Ton'a

The following are two of his best-known poems:

{{Verse translation|

{{lang|ja-Latn|naku semi no

koe mo hitotsu ni

hibikite

matsu kage suzushi

yama no takitsuse}}

|

Crying cicadas

are in one voice with the sound

that reverberates

– cool, in the shade of the pines –

from a mountain cascade.Carter, Steven D. Traditional Japanese Poetry : an Anthology. Stanford, CA, USA: Stanford University Press, 1991. p 255. {{ISBN|9780804715621}}}}

{{Verse translation|

{{lang|ja-Latn|ne ni tatete

nageku wa nani zo

utsusemi no

munashiki yo to wa

shiranu mono ka wa}}

|

Just what can it be

that makes them cry so loudly?

But, ah, of course: cicadas would know

how empty is this world

of the cicada shell.The shell shed by the cicada was a conventional symbol for ephemerality. Adapted from Carter, Steven D. Just Living : Poems and Prose of the Japanese Monk Tonna. New York, NY, USA: Columbia University Press, 2003. p 133. {{ISBN|9780231125529}}}}

In 1367, Ashikaga Yoshiakira hosted a poetry gathering at Nii-Tamatsushima Shrine. The scroll consist of three poems, and the script's casual arrangements indicates influence from Fujiwara no Yukinari. The scroll originally was owned by Fujita Denzaburō until 1934, subsequently sold in Kyoto in 2014 to collectors Mary and Cheney Cowles, who then donated the scroll to the Metropolitan Museum of Art in 2022 (Accession 2022.432.5).{{Citation |last=Tonna |title=Three Waka Poems |date=1368 |url=https://www.metmuseum.org/art/collection/search/853187 |access-date=2025-01-07 |publisher=MET Museum}}

{{Verse translation|目にむえぬ　神のあはれむ　道をなを

わきてぞまもる　玉津しま姫|The goddess of Tamatsushima

maintains a pathway

from the heavens

so gods can manifest themselves

even if invisible to the eye.}}

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Category:Writers of the Muromachi period

Category:14th-century Japanese poets

Category:Buddhist clergy of the Kamakura period

Category:Buddhist poets

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