Violin Sonata No. 2 (Brahms)

{{Infobox musical composition

| name = Sonata for Piano and Violin

| subtitle = {{plainlist|

  • No. 2
  • "Thun"
  • "Meistersinger"

}}

| composer = Johannes Brahms

| image = Johannes Brahms by Luckhardt c1885.png

| alt =

| caption = The composer around 1885

| key = A major

| opus = 100

| dedication =

| composed = {{Start date|1886}}

| performed = {{Timeline-event|date={{Start date|1886|12|02|df=y}}|location=Vienna}}

| published =

| movements = three

| scoring =

}}

The Violin Sonata No. 2 in A major, Op. 100 ("Thun" or "Meistersinger"), by Johannes Brahms was written while spending the summer of 1886 in Thun in the Bernese Oberland, Switzerland.

It was a very fertile and refreshing time for Brahms. His friend, the Swiss pastor and poet {{ill|Josef Victor Widmann|de}} (1842–1911), lived in Bern and they visited each other. He was also visited by the poet Klaus Groth and the young German contralto Hermine Spies. Both Groth and Brahms were somewhat enamoured of Spies.{{Cite web |url=http://www.deutschegrammophon.com/html/special/mutter/brahms/html/sites/insights-dvd.html |title=Deutsche Grammophon |access-date=2012-04-17 |archive-url=https://web.archive.org/web/20150923223403/http://www.deutschegrammophon.com/html/special/mutter/brahms/html/sites/insights-dvd.html |archive-date=2015-09-23 |url-status=dead }} He found himself so invigorated by the genial atmosphere and surroundings that he said the area was "so full of melodies that one has to be careful not to step on any". In a short space of time, he produced, in addition to this violin sonata, the Cello Sonata No. 2 in F major, Op. 99, the Piano Trio No. 3 in C minor, Op. 101, and various songs.

The second Violin Sonata is the shortest[http://www.classicalarchives.com/work/5755.html#tvf=tracks&tv=about Classical Archives] and is considered the most lyrical of Brahms's three violin sonatas. It is also considered the most difficult of the three to bring off successfully, and to exhibit its balance of lyricism and virtuosity. It maintains a radiant, happy mood throughout.[http://www.musicweb-international.com/classrev/2006/Jan06/Turku_AV2080.htm Music Web International]

Movements

{{external media

| topic = Performed by Josef Suk and Julius Katchen

| audio1 = [https://www.youtube.com/watch?v=f2-72yflqE0 I. Allegro amabile]

| audio2 = [https://www.youtube.com/watch?v=kR8nsc13hoQ II. Andante tranquillo]

| audio3 = [https://www.youtube.com/watch?v=Vi-S2F2Z2xo III. Allegretto grazioso (quasi andante)]

}}

The sonata consists of three movements, with the middle movement doing service as both a slow movement and a scherzo:

{{ordered list|list_style_type=upper-roman

| Allegro amabileA major

| Andante tranquillo — Vivace — Andante — Vivace di più — Andante — VivaceF major

| Allegretto grazioso (quasi andante)A major}}

Commentary

By giving the work the formal title of "Sonata for Piano and Violin", rather than the more usual "Sonata for Violin and Piano", Brahms indicated the piano part was just as important as the violin part. In keeping with this, he allowed the piano to announce the opening theme. The first three notes of the first movement are very similar in both melody and harmony{{Cite web |url=http://www.classicaltv.com/the-informer/mozart-bartok-and-brahms-three-great-sonatas-for-violin |title=Classical TV |access-date=2012-04-17 |archive-url=https://web.archive.org/web/20111125114835/http://classicaltv.com/the-informer/mozart-bartok-and-brahms-three-great-sonatas-for-violin |archive-date=2011-11-25 |url-status=dead }} to the first three notes of "Walther's Prize Song" (Morgendlich leuchtend im rosigen Schein) from Richard Wagner's opera Die Meistersinger von Nürnberg. Although they were musical rivals, Brahms was a great admirer of Wagner's music, but whether this was a deliberate quotation on Brahms's part is open to speculation. Nevertheless, the sonata has often been subtitled the "Meistersinger" Sonata.[https://archive.today/20130209080712/http://www.wolfgangdavid.com/violinist/notes/brahmsA.php WolfgangDavid.com] It is also sometimes called the "Thun" Sonata from the place of its creation.

Motifs from three of the songs Brahms wrote that summer with Hermine Spies's voice in mind appear fleetingly in the sonata: "Wie Melodien zieht es mir leise durch den Sinn", Op. 105/1 ("Like melodies it steals softly through my mind"; words by Klaus Groth) makes an appearance in the second subject of the first movement. "Immer leiser wird mein Schlummer", Op. 105/2 ("Ever gentle is my slumber"; words by Hermann Lingg) and "Auf dem Kirchhofe", Op. 105/4 (words by Detlev von Liliencron) are quoted in the final movement.[https://archive.today/20120904141454/http://www.naxosdirect.com/title/8.554828 Naxos Direct] The song "Komm bald", Op. 97/5 ("Come soon"; words by Groth) is also said have provided thematic inspiration for the sonata.[http://sites.google.com/site/edwardlein/Home/program-notes/johannes-brahms Edward Lein, Program Notes]

An outstanding quotation of Brahms' own music can also be found at bar 89 in the last movement. Lied Meine liebe ist grün ([http://imslp.org/wiki/9_Lieder_and_Songs,_Op.63_(Brahms,_Johannes) Op. 63 no 5], poem by Felix Schumann, son of Robert and Clara, died in 1879) provides the dramatic portion of its melody corresponding to die glänzt wohl herab auf den Fliederbusch lyrics ('which gleams down on the lilac bush').

For French musicologist Georges Kan, this is the location of the little phrase in Vinteuil Sonata which Swann listens to in

'In Search of Lost Time' by Marcel Proust.

The Violin Sonata No. 2 was premiered in Vienna on 2 December 1886 by the violinist Joseph Hellmesberger and Brahms himself at the piano.

Brahms's friend the poet Josef Widmann later wrote a poem to be accompanied by the sonata.[http://www.gramophone.net/Issue/Page/September%201961/39/839159/BRAHMS.+Violin+Sonatas.+No.+1+in+G+major,+Op.+78+No.+2+in+A+major,+Op.+100.+Igor+Oistrakh+(violin),+Arthur+Ginsburg+(piano).+MK+Q+MK1547+(12+in.,+30s.+2d.+plus+10s.+10d.+P.T.). The Gramophone, September 1961]{{Dead link|date=July 2018 |bot=InternetArchiveBot |fix-attempted=yes }}

Recordings

class="wikitable sortable collapsible collapsed"
Year

! class="unsortable"| Piano

! class="unsortable"| Violin

! Label

! class="unsortable"| Remarks

1990Daniel BarenboimItzhak PerlmanSony
1985Vladimir AshkenazyItzhak PerlmanWarner
1960Arthur RubinsteinHenryk Szeryng
1962Yehudi Menuhin
1948Georg SoltiGeorg KulenkampffDecca
2009Lambert OrkisAnne-Sophie MutterDeutsche Grammophon
1983Alexis WeissenbergAnne-Sophie MutterWarner
1993Yefim BronfmanIsaac SternSony
1972Jascha HeifetzRCA
1991Maria João PiresAugustin DumayDeutsche Grammophon
1975György SebőkArthur GrumiauxPhilips
1990Pascal RogéPierre AmoyalDecca
1997Peter FranklKyung-Wha ChungWarner
2005Nicholas AngelichRenaud Capuçon
1998Ruggiero Ricci
2015Alexander MelnikovIsabelle FaustHarmonia mundi
2013Yuja WangLeonidas KavakosDecca
1967Julius KatchenJosef SukDecca
1960Carl SeemannWolfgang SchneiderhanDeutsche Grammophon
2001Zino FrancescattiSony
1995Piotr AnderszewskiViktoria MullovaPhilips
2017Nathan Milstein
1991Maxim VengerovTeldec
1955Andrei MytnikLeonid Kogan
1997Roland PöntinenUlf WallinArte Nova
2019Éric le SagePierre Fouchenneret
2016Christian Tetzlaff
1996Peter SerkinPamela FrankDecca
2018Tasmin LittleChandos
2002Frederic ChiuPierre Amoyal
2011Arabella SteinbacherPentaTone
2002Ilya KalerNaxos
1988Nils-Erik SparfBIS
2015Szenthelyi MiklósHungaroton
1974Daniel BarenboimPinchas ZukermanDeutsche Grammophon
Sviatoslav RichterDavid OistrakhMelodiya
1987Valery AfanassievGidon KremerDeutsche Grammophon
1968Pierre BarbizetChristian FerrasDeutsche Grammophon
2011Gary GraffmanBerl Senofsky
2019Nicholas AngelichAkiko Suwanai
2014Louise LortieAugustin DumayOnyx
1932Rudolf SerkinAdolf BuschHMV

{{incomplete list|date=October 2020}}

References

{{reflist}}