Tony Fomison

{{Infobox artist

| name = Tony Fomison

| image = Fomison.jpg

| image_size = 250px

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| caption = Fomison, 1981

| birth_name =

| birth_date = {{birth date|1939|07|12|df=yes}}

| birth_place = Christchurch

| death_date = {{death date and age|1990|02|07|1939|07|12|df=yes}}

| death_place = Whangārei

| nationality = New Zealand

| known_for =

| training =

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Anthony Leslie (Tony) Fomison (12 July 1939 – 7 February 1990) was a notable artist in New Zealand. He was an important post-war visual artist in the country and {{cite web|url=http://www.aucklandartgallery.govt.nz/exhibitions/docs/0710TonyFomison.pdf|title=Likeness and Character|first=Ron|last=Brownson|work=Auckland Art Gallery, Toi o Tamaki}} influenced New Zealand art by incorporating elements of narrative and myth into contemporary art.

Background

Fomison was born in Christchurch and studied at Linwood High School.{{cite web | url=http://www.linwoodcollege.school.nz/about-linwood/history | title=History | publisher=Linwood College | accessdate=July 22, 2017}} He studied sculpture at the School of Fine Arts at Canterbury University, where he was taught by Rudi Gopas, and during these early years he continued an interest in archaeology which had begun in high school. He also compiled photographic essays during this period. Fomison began painting in earnest in 1960–61. In 1964, he travelled to England and Spain and lived in the former for three years before returning to Christchurch in 1967.{{cite web|url=http://www.art-newzealand.com/Issues1to40/fomison.htm|title=A Singular Vision: The Paintings of Tony Fomison|first=James|last=Ross|work=Art New Zealand}} During his time in England, he was hospitalised at Banstead Hospital after succumbing to drug addiction. After his return from Europe and the UK Fomison painted a series of work based on paintings and images he had seen on his travels. Many of these works, painted on hessian, were completed over several years.{{Cite book |url=https://www.worldcat.org/oclc/18356346 |title=Anxious images : aspects of recent New Zealand art. |date=1984 |publisher=Auckland City Art Gallery |others=Auckland City Art Gallery |isbn=0-86463-112-X |location=Auckland, N.Z. |pages=30 |oclc=18356346}} Typical is his Study of Holbein's ' Dead Christ’ 1971–73{{Cite web |title=Study of Holbein's 'Dead Christ' | work=Auckland Art Gallery |url=https://www.aucklandartgallery.com/explore-art-and-ideas/artwork/7973/study-of-holbeins-dead-christ?q=%2 |access-date=31 December 2022}} based on the Holbein original 'The Dead Christ in the Tomb in the collection of the Kunstmuseum in Basel.{{Cite web |title=Hans Holbein the Younger, The Dead Christ in the Tomb, 1521–1522 |url=https://kunstmuseumbasel.ch/en/collection/masterpieces#&gid=1&pid=60 |access-date=31 December 2022}}

Study of Māori cave drawings

After graduating from art school Fomison went to work as an archaeological assistant at the Canterbury Museum then under the directorship of Roger Duff. Fomison took part in a major survey of Māori rock art in South Canterbury and contributed to the archive with drawings, notes and tracings recording over 300 sites.{{Cite book |last=Challis |first=Aidan J. |url=https://www.worldcat.org/oclc/154686905 |title=A review of archaeological site records for the Canterbury Region |date=1992 |publisher=Head Office, Dept. of Conservation |others=New Zealand. Department of Conservation |isbn=0-478-01370-1 |location=Wellington, N.Z. |oclc=154686905}} A photo of Fomison in 1969 standing next to one of his cave drawing tracings is held in the Christchurch Star Archives.{{Cite web |date=30 January 1969 |title=Tony Fomison with rock drawings |url=https://discoverywall.nz/media/117831 |access-date=20 December 2022}} The same year Fomison used the rock drawings as an inspiration for his cover illustration for the literary magazine Landfall. In different colour mixes it was used for the four copies of the magazine published that year.{{Cite web |title=Landfall Archive |url=http://www.landfallarchive.org/omeka/items/browse?page=3 |access-date=20 December 2022}}

Exhibitions

File:FomisonStudio78.jpg

Like his friend Philip Clairmont{{Cite web |title=Marti Friedlander: Tony Fomison/Philip Clairmont |url=https://christchurchartgallery.org.nz/collection/98-108/marti-friedlander/tony-fomison-philip-clairmont |access-date=22 December 2022}} Tony Fomison had his first solo exhibition at Several Arts in Christchurch. Over his career would have 39 solo exhibitions{{Cite book |title=Fomison: What shall we tell them |publisher=City Gallery Welligton |year=1994 |editor-last=Wedde |editor-first=Ian |location=Wellington, New Zealand |pages=183–187}} including two touring survey exhibitions in1979, the Dowse Art Gallery’s Tony Fomison: a Survey of his Painting and Drawing from 1961 to 1979{{Cite web |date=1979 |title=Tony Fomison: a Survey of his Painting and Drawing from 1961 to 1979 |url=https://christchurchartgallery.org.nz/exhibitions/tony-fomison |access-date=20 December 2022}} and in1994 City Gallery Wellington's exhibition Fomison: What Shall we Tell Them?.{{Cite web |title=Tony Fomison: What Shall we Tell Them? |url=https://citygallery.org.nz/exhibitions/tony-fomison-what-shall-we-tell-them/ |access-date=20 December 2022}}

Connections with Polynesian Culture

Fomison moved to Auckland, the largest Polynesian city in the world, in 1973. From that time, his work was influenced by Polynesian culture, including attempts to help revive the skill of traditional Tā moko tattooing. At around this time he met fellow artist Colin McCahon, with whom he struck up a long close friendship.

Fomison was tattooed by Samoan master tattooist Sua Sulu'ape Paulo II with a pe'a, the traditional male tattoo of Samoa.{{cite web|url=http://www.nzepc.auckland.ac.nz/authors/wendt/tatauing.asp|title= Tatauing the Post-Colonial Body|authorlink=Albert Wendt|first=Albert|last=Wendt|publisher=NZEPC. Originally published in Span 42-43 (April–October 1996): 15-29}} Only a few Europeans have received the traditional Samoan tattoo.

His largest work, The Ponsonby Madonna, was commissioned by the Trustees of Saint Paul's College in Ponsonby in 1982.{{Cite web |last=Brownson |first=Ron |date=22 March 2022 |title=An Emblem of St Paul's College: Tony Fomison's 'Ponsonby Madonna' |url=https://www.aucklandartgallery.com/article/an-emblem-of-st-pauls-college-tony-fomisons-ponsonby-madonna?q=% |access-date=31 December 2022}} Regretably by 2007 high insurance costs meant the mural had to be sold{{Cite news |last=Stewart |first=Janie |date=26 October 2007 |title=Security costs prompt sale of religious mural |pages=1 |work=Auckland City Harbour News}} and is now in the collection of the Auckland Art Gallery

Prizes and awards

1963 Awarded an Arts Advisory Board grant to travel to England and Europe{{Cite web |title=No! by Tony Fomison |url=https://christchurchartgallery.org.nz/blog/collection/2008/01/no-by-tony-fomison |access-date=28 December 2022}}

1985 Fomison was the inaugural recipient of the Rita Angus Residency. Media reports from the time state that he intended to spend his time in Wellington on the residency developing his contacts with the local Samoan community.{{cite book|last1=Wedde|first1=Ian|title=Making Ends Meet: essays and talks, 1992-2004|date=2005|publisher=Victoria University Press|location=Wellington|isbn=0864735030|page=57}}

Death

Fomison died in Whangārei having spent the day at Waitangi during the commemorations of the 150th anniversary of the signing of New Zealand's founding document, the Treaty of Waitangi.