Vahdah Olcott-Bickford

She was born in Norwalk, Ohio as "Ethel Lucretia Olcott" and died as "Vahdah Olcott-Bickford Revere", having married twice.{{citation |title=The Everything Guitar Book |author=Jack Wilkins, Ernie Jackson |year=2009 |isbn=978-1605502793 |page=150}}{{citation |title=Vahdah Olcott-Bickford Correspondence |publisher=Oviatt Library |author=Ron C. Purcell |url=https://digital-library.csun.edu/VOB-correspondence}}

Her family moved to Socorro and then Los Angeles when she was an infant. She started guitar lessons at the age of eight and then, by chance, met the classical guitarist George C. Lindsay and played for him when she was still just nine. This was the start of a lifelong friendship in which Lindsay first tutored her and then introduced her to the famous guitarist, Manuel Y. Ferrer. Ferrer invited her to stay with his family in Berkeley where he gave her daily lessons for a year until he died suddenly in 1904. She then returned to her family and published her first major work, Theme for variations on Nel cor più non mi sento.{{citation |url=http://www.americanguitarsociety.org/anniversary.html.php |title=Notes on Vahdah Olcott-Bickford and the Founding of AGS |publisher=American Guitar Society |year=2013}}

Olcott-Bickford moved to New York in 1911 where she began performing and teaching. Among her early students were Cornelius Vanderbilt and Bernard Baruch.{{cite journal |last1=Cooper |first1=Colin |last2=Micheli |first2=Lorenzo |date=April 2003 |title=Ronald Purcell: Interview |journal=Classical Guitar |volume=21 |issue=8 |pages=18–24 }} She met Evangeline Adams who helped her choose her stage name, Vahdah. In 1919 she became the first woman to make a guitar recording. In 1923, she moved back to Southern California and was instrumental in founding the American Guitar Society in Los Angeles.{{cite thesis |type=PhD |last=Acosta Zavala |first=Kathy |date=2000 |title=Toward a History of the Institutionalization of the Classical Guitar: Vahdah Olcott Bickford (1885–1980) and the Shaping of Classical Guitar Culture in Twentieth-Century America |publisher=University of Arizona}} She also served on the first Board of Directors of the Guitar Foundation of America.{{cite web |url=https://nafme.org/blog/history-guitar-united-states/ |title=History of the Guitar in the United States |last=Paz |first=Ricardo |date=July 16, 2019 |website=National Association for Music Education |access-date=October 22, 2024}}{{cite journal |last1=Paz |first1=Ricardo |date=2020 |title=Sharing Global Musics: Guitar Study in the United States—A Brief Overview |url=https://www.jstor.org/stable/27000777 |journal=Music Educators Journal |volume=106 |issue=3 |pages=16–18 |doi= |access-date=22 October 2024}} She taught at the Zoellner Conservatory of Music in Los Angeles, wrote articles espousing the beauty of the guitar, and won music competitions. Ron Purcell, late professor of music at California State University, Northridge, was her student from 1955 when he studied at the Los Angeles Conservatory of Music and Arts. He and other pupils were taught guitar playing in the music room at her house in the Hollywood Hills where she taught a technique of playing with the right hand using the pads of the fingers to pluck the strings, rather than the fingernails.{{citation |url=https://www.latimes.com/archives/la-xpm-1998-sep-21-ss-25409-story.html |title='Motherly Instincts' and a Passion for Guitar |date=September 21, 1998 |author=Patricia Ward Biederman |newspaper=Los Angeles Times}}

She amassed a large library of music, journals and correspondence about the guitar and other similar instruments. Her house in the Hollywood Hills was damaged by the 1971 San Fernando earthquake and this threatened the collection. The house was condemned and moving the huge collection then took 15 men over 17 days. On her death, the collection was bequeathed to California State University, Northridge{{cite news |last=Shuster |first=Fred |date=October 9, 2005 |title=Great Vibrations History of the Guitar Comes Alive at CSUN |work=Los Angeles Daily News}} where it formed the foundation of its International Guitar Research Archive,{{cite news |author= |date=September 25, 2024 |title=The CSUN Library is Home to an Internationally Known Classical Guitar Archive, One of the World’s Largest |url=https://newsroom.csun.edu/2024/09/25/the-csun-library-is-home-to-an-internationally-known-classical-guitar-archive-one-of-the-worlds-largest/ |work=CSUN Newsroom |location=Northridge, California |access-date=October 22, 2024}} now held in Special Collections and Archives in the University Library.{{cite web |url=https://oac.cdlib.org/findaid/ark:/13030/c8zp4c79/?query=bickford |title=Guide to the Vahdah Olcott- Bickford Collection, 1800-2008 |author= |date=2012 |website=Online Archive of California |publisher=California Digital Library |access-date=January 6, 2020 }}{{cite web |url=https://www.harpguitars.net/2014/07/18/the-vahdah-olcott-bickford-collection/ |title=The Vahdah Olcott-Bickford Collection |last=Miner |first=Gregg |date=July 18, 2014 |website=Harpguitars.net |access-date=August 1, 2023}}

She died in Los Angeles in 1980 at the age of 94.

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Category:1885 births

Category:1980 deaths

Category:20th-century American astrologers

Category:American classical guitarists

Category:Guitarists from Ohio

Category:People from Norwalk, Ohio

Category:Women classical guitarists

Category:20th-century American women musicians

Category:Classical musicians from Ohio

Category:20th-century American guitarists

Category:20th-century American classical musicians