Until the Day We Meet Again

{{short description|1932 film}}

{{Use dmy dates|date=January 2021}}

{{infobox film

| name = Until the Day We Meet Again

| image =

| caption =

| director = Yasujirō Ozu

| producer = Shōchiku Eiga

| writer = Kōgo Noda

| starring = Yoshiko Okada

| music =

| cinematography = Hideo Shigehara
assisted by
Yūharu Atsuta

| editing = Hideo Shigehara

| distributor =

| released = {{Film date|1932|11|24|df=yes}}

| runtime = 103 min

| country = Japan

| language = Silent (English intertitles)

}}

{{nihongo|Until the Day We Meet Again|また逢ふ日まで|Mata au hi made}} is a lost 1932 Japanese film. It was the first sound film directed by Yasujirō Ozu.{{Cite web|url=http://www.a2pcinema.com/ozu-san/films/lostfilms.htm|title=Lost Films - Yasujiro Ozu (Ozu-san.com)|website=www.a2pcinema.com}}

Plot

A romance between a young soldier and a prostitute unfolds over the course of one night.{{Cite news | url=https://www.nytimes.com/movies/movie/115247/Until-the-Day-We-Meet-Again/overview | archive-url=https://web.archive.org/web/20150721185747/http://www.nytimes.com/movies/movie/115247/Until-the-Day-We-Meet-Again/overview | url-status=dead | archive-date=21 July 2015 | department=Movies & TV Dept. | work=The New York Times | author=Brian Whitener | date=2015 |title = Movie Reviews}}

Production

According to Ozu's recollections, Until the Day We Meet Again was made a year after the release of the first Japanese talkie, Madamu to nubo (The Neighbour's Wife and Mine). The director, who had initially resisted the trend towards talking pictures, agreed to use an experimental sound process developed by Hideo Mohara, rather than the more popular Dobashi sound system. The film apparently contained a musical track and sound effects but no audible dialog scenes.Richie, Donald. Ozu. University of California Press. p 216. {{ISBN|0-52003277-2}} Web 15 July 2015

Cast

References

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