Trumpet Concerto (Haydn)

{{Short description|Trumpet concerto composed by Joseph Haydn}}

{{For|the composition by Michael Haydn|Trumpet Concerto (Michael Haydn)}}

{{Infobox musical composition

| name = Trumpet Concerto

| subtitle =

| image = File:Rößler Joseph Haydn.jpg

| image_upright =

| caption = Portrait of Haydn by Johann Carl Rößler, {{Circa|1799}}

| composer = Joseph Haydn

| key = E-flat major

| catalogue = Hob. Vlle/1

| composed = 1796

| performed = {{start date and age|1800|03|28}}
Burgtheater, Vienna

| published =

| movements = three

| misc =

}}

Joseph Haydn composed the Concerto per il Clarino (Hob. VIIe/1) (Trumpet Concerto in E-flat major) in 1796 for the trumpet virtuoso Anton Weidinger. Joseph Haydn was 64 years of age. A favourite of the trumpet repertoire, it has been cited as "possibly Haydn's most popular concerto".{{AllMusic|class=composition|id=mc0002371945|title=Trumpet Concerto in E-flat major, H. 7e/1|last=Reel|first=James|accessdate=October 6, 2017}} Although written in 1796, Weidinger first performed the concerto four years later on March 28, 1800.{{Cite web|last=Dahlqvist|first=Reine|date=2001|title=Weidinger, Anton|url=https://www.oxfordmusiconline.com|website=Oxford Music Online}}

Original instrument

{{unreferenced section|date=October 2020}}

File:The first page of the autograph of Haydn's trumpet concerto.jpg

Anton Weidinger developed a keyed trumpet which could play chromatically throughout its entire range. Before this, the trumpet was valveless and could only play a limited range of harmonic notes by altering the vibration of the lips; also called by the name of "natural trumpet". Most of these harmonic notes were clustered in the higher registers, so previous trumpet concertos could only play melodically with the high register (e.g., Bach's Brandenburg Concerto No. 2). Haydn's concerto includes melodies in the middle and lower register, exploiting the capabilities of the new instrument. Haydn, fascinated by the invention, was inspired to write the concerto. He enjoyed experimenting with the instrument and its newly chromatic capabilities in all registers of the instrument. The concerto itself features a variety of chromatic shifts, achievable with the manipulation of the keys, to display Weidinger’s technical brilliance on the instrument.{{Cite journal |last=Geiringer |first=Karl |date=1955 |title=Review of Haydn: Trumpet Concerto in E-Flat; Harpsichord Concerto in D |url=https://www.jstor.org/stable/739805 |journal=The Musical Quarterly |volume=41 |issue=3 |pages=402–404 |doi=10.1093/mq/XLI.3.402 |jstor=739805 |issn=0027-4631}}

There were attempts all over Europe around the mid-classical era to expand the range of the trumpet using valves, but Weidinger's idea of drilling holes and covering them with flute-like keys was not a success as it had very poor sound quality. Thus the natural trumpet still had continual use in the classical orchestra while the keyed trumpet had barely any repertoire. The valved trumpets used today were first constructed and used in the 1830s.

Form

{{Listen

|type=music

|filename=Real Filharmonía de Galicia - Haydn's Trumpet Concerto in E-flat major, Hob.VIIe-1 - I. Allegro.ogg

|title=I. Allegro

|filename2=Real Filharmonía de Galicia - Haydn's Trumpet Concerto in E-flat major, Hob.VIIe-1 - II. Andante.ogg

|title2=II. Andante

|filename3=Real Filharmonía de Galicia - Haydn's Trumpet Concerto in E-flat major, Hob.VIIe-1 - III. Finale allegro.ogg

|title3=III. Allegro

|description3=Performed by the {{ill|Real Filharmonía de Galicia|es}}

}}

The work is composed in three movements (typical of a Classical period concerto), they are marked as follows:

{{ordered list|list-style-type=upper-roman

|Allegro (sonata)

|Andante (A–B–A)

|Allegro (rondo)}}

In addition to the solo trumpet, the concerto is scored for an orchestra consisting of 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings.

See also

References