and sculptures throughout his life, including a public artwork, Demon Monument, located in Fukuchi City, Kyoto. Narita's work was included in the Little Boy: The Arts of Japan's Exploding Subculture exhibition at the Japan Society in New York City. The exhibition featured his drawings "a favorite of otaku artists"; the series of drawings showed monsters transforming into buildings, stones and trees, and other inanimate objects.{{cite web |last1=Chin |first1=Victoria |title=More Than Just a Little Boy |url=https://international.ucla.edu/institute/article/27431 |publisher=UCLA International Institute |access-date=3 August 2020}} His work was the subject of a major retrospective exhibition at the Aomori Museum in 2015 that included 700 pieces of his work.{{cite web |title=700 points of Toru Narita art / special effects / monster – exhibition scores! A retrospective show |date=14 March 2015 |url=https://www.art-it.asia/en/u/aomori-kenbi_e/kbiqh5x7sddmatofouxa |publisher=Art-it |access-date=3 August 2020}} The show traveled to the Fukuoka Art Museum.{{cite news |title='Tohl Narita: Art/Special Effects/Monsters' Fukuoka Art Museum |url=https://www.japantimes.co.jp/culture/2014/12/25/arts/openings-outside-tokyo/tohl-narita-artspecial-effectsmonsters/ |access-date=3 August 2020 |publisher=Japan Times}}

A monograph was produced on his work, entitled “Narita Toru Illustration Works 成田亨作品集” (400 pages).{{cite web |last1=Yonghow |title=Narita Toru Illustration Works Review |date=22 December 2014 |url=http://halcyonrealms.com/books/narita-toru-illustration-works-art-book-review/ |publisher=Halcyon Realms: Animation, Film, Photography |access-date=3 August 2020}} It is held in the Library of Congress.{{cite book |title=The art of Tohl Narita (Narita Tōru sakuhinshū /) |url=https://www.loc.gov/books/?fa=language%3Ajapanese%7Csubject%3Aexhibitions%7Ccontributor%3Aaomori+kenritsu+bijutsukan |publisher=Library of Congress |access-date=3 August 2020}}

=Death (2002)=

Narita died on February 26, 2002, at age 72, from multiple cerebral infarctions.

Personal life

Narita's wife is named Ruri, with whom he had a son named Kairi.{{Cite web |date=December 21, 2016 |title=ウルトラマン秘話 彫刻家成田亨が過ごした尼崎(下) |trans-title=Ultraman Secret Story: Amagasaki where sculptor Toru Narita lived (below) |url=https://www.kobe-np.co.jp/news/odekake-plus/news/detail.shtml?news/odekake-plus/news/pickup/201612/9768938 |url-status=live |archive-url=https://web.archive.org/web/20221213215524/https://www.kobe-np.co.jp/news/odekake-plus/news/detail.shtml?news/odekake-plus/news/pickup/201612/9768938 |archive-date=December 13, 2022 |access-date=December 13, 2022 |website=Hyogo Odekake Plus+ |publisher=Kobe Shimbun |language=Japanese}}

Filmography

=Film=

=Television=

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Litigation

In his late life, Narita filed a lawsuit against Tsuburaya Productions.{{Cite book |last=Tsuburaya |first=Hideaki |title=ウルトラマンが泣いている |date=June 18, 2013 |publisher=Kodansha Gendai Shinsho |isbn=978-4062882156 |pages=119–120 |language=Japanese |trans-title=Ultraman is crying}} Tsuburaya had claimed Narita's alien and kaiju designs to be entirely their creation, and was erasing Narita's name from his art.{{Cite magazine |date=September 1, 1986 |title=成田亨SPECIAL DESIGN WORK NO.21 |trans-title=Tōru Narita SPECIAL DESIGN WORK NO.21 |magazine=B-CLUB |language=Japanese |publisher=Bandai Publishing |isbn=978-4891893903}}

Legacy

= Influence =

Takashi Murakami has cited Narita as a significant influence on his work.{{Cite web |date=2022-05-16 |title=Tohl Narita, an Iconic 'Tokusatsu' Visual Artist |url=https://pen-online.com/culture/tohl-narita-an-iconic-tokusatsu-visual-artist/ |access-date=November 19, 2022 |website=Pen Magazine International |language=en}} Hideaki Anno and Shinji Higuchi were inspired by Narita's art for Ultraman when making Shin Ultraman.

=Collections=

Narita's monster design prints are held in the permanent collection of the Aomori Prefectural Art Museum,{{cite web |title=Toru Narita-Fine Arts/Special Effects/Monsters 700 works on display! Largest retrospective in history |url=http://www.aomori-museum.jp/en/exhibition/67/index.html |url-status=dead |archive-url=https://web.archive.org/web/20210505223204/http://www.aomori-museum.jp/en/exhibition/67/index.html |archive-date=May 5, 2021 |access-date=August 3, 2020 |publisher=Aomori Museum of Art}} and the Toyama Prefectural Museum of Art & Design.{{cite web |title=Collections: Toru Narita: Art, Special Effects, and Monsters – The Origins of Ultraman |url=https://tad-toyama.jp/en/?s=Toru+Narita |access-date=August 3, 2020 |publisher=Toyoma Prefectural Museum of Art & Design}}

References

=Citations=

{{Reflist}}

=Bibliography=

  • {{cite book |last=Narita |first=Tohl |title=特撮と怪獣 わが造形美術 |trans-title=My Tokusatsu and Monster Art |publisher=Film Art |year=1996 |isbn=978-4-845995-52-3 |language=Japanese }}
  • {{cite book |last=Narita |first=Tohl |title=成田亨作品集|trans-title=The Art of Tohl Narita |publisher=Hatori Shoten |date=July 19, 2014 |isbn=978-4-904702-46-8 |language=Japanese}}