Twitterature#Weird Twitter

{{short description|Literary use of the service X (formerly Twitter)}}

{{See also|Electronic literature|Weird Twitter}}

Twitterature (a portmanteau of Twitter and literature) is a literary use of the microblogging service of X (formerly known as Twitter). It includes various genres, including aphorisms, poetry, and fiction (or some combination thereof) written by individuals or collaboratively. The 280-character maximum imposed by the medium, upgraded from 140 characters in late 2017,{{Cite web|url=https://blog.twitter.com/official/en_us/topics/product/2017/Giving-you-more-characters-to-express-yourself.html|title=Giving you more characters to express yourself|language=en-us|access-date=2018-06-12}} provides a creative challenge.

Genres

=Aphorism=

{{Quote box

|quote = The most effective way to learn is by devoting oneself to a single subject for months at a time. Its opposite is school.

|title = Aphorism example

|author = Aaron Haspel, @ahaspel{{cite web |first=Colin |last=Marshall |title=Aphorist proves Twitter is the form's perfect new home |url=http://boingboing.net/2015/02/09/aphorist-proves-twitter-is-the.html |date=February 9, 2015}}

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Aphorisms are popular because their brevity is inherently suited to Twitter. People often share well-known classic aphorisms on Twitter, but some also seek to craft and share their own brief insights on every conceivable topic.{{cite news |newspaper=Der Spiegel |first=Tobias |last=Becker |url=http://www.spiegel.de/spiegel/kulturspiegel/d-87853728.html |title=Auf die Länge kommt es an |date=August 27, 2012 |language=de}}{{cite news |first=Carina |last=Burman |url=http://www.unt.se/kultur-noje/storlekens-betydelse-3042098.aspx |title=Storlekens betydelse |newspaper=Upsala Nya Tidning |date=March 15, 2014 |language=sv}} Boing Boing has described Twitter as encouraging "a new age of the aphorism", citing the novel aphorisms of Aaron Haspel.

=Poetry=

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|quote = Augusti.

Och fast det är hett

i solen

känns det ibland

känns det ibland

som om jag

faller

handlöst mot hösten.

|title = Poetry example

|author = Göran Greider, @GreiderDD{{cite web |url=https://twitter.com/GreiderDD/status/495520714699866112 |title=Twitter update |author=@GreiderDD (Göran Greider) |type=Tweet |date=August 2, 2014 |language=sv}}

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Haiku are a brief poetic form well suited to Twitter; many examples can be found using the hashtag #haiku. Other forms of poetry can be found under other hashtags or by "following" people who use their Twitter accounts for journals or poetry. For example, the Swedish poet and journalist Göran Greider tweets observations and poems using the Twitter handle @GreiderDD (Göran Greider) as shown in the example on the right.

On Black Twitter a form of collaborative poetry provides "clever and poetic critical commentary on the world around them" in a genre that scholars have called "digital dozens" ,{{Cite journal |last=Hunter |first=Marcus Anthony |last2=Pattillo |first2=Mary |last3=Robinson |first3=Zandria F. |last4=Taylor |first4=Keeanga-Yamahtta |date=2016-12-01 |title=Black Placemaking: Celebration, Play, and Poetry |url=https://www.wikidata.org/wiki/Q124423521 |journal=Theory, Culture & Society |language=English |volume=33 |issue=7-8 |pages=31–56 |doi=10.1177/0263276416635259|url-access=subscription }} in reference to the verbal insult game known as the dozens. Contemporary Black American poetry has often been published on social media platforms rather than in conventional print publications.{{Cite journal |last=Chikowero |first=Murenga Joseph |date=2017 |title=Post-millennial black American experience : the poetry of the #BlackLivesMatter movement |journal=Commonwealth Youth and Development |volume=15 |issue=2}}

=Fiction=

Twitterature fiction includes 140-character stories, fan fiction, the retelling of literary classics and legends, twitter novels, and collaborative works. The terms "twiction" and "tweet fic" (Twitter fiction), "twiller" (Twitter thriller),{{cite web|last=Richtel|first=Matt|author-link=Matt Richtel|date=August 29, 2008|title=Introducing the Twiller|url=http://bits.blogs.nytimes.com/2008/08/29/introducing-the-twiller/?_php=true&_type=blogs&_php=true&_type=blogs&_r=1|work=New York Times|at=blogs}} and "phweeting" (fake tweeting) also exist to describe particular twitterature fiction genres.{{cite news|date=October 14, 2011|title=A Literary History of Twitter|newspaper=Daily Telegraph|url=https://www.telegraph.co.uk/technology/twitter/8827739/A-literary-history-of-Twitter.html}}

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|quote = I was mowing the lawn. I peered at my neighbor's immaculate yard; his grass was literally greener. Then a meteor fell atop his lovely house.

|title = 140-character story example

|author = Arjun Basu, @ajunbasu{{cite tweet |user= ajunbasu|last= Basu|first= Arjun|number= 483970170009182209|date= July 1, 2014|title= I was mowing the lawn. I peered at my neighbor’s immaculate yard; his grass was literally greener. Then a meteor fell atop his lovely house.}}

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}}140-character stories: fiction that fits into a single tweet.Jorge, Clinton, et al. "Storytelling and the use of social media in digital art installations." International Conference on Interactive Digital Storytelling. Springer International Publishing, 2013. An example of these stories are those written by James Mark Miller (@asmallfiction),{{Twitter user|id=asmallfiction|name=James Mark Miller}} Sean Hill (@veryshortstories),{{Cite news|url = http://www.thebookdesigner.com/2010/07/writings-next-frontier-twitter-fiction/|title = Writing's Next Frontier: Twitter Fiction|last = Friedlander |first = Joel|date = July 8, 2010|work = The Book Designer|access-date=August 30, 2014}} and Arjun Basu (@arjunbasu).{{Twitter user|id=arjunbasu|name=Arjun Basu}}{{cite news |first=Magnus |last=Bremmer |url=http://www.svd.se/kultur/understrecket/twitter-kan-forandra-vart-satt-att-beratta_3432793.svd |title=Twitter kan förändra vårt sätt att berätta |newspaper=Svenska Dagbladet |date=August 29, 2009 |language=sv}} A number of Twitter journals dedicate themselves to the form. In 2013, The Guardian challenged traditionally published authors such as Jeffrey Archer and Ian Rankin to write their 140-character stories, and then featured their attempts.{{cite news |url=https://www.theguardian.com/books/2012/oct/12/twitter-fiction-140-character-novels |title=Twitter fiction: 21 authors try their hand at 140-character novels |newspaper=The Guardian |date=12 October 2012}}

Fan fiction: Twitter accounts that have been created for characters in films, TV series, and books. Some of these accounts take the events in the original works as their starting point, whereas others may branch into fan fiction.

== Literary classics and legends ==

Literary classics and legends are retold on Twitter, either by characters' tweeting and interacting, or by retelling in tweet format, often in modern language using slang. For instance,{{cite book |first1=Alexander |last1=Aciman |first2=Emmet |last2=Rensin |year=2009 |title=Twitterature: The World's Greatest Books Retold Through Twitter |publisher=Penguin |isbn=9780141047713}} in 2010, a group of rabbis tweeted the Exodus, with the hashtag #TweetTheExodus; and in 2011, the Royal Shakespeare Company and the English game company Mudlark tweeted the story of Romeo and Juliet.{{cite web |url=http://suchtweetsorrow.com/ |title=Such Tweet Sorrow |archive-url=https://web.archive.org/web/20111224200244/http://suchtweetsorrow.com/ |archive-date=December 24, 2011}} In 2009, Alexander Aciman and Emmett Rensin published Twitterature: The World's Greatest Books Retold Through Twitter.

Epicretold, by author Chindu Sreedharan, is another noteworthy work in this genre. The New Indian Express called it an “audacious attempt...to fit the mother of all epics, the Mahabharata, into the microblogging site Twitter.”{{Cite web|title='Epicretold' crosses 100 tweets|url=https://www.newindianexpress.com/cities/thiruvananthapuram/2009/aug/28/epicretold-crosses-100-tweets-81375.html|access-date=2019-10-04|website=The New Indian Express}} Tweeted from @epicretold, and subsequently published as a full-length book by HarperCollins India,[https://harpercollins.co.in/book/epic-retold-mahabharata-twitterfiction-bhima-140characters/ "Epic Retold"], HarperCollins. the story was narrated in "2,628 tweets" between July 2009 to October 2014.{{cite web|url=https://www.scmp.com/lifestyle/books/article/1711758/interview-author-who-narrated-indian-epic-mahabharata-2628-tweets|title=Interview: author who narrated Indian epic The Mahabharata in 2,628 tweets|first=Charukesi|last= Ramadurai|newspaper=South China Morning Post|date=14 February 2015}} In an interview with Time, Sreedharan said it was an attempt to simplify the lengthy epic and make it accessible to the new generation—both in India and abroad.{{Cite magazine|url=http://content.time.com/time/world/article/0,8599,1917882,00.html|first=Mridu|last=Khullar|magazine=Time|title=Tweeting the World's Longest Poem|date=August 21, 2009|via=content.time.com}}

== Twitter novels ==

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| quote = I've grown to like small places. I like bugs, bug homes, walking stick bugs, blades of grass, ladybug Ferris wheels made out of dandelions.

| title = Small Places

| author = Nick Belardes, @smallplaces

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| quote = Willum Mortimus Granger was beside himself. In fact when his body was found, the top half was right next to the bottom.

| title = Executive Severance

| author = Robert K. Blechman, @RKBs_Twitstery{{Cite news |url=http://www.timesledger.com/stories/2015/2/twitter_2015_0109_q.html |title=Mystery novel told in 140-character chapters |last=Scileppi |first=Tammy |date=January 9, 2015 |work=Queens Times-Ledger |access-date=September 21, 2015 }}

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}}Twitter novels (or twovels) are another form of fiction that can extend over hundreds of tweets to tell a longer story.{{cite web|last=Belardes|first=Nicholas|date=April 15, 2009|title=Twitter Novel In The Twitterverse: Read The First 358 Tweets Of 'Small Places'|url=http://www.thenervousbreakdown.com/nlbelardes/2009/04/twitter-novel-in-the-twitterverse-read-the-first-358-tweets-of-small-places/|access-date=August 30, 2014|publisher=thenervousbreakdown.com|archive-date=August 13, 2014|archive-url=https://web.archive.org/web/20140813010912/http://www.thenervousbreakdown.com/nlbelardes/2009/04/twitter-novel-in-the-twitterverse-read-the-first-358-tweets-of-small-places/|url-status=dead}} The author of a Twitter novel is often unknown to the readers, as anonymity creates an air of authenticity. As such, the account name can often be a pseudonym or even a character in the story. Twitter novels can run for months, with one or more tweets daily, whereby context is usually maintained by a unique hashtag. Searching by the corresponding hashtag produces a list of all available tweets in the series. Some serials are posted in short updates that encourage the reader to follow and to speculate on the next installment.{{cite news|last=Crouch|first=Ian|date=July 23, 2014|title=The Great American Twitter Novel|newspaper=The New Yorker|url=http://www.newyorker.com/books/page-turner/great-american-twitter-novel}}

One example of the Twitter novel is Small Places by Nick Belardes (@smallplaces), which began on April 25, 2008, with the tweet as shown on the right. Another example is The Twitstery Twilogy series by Robert K. Blechman (@RKBs_Twitstery). The first entry in the series was Executive Severance, which would be the first live-tweeted Twitter comic mystery (or "Twitstery"), beginning on May 6, 2009, with the tweet shown. The second Twitter novel in the series, The Golden Parachute, appeared as a Kindle eBook in 2016; and the third and concluding novel, I Tweet, Therefore I am, the Book 3, was released early in 2017.

John Roderick's Electric Aphorisms was composed in individual tweets between December 2008 and May 2009, and deleted on publication of the book itself by Publication Studio in November 2009.{{cite web|last=Roderick|first=John|date=November 3, 2009|title=Electric Aphorisms|url=http://www.thelongwinters.com/extracurricula/electric-aphorisms|access-date=May 26, 2019|publisher=thelongwinters.com}} Traditionally-published authors have also attempted the twitter novel, such as Jennifer Egan's Black Box, which was first published in about 500 tweets in 2012;{{cite news|last=Lærke Maach|first=Maja|date=November 15, 2013|title=Politiken giver gratis adgang til Pulitzer-vinders Twitter-roman|language=da|newspaper=Politiken|url=http://politiken.dk/kultur/boger/ECE2133171/politiken-giver-gratis-adgang-til-pulitzer-vinders-twitter-roman/}} and David Mitchell's The Right Sort, first published as almost 300 tweets sent over one week in 2014. Hari Manev, who does not use Twitter, published his twitter novel The Eye, which is the first volume in his The Meaning of Fruth twitter trilogy, as a Kindle eBook in 2019.{{cite web |url= https://www.amazon.com/-/e/B07N11NFVW|title=Amazon listing|website= www.amazon.com|access-date=2020-12-27}}

The first Russian Twitter-style novel by V. Pankratov "Юрфак.ru " published in 2013 in the publishing house "New Justice".

=== Collaborative works ===

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| quote = Sam was brushing her hair when the girl in the mirror put down the hairbrush, smiled & said, "We don't love you anymore.

| title = Collaborative work example

| author = Neil Gaiman

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}}Neil Gaiman coined the term "interactive twovel" for an experiment in involving his Twitter followers in collaborating with him on a novel. This was conducted with BBC America Audio Books. The first tweet from Gaiman was as shown on the right. Then, he invited his readers to continue the story under the hashtag #bbcawdio. The result was published as an audiobook under the title Hearts, Keys and Puppetry, with the author given as Neil Gaiman & Twitterverse.{{cite web|title=Hearts, Keys and Puppetry|url=https://itunes.apple.com/us/album/hearts-keys-and-puppetry/id430317299|archive-url=https://web.archive.org/web/20140822122510/https://itunes.apple.com/us/album/hearts-keys-and-puppetry/id430317299|url-status=dead|archive-date=August 22, 2014|publisher=iTunes}} Teju Cole sent lines from his short story "Hafiz" to other Twitter users and then retweeted them to assemble the story.

History

Twitter was launched in 2006, and the first Twitter novels appeared in 2008. The origins of the term Twitterature are hard to determine, but it was popularized by Aciman and Rensin's book. Since then, the phenomenon has been discussed in the arts and culture sections of several major newspapers.{{cite news |first=Claire |last=Armitstead |author-link=Claire Armitstead|url=https://www.theguardian.com/books/booksblog/2014/jan/10/twitter-birth-new-literary-genre |title=Has Twitter given birth to a new literary genre? |newspaper=The Guardian |date=January 10, 2014}}

Twitterature has been called a literary genre but is more accurately an adaptation of various genres to social media. The writing is often experimental or playful, with some authors or initiators seeking to find out how the medium of Twitter affects storytelling or how a story spreads through the medium. A Swedish site titled Nanoismer.se was launched in 2011 to "challenge people to write deeper than what Twitter is for."{{cite news |first=Karl |last=Dalén |url=https://www.dn.se/kultur-noje/de-vill-gora-litteratur-av-dina-tweets/ |title=De vill göra litteratur av dina tweets |newspaper=Dagens Nyheter |date=December 6, 2011 |language=sv}}

References

{{Reflist}}

Further reading

  • {{cite book |last=Aciman |first=Alexander |url=https://www.google.com/books/edition/Twitterature/tmaJsetIOE8C?hl=en |title=Twitterature: The World's Greatest Books Retold Through Twitter |last2=Rensin |first2=Emmett |date=5 November 2009 |publisher=Penguin Books Limited |isbn=978-0-14-104771-3}}
  • {{cite web |first=Alexander |last=Mendelson |url=http://www.twitip.com/how-to-start-a-twitter-novel/ |title=How to Start a Twitter Novel |publisher=Twitip.com |date=November 12, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20140910202607/http://www.twitip.com/how-to-start-a-twitter-novel/ |archive-date=September 10, 2014 }}
  • {{cite journal |first=Michael |last=Rudin |url=http://quod.lib.umich.edu/j/jep/3336451.0014.213?view=text;rgn=main |journal=The Journal of Electronic Publishing |date=Fall 2011 |volume=14 |issue=2 |doi=10.3998/3336451.0014.213|title = From Hemingway to Twitterature: The Short and Shorter of It|doi-access=free}}

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