Untitled (Rape Scene)
{{Short description|Artwork by Ana Mendieta}}
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Untitled (Rape Scene) is a color photograph documentation created from a 35mm slide by Cuban American artist Ana Mendieta.{{cite news|url=http://nymag.com/nymetro/arts/art/reviews/9525/|title=Human Nature|date= July 26, 2004|publisher= New York magazine|last=Stevens|first=Mark}} She made it during an April 1973 performance while still a student at the University of Iowa. It is one of three photographs she created in reaction to the rape and murder of a woman on campus.{{cite news|url=http://www.brooklynrail.org/2004/09/art/ana-mendieta-earth-body-sculpture-and-pe|title=Ana Mendieta: Earth Body, Sculpture and Performance|work=The Brooklyn Rail|last=Heuer|first=Megan|date=September 1, 2004}} The Tate Gallery in London, which owns the work, describes it this way:
Mendieta invited her fellow students to her apartment where, through a door left purposefully ajar, they found her in the position recorded in this photograph, which recreated the scene as reported in the press. Some time later, Mendieta recalled that her audience "all sat down, and started talking about it. I didn’t move. I stayed in position about an hour. It really jolted them."Ana Mendieta, p.127, note 11. In 1980, she commented that the rape had "moved and frightened" her, elaborating: "I think all my work has been like that – a personal response to a situation ... I can’t see being theoretical about an issue like that."{{sfn|Moure|1996|p=90}} On another occasion she explained that she had created this work "as a reaction against the idea of violence against women."Viso 2004, p.256, note 58.{{cite web|title=Untitled (Rape Scene)|url=https://www.tate.org.uk/art/artworks/mendieta-untitled-rape-scene-t13355|last=Manchester|first=Elizabeth|date=October 2009|website=Tate.org|publisher=Tate Gallery}}
Art writer Megan Heuer describes the work as capturing the artist's interest in violence. Influenced by the work of the Viennese Actionists, Untitled (Rape Scene) also expresses Mendieta's desire to evoke a visceral reaction from her audience.
Bibliography
- {{Cite book|url=https://www.worldcat.org/oclc/901073210|title=Ana Mendieta|last=Moure|first=Gloria|date=1996|publisher=Fundació Antoni Tàpies|isbn=978-84-88786-12-8|location=Barcelona|language=en|oclc=901073210}}
- Szymanek, Angelique. "Bloody Pleasures: Ana Mendieta's Violent Tableaux," Signs: Journal of Women in Culture and Society 41, no. 4 (Summer 2016): 895–925.
- Viso, Olga M. Ana Mendieta: Earth Body, Sculpture and Performance 1972–1985, exhibition catalogue, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2004.
References
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Angelique Szymanek, "Bloody Pleasures: Ana Mendieta's Violent Tableaux," Signs: Journal of Women in Culture and Society 41, no. 4 (Summer 2016): 895–925.