Variations for Orchestra (Carter)
Variations for Orchestra is an orchestral composition by the American composer Elliott Carter. The work was commissioned by the Louisville Orchestra and was composed between 1953 and 1955. It was given its premiere on 21 April 1956 by the Louisville Orchestra under the conductor Robert Whitney, both to whom the work is dedicated.{{cite web |last=Carter |first=Elliott |author-link=Elliott Carter |year=1955 |title=Variations for Orchestra |publisher=G. Schirmer Inc. |url=http://www.musicsalesclassical.com/composer/work/26727 |access-date=February 25, 2016}} This is Carter's next major work after his first String Quartet{{Cite book|title=Oxford History of Western Music|last=Taruskin|first=Richard|publisher=Oxford University Press|pages=295}}
Composition
Variations for Orchestra has a duration of roughly 24 minutes and consists of twelve connected movements comprising an introduction, a theme, nine variations, and a finale:
- Introduction: Allegro
- Theme: Andante
- Variation 1: Vivace leggero
- Variation 2: Pesante
- Variation 3: Moderato
- Variation 4: Ritardando molto
- Variation 5: Allegro misterioso
- Variation 6: Accelerando molto
- Variation 7: Andante
- Variation 8: Allegro giocoso
- Variation 9: Andante
- Finale: Allegro molto
=Instrumentation=
Reception
Variations for Orchestra has been praised by music critics. Anthony Tommasini of The New York Times wrote, "[Carter's] goal was to write a work of exhilarating variety. Indeed, one way to listen to this piece is to forget everything about the theme-and-variations form and revel instead in the boldly contrasting moods, harmonies, colors and characters of the music."{{cite web |last=Tommasini |first=Anthony |author-link=Anthony Tommasini |title=Another Big Night in a Centenarian's Big Year |work=The New York Times |date=May 24, 2008 |url=https://www.nytimes.com/2008/05/24/arts/music/24met.html |access-date=February 25, 2016}} Tim Page of The Washington Post similarly remarked:{{quote|As with so much of Carter's later music, this work is based on clashes of musical opposites. The "theme" in these variations is augmented by two equally significant but dramatically different motifs. One occasionally has the sensation that all of the variations are being played at once; the mind focuses on the slow diminution of one passage and the sudden importance of another, as if a world were changing before one's ears.{{cite news |last=Page |first=Tim |author-link=Tim Page (music critic) |title=American Composers: Elliott Carter - He Put Motion Into His Movements |newspaper=The Washington Post |date=August 9, 1998 |url=https://www.washingtonpost.com/wp-srv/style/music/features/carter0809.htm |access-date=February 25, 2016}}}}
References
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Category:Compositions by Elliott Carter
Category:Compositions for symphony orchestra
Category:Music commissioned by the Louisville Orchestra
Category:United States National Recording Registry recordings