Tribune of Galileo

The tribune was completed in 1841 and built within the first floor of the Science Museum of La Specola in Florence. The tribune was built by orders of Leopold II (1797-1870). The House of Lorraine-Habsburg was foreign to Tuscany; and the embrace of Galileo can be seen as an attempt to co-opt local patriotism. It contains a large statue of Galileo and a series of lunettes and frescoes depicting events in scientific history relating to Florence. It once contained some of his original instruments such as his geometric and military compass, an armed loadstone, two telescopes, and the objective lens of the telescope with which Galileo discovered the four largest moons of Jupiter. The tribune is generally not open to the public.[http://www.museogalileo.it/en/aboutus/history/lorenesecollecting.html Museo Galileo] website.

The tribune consists mainly of two rooms: a square vaulted hall, and an adjacent square room glass-metal dome. The dome allows light to shine over a marble statue of Galileo by Aristodemo Costoli. The surrounding niches have busts of famous pupils of Galileo: Benedetto Castelli, Bonaventura Cavalieri, Evangelista Torricelli, and Vincenzo Viviani. Medallions in the adjacent hall commemorate the patrons. The frescoes on the walls depict:

• Leonardo da Vinci before the Duke of Milan, Ludovico Sforza (by Nicola Cianfanelli)
• Galileo demonstrates the Laws of Gravity to the Medici (by Giuseppe Bezzuoli)
• Galileo observes the lamp-pendulum of the Duomo of Pisa (by Luigi Sabatelli)
• Galileo presents the telescope to the Senate of Venice (by Luigi Sabatelli)
• Galileo, blind and old, converses with disciples (by Luigi Sabatelli)
• Session of Experiments at the Accademia del Cimento (by Gasparo Martellini)
• Alessandro Volta demonstrates his experimental battery to Napoleon (design by Cianfanelli, completed by Martellini).

Ultimately, this is an odd architectural assembly. The layout has a distant resemblance to a church dome and nave; however, if so, this is a temple granting hagiographical attention to a secular scientist. It contains modern touches, such as the iron dome, but it also adheres to retardataire Neoclassic elements in the niches, arches, and columns. The arrangement suggests a tardy apology to Galileo by an aristocracy which had been slow to freely embrace his pioneering spirit of Enlightenment. It took two centuries for Florentines to honor their greatest scientist with a building. But that is not surprising, they had also been slow to bury Galileo inside a church. After his death in 1642, his interment in the main body of the Basilica of Santa Croce, next to the tombs of his father and other ancestors, was abandoned when papal authorities protested.

Tribuna di galileo 01.JPG| View across anteroom showing lunette

Tribuna di galileo, cupola.JPG| Glass and iron dome

Galileo dimostra la legge della caduta dei gravi a Don Giovanni de' Medici, affresco di Giuseppe Bezzuoli, Tribuna di Galileo, Firenze.jpg|Galileo demonstrates laws of gravity

Tribuna di galileo, abside 02.JPG| Apse and busts

Galileo vecchio con i discepol, di Luigi Sabatelli, Tribuna di Galileo, Firenze.jpg| Galileo with disciples

Riunione dell'Accademia del Cimento, affresco di Gaspero Martellini, Tribuna di Galileo, Firenze..jpg|Session of Accademia del Cimento

Galileo osserva la lampada nel Duomo di Pisa, affresco di Luigi Sabatelli, Tribuna di Galileo, Firenze..jpg|Galileo in the Duomo of Pisa

Galileo presenta il telescopio al Senato veneziano radunato sul campanile di S. Marco a Venezia, affresco di Luigi Sabatelli, Tribuna di Galileo, Firenze.jpg| Galileo before Senate of Venice

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Category:Neoclassical architecture in Florence

Category:Buildings and structures completed in 1841

Category:Museums in Florence

Category:Science museums in Italy

Category:Museo di Storia Naturale di Firenze

Category:Cultural depictions of Galileo Galilei

Category:Monuments and memorials in Florence

pt:Palazzo Torrigiani (Via Romana)#A Tribuna de Galileu