Twinkletoes

{{short description|1926 film}}

{{About|the 1926 film|people and fictional characters|Twinkletoes (nickname)|the 1918 novel on which the film is based|Thomas Burke (author)}}

{{Use mdy dates|date=September 2020}}

{{Infobox film

| name = Twinkletoes

| image = Twinkletoes (1926) poster.jpg

| caption = Theatrical release poster

| producer = John McCormick

| writer = Winifred Dunn (scenario)
Mervyn LeRoy (Comedy const) (screenplay)

| based_on = {{basedon|Twinkletoes: A Tale of the Limehouse|Thomas Burke}}

| starring = Colleen Moore
Kenneth Harlan
Tully Marshall
Gladys Brockwell

| director = Charles Brabin

| cinematography = James Van Trees

| studio = First National

| distributor = First National

| released = {{Film date|1926|11|28}}

| runtime = 80 min., 8 reels

| country = United States

| language = Silent (English intertitles)

| music =

| budget =

}}

Twinkletoes is a 1926 American silent romantic drama film directed by Charles Brabin and starring Colleen Moore. The film, as with most of Moore's vehicles at this time, was produced by her husband John McCormick with the couple distributing through Moore's resident studio First National. This film is one of Moore's surviving films from the late silent era and is available on DVD.[http://www.silentera.com/PSFL/data/T/Twinkletoes1926.html Progressive Silent Film List : Twinkletoes] at silentera.com

Plot

File:Twinkletoes (1926).webm

Monica "Twinkletoes" Minasi, a motherless child of the London Limehouse district, is a brilliant young dancer who lives in poverty. She saves a crowd from abuse by the police through an impromptu performance, during which she meets Chuck Lightfoot, a champion fighter and older married man whose wife, Cissie, was the cause of the ruckus. Twinks finds herself slowly falling in love with Chuck but resists, because he is married and much older (he is in his late twenties, she might be as young as 15), but when he saves her from an attack one night she realizes that it is useless to fight her feelings.

She dances at the head of the "Quayside Kids," a local dance group in a music hall run by Roseleaf, who has designs on the young girls that dance for him. Chuck's wife Cissie realizes that her husband had feelings for Twinks and, learning that Twink's dad is a burglar, exposes him to the police. Twinks is distraught when she learns the news that her father—whom she admired above all other people—is a criminal. Roseleaf takes her to his apartment and attempts to have his way with her, but she manages to escape. Cissie is killed in an accident, and, in despair, Twink throws herself into the river. She is rescued by Chuck and in his arms finds something to live for.

Cast

File:Twinkletoes lobby card.jpg

{{Cast listing|

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Production

File:Twinkle Toes ad in Exhibitor's Herald The Independent Film Trade Paper (weekly, September 18, 1926 to December 11, 1926) - Internet Archive - exhibitorsherald27unse (page 1397 crop).jpg, 1926]]

Scenario writer Winifred Dunn did research in San Francisco's Chinatown for the atmosphere of the film.“Studies Chinatown in San Francisco,” Los Angeles Times, January 10, 1926, page C14.

The movie was based on the 1918 novel Twinkletoes: A Tale of the Limehouse,[https://books.google.com/books?id=71hFAAAAIAAJ&q=twinkletoes Twinkletoes: A Tale of the Limehouse] by Thomas Burke. Like the book, the film's original story had a dramatic ending, with Twinks drowning in the river. Colleen's husband did not believe that the original ending would play as well as a happy ending, perhaps worried that the production might not be well received by audiences, as had been the case with the dramatic So Big. Two endings were filmed and exhibitors were allowed to pick which version they wanted to show.Twinkletoes Production Box #2294, Warner Bros. Archives, School of Cinema-Television, University of Southern California. The audiences generally preferred the sad ending.

This was Colleen's first "serious" film since her portrayal of Salena Peake in So Big. Coleen danced several of the numbers in the film herself.Post Standard (Syracuse, New York), August 15, 1926, page 4 The film came between two of her comedies, as it was the studio's strategy to stagger her comedies and dramatic roles, so that the public would not become tired of any single genre.

References

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Footnotes

  • Jeff Codori (2012), Colleen Moore; A Biography of the Silent Film Star, [https://web.archive.org/web/20110804231956/http://www.mcfarlandpub.com/book-2.php?id=978-0-7864-4969-9 McFarland Publishing], (Print {{ISBN|978-0-7864-4969-9}}, EBook {{ISBN|978-0-7864-8899-5}}).