Wikipedia:WikiProject Opera/Article styles and formats

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This page contains a detailed guide to the style and formatting of opera articles and is a supplement to the Article guide page. These recommendations have been developed over the years via consensus of WikiProject Opera's members through discussions on our talk page. Like all recommendations, they should be used with common sense and if necessary adapted for the needs of particular articles.

Opera (title) articles

= Sections=

For stub and start class articles:

class=wikitable

|Introduction
also called "Lead section"

name, language, composer, librettist, general historical and musical context
==Performance history==from premiere(s) to the present day; alternatively, this can follow the "Synopsis" section, as is often the case in longer or featured articles.
==Roles==possibly in tabular form giving name, description, voice type and creator of each role; see Role tables below.
==Synopsis==including noted arias formatted as in Un ballo in maschera, without title translation, or Turandot, with title translation
==Recordings==divided into audio and video (with catalogue numbers when possible). It is recommended that where possible references be provided for listings such as their appearance in books such as The Penguin Guide to Opera on Compact Disc‎. It is also recommended that extensive recording lists should be made as separate pages. See Tosca discography for a model. For guidance on which recordings to exclude see Article guidelines#Recordings.
==References==Sub-sections:
*Notes in boldface (see below),
*Sources in boldface, (including ISBN when possible) and online works (including access date).
==External links==For online resources providing extra information not included in the article and/or official web sites. See WP:EL for further guidance.

For articles that are aiming at either good article or featured article status, the following extra sections are recommended:

class=wikitable

|=={{Nowrap|Context and analysis}}==

Puts the work in context and provides a certain degree of sourced analysis.
==Recording history==Recommended for particularly well-known operas (and articles on specific composers).
==References==Footnotes for inline citations depending on which citing format is being used. Provides full details of the sources used for the article, with ISBNs where possible

Two or more sections will be created with footnotes appearing under the main heading as "Notes". They may just include author, page number where full ref. exists below. For further details, see: Shortened footnotes. The main heading of the section embraces "Notes", "Cited Sources", "Online sources" etc.

Example:

  • Notes (in boldface)
  • Cited sources (in boldface)
  • Other sources (in boldface)

{{Notelist}}

=Dates (general)=

Opera articles use the Day-Month-Year format for indicating the dates of premieres, performances, etc.

Day is written numerically but without the use of a leading "0" before a single digit day, 1 to 9. Months are written out in full and not abbreviated. The year always uses four digits.

=Dates of premieres=

References may be linked to 'Music by year' pages, for example "The opera was first performed in Prague on 31 March 1928", coded as "The opera was first performed in Prague on 31 March 1928."

The day and month should not be wikilinked; see Manual of Style (dates and numbers).

=Role tables=

  • Over-categorization of voice types in role tables should be avoided, e.g. use tenor instead of tenore di grazia, use soprano instead of coloratura soprano. The voice types specified in the printed score should normally be the ones used in the role table. Finer distinctions and differing performance practices (if any) should be discussed in the text of the article itself.
  • In line with the 2020 RfC on table captions to aid accessibility for those using screen readers, role tables going forward should have an incorporated caption as illustrated below.

class="wikitable"

|+Roles, voice types, and premiere cast

!Role

!Voice type

!Premiere cast, 2 January 1843
Conductor: Richard Wagner

The Dutchman

|baritone

|Johann Michael Wächter

Senta, Daland's daughter

|soprano

|Wilhelmine Schröder-Devrient

Daland, a Norwegian sailor

|bass

|Friedrich Traugott Reinhold

Erik, a huntsman

|tenor

|Carl Risse

Mary, Senta's nurse

|contralto

|Thérèse Wächter

Daland's steersman

|tenor

|Wenzel Bielezizky

colspan="3" |Norwegian sailors, the Dutchman's crew, young women

;Wiki code for the table above

class="wikitable"

|+Roles, voice types, and premiere cast

!Role

!Voice type

!Premiere cast, 2 January 1843
Conductor: Richard Wagner

The Dutchman

|baritone

|Johann Michael Wächter

Senta, Daland's daughter

|soprano

|Wilhelmine Schröder-Devrient

Daland, a Norwegian sailor

|bass

|Friedrich Traugott Reinhold

Erik, a huntsman

|tenor

|Carl Risse

Mary, Senta's nurse

|contralto

|Thérèse Wächter

Daland's steersman

|tenor

|Wenzel Bielezizky

colspan="3" |Norwegian sailors, the Dutchman's crew, young women

When updating existing tables the caption can be added by placing +Roles, voice types, and premiere cast as the second line in the table code, e.g.

::

class="wikitable"

|+Roles, voice types, and premiere cast

!Role

!Voice type

!Premiere cast, 2 January 1843
Conductor: Richard Wagner

Note also that the screen reader only template {{tl|sronly}} may be used to hide the table caption from sighted readers if it substantially duplicates adjacent text that is visible.

::::::::{{box|1=If visible output is not desired, the caption can be hidden with {{tl|sronly}}:
|+{{sronly|Roles, voice types, and premiere cast}}}}

;Multiple premieres

For a format with multiple notable premieres, refer to Don Carlos or the boiler plate below:

{| class="wikitable"

|+Roles, voice types, and premiere casts

!Role

!Voice type

!Premiere cast,
27 April 1720
Conductor: –

!Revised version
Premiere cast,
28 December 1720
Conductor: ...

!Revised version
Premiere cast,
Day Month Year
Conductor: ...

;Wiki code for the table above

class="wikitable"

|+Roles, voice types, and premiere casts

!Role

!Voice type

!Premiere cast,
27 April 1720
Conductor: –

!Revised version
Premiere cast,
28 December 1720
Conductor: ...

!Revised version
Premiere cast,
Day Month Year
Conductor: ...

=Synopsis format=

For the numbering of acts, always use Arabic numerals: 1, 2, 3 etc., not the Roman: I, II, III. The words act and scene are not proper nouns and are not capitalized, except when MOS:TITLECAPS applies. See also this discussion: {{oldid|Wikipedia talk:Manual of Style/Capital letters|1137614255#Acts_and_scenes|Wikipedia talk:Manual of Style § Capital letters}}.

Articles such as I masnadieri or La fanciulla del West illustrate the format:

I masnadieri:

:==Synopsis==

:Setting: Germany, between 1755 and 1757.

:===Act 1===

:Scene 1: A tavern on the borders of Saxony

:During a break from his studies at Dresden University, Carlo, [etc]

or from La fanciulla del West:

:==Synopsis==

::Time: 1849 to 1850

::Place: A mining camp in the high Sierra Madre Mountains in California

:=== Act 1 ===

:Inside the Polka Saloon.

:At the saloon, Sheriff Rance is playing solitaire, while [etc]

Line 1: In each case, the word "Act" is in bold face and forms a sub-heading of the section's title for editing purposes.

Line 2: If an act has several scenes, the scene number, then colon (:), then description of the setting follows on a separate line in italics.

If there are no scenes, a description of the setting for the act follows in italics.

Lines 3+: Text of synopsis follows.

=Recordings (short style)=

Krenek: Jonny spielt auf, Vienna State Opera Orchestra

=Recordings (table style)=

  • In line with the 2020 RfC on table captions to aid accessibility for those using screen readers, tables going forward should have an incorporated caption as illustrated below.
  • The layout reflects one singer per line with
    (line breaks) after each name. To ensure that there will be no line breaks per name, enclose the longest name with the template {{tl|Nowrap}}: {{Nowrap|suitably long name}}.
  • "Conductor
    Opera house and orchestra": Name(s) of house, orchestra and chorus/choral group(s) follow without line breaks
  • "Label": Type of recording (e.g. "CD", "DVD") is followed by ":" (colon), then name of releasing company, followed by
    (line break)
  • Catalogue number (using abbreviation "Cat:"); if available, should follow the name of the recording company

class="wikitable"

|+Aida discography

!Year

!Cast
(Radames,
Aida,
Amneris)

!Conductor,
Opera house and orchestra

!Label

1986{{Nowrap|Luciano Pavarotti}},
Maria Chiara,
Ghena Dimitrova
Lorin Maazel,
La Scala orchestra and chorus
DVD: Image Entertainment
Cat: (catalogue number appears here)
1989Plácido Domingo,
Aprile Millo,
Dolora Zajick
James Levine,
Metropolitan Opera orchestra and chorus
DVD: Deutsche Grammophon
Cat:

;Wiki code for the table above

class="wikitable"

|+Aida discography

!Year

!Cast
(Radames,
Aida,
Amneris)

!Conductor,
Opera house and orchestra

!Label

1986{{Nowrap| Luciano Pavarotti }},
Maria Chiara,
Ghena Dimitrova
Lorin Maazel,
La Scala orchestra and chorus
DVD: Image Entertainment
Cat: (catalogue number appears here)
1989Plácido Domingo,
Aprile Millo,
Dolora Zajick
James Levine,
Metropolitan Opera orchestra and chorus
DVD: Deutsche Grammophon
Cat:

Note also that the screen reader only template {{tl|sronly}} may be used to hide the table caption from sighted readers if it substantially duplicates adjacent text that is visible.

::::::::{{box|1=If visible output is not desired, the caption can be hidden with {{tl|sronly}}:
|+{{sronly|Roles, voice types, and premiere cast}}}}

==Special alternative table==

In special cases, where the cast list is longer than about five or six major characters or where one singer takes on several roles in one recording and several singers divide those roles in other recordings, the following example from The Tales of Hoffmann discography may be used:

class=wikitable

|+Tales of Hoffmann discography

!colspan=2|

1948: André Cluytens, Theatre National de l'Opéra-Comique orchestra and chorus, EMI France
style="vertical-align:top;border-right:none;"|Hoffmann: Raoul Jobin

Olympia: Renée Doria

Giulietta: Vina Bovy

Antonia: Géori Boué

Dapertutto: Charles Soix

|style="vertical-align:top;border-left:none;"|Coppélius: André Pernet

Lindorf: Louis Musy

Miracle: Roger Bourdin

Nicklausse: Fanély Revoil

Frantz: Bourvil

colspan=2|
1971: Richard Bonynge, Orchestre de la Suisse Romande,
{{0|1971: }}Du Brassus Chorus, Lausanne Pro Arte Chorus, Radio Suisse Romande Chorus, Decca
style="vertical-align:top;border-right:none;"|Hoffmann: Plácido Domingo

Olympia, Giulietta, Antonia: Joan Sutherland

Coppélius, Dapertutto, Lindorf, Miracle: Gabriel Bacquier

|style="vertical-align:top;border-left:none;"|Nicklausse: Huguette Tourangeau

Frantz: Hugues Cuénod

;Wiki code for the table above

class=wikitable

|+Tales of Hoffmann discography

!colspan=2|

1948: André Cluytens, Theatre National de l'Opéra-Comique orchestra and chorus, EMI France
style="vertical-align:top;border-right:none;"|Hoffmann: Raoul Jobin

Olympia: Renée Doria

Giulietta: Vina Bovy

Antonia: Géori Boué

Dapertutto: Charles Soix

|style="vertical-align:top;border-left:none;"|Coppélius: André Pernet

Lindorf: Louis Musy

Miracle: Roger Bourdin

Nicklausse: Fanély Revoil

Frantz: Bourvil

colspan=2|
1971: Richard Bonynge, Orchestre de la Suisse Romande,
{{0|1971: }}Du Brassus Chorus, Lausanne Pro Arte Chorus, Radio Suisse Romande Chorus, Decca
style="vertical-align:top;border-right:none;"|Hoffmann: Plácido Domingo

Olympia, Giulietta, Antonia: Joan Sutherland

Coppélius, Dapertutto, Lindorf, Miracle: Gabriel Bacquier

|style="vertical-align:top;border-left:none;"|Nicklausse: Huguette Tourangeau

Frantz: Hugues Cuénod

Lists of operas by composers

In line with the 2020 RfC on table captions to aid accessibility for those using screen readers, tables going forward should have an incorporated caption as illustrated below.

The recommended table format is based on the List of operas by Gioachino Rossini:

class="wikitable sortable"

|+List of operas by Gioachino Rossini

!Title!!Genre!!Sub­divisions!!Libretto!!Première date!!Place, theatre

{{Hs|cambiale}}La cambiale di matrimoniofarsa comica1 act{{Hs|Rossi}}Gaetano Rossi, after Camillo Federici and Giuseppe Checcherini{{Hs|1810-11-03}}3 November 1810Venice, Teatro San Moisè

;Wiki code for the table above

class="wikitable sortable"

|+List of operas by Gioachino Rossini

!Title!!Genre!!Sub­divisions!!Libretto!!Première date!!Place, theatre

{{Hs|cambiale}}La cambiale di matrimoniofarsa comica1 act{{Hs|Rossi}}Gaetano Rossi, after Camillo Federici and Giuseppe Checcherini{{Hs|1810-11-03}}3 November 1810Venice, Teatro San Moisè

Note also that the screen reader only template {{tl|sronly}} may be used to hide the table caption from sighted readers if it substantially duplicates adjacent text that is visible.

::::::::{{box|1=If visible output is not desired, the caption can be hidden with {{tl|sronly}}:
|+{{sronly|Roles, voice types, and premiere cast}}}}

This is an empty template for such tables:

class="wikitable sortable"

|+List of operas by

!Op.!!Title!!Genre!!Sub­divisions!!Libretto!!Première date!!Place, theatre!!class="unsortable"|Notes

nntitle title title title title title titlegenre genren actslibrettist librettist librettistdd monthmonth yyyyplace place, theatre theatrenotes notes notes notes

;Wiki code for the table above

class="wikitable sortable"

|+List of operas by

!Op.!!Title!!Genre!!Sub­divisions!!Libretto!!Première date!!Place, theatre!!class="unsortable"|Notes

nntitle title title title title title titlegenre genren actslibrettist librettist librettistdd monthmonth yyyyplace place, theatre theatrenotes notes notes notes

A specialised version of a list of operas can be seen at List of operas by Wolfgang Amadeus Mozart and at List of operas by George Frideric Handel:

;Mozart operas

Class = wikitable

|+List of operas by Wolfgang Amadeus Mozart

!Köchel no.

!Year
composed

!Title

!Type of opera

!Librettist

!Voice parts

!First performance details

style="text-align:center;" |K. 35

| style="text-align:center;" |1767

|Die Schuldigkeit des ersten Gebots Part I
(The Obligation of the First Commandment)

|Sacred Singspiel

|{{ill|Ignaz von Weiser|de|Ignatz Anton von Weiser}}

|3 soprano, 2 tenor

|Archbishop's Palace, Salzburg, 12 March 1767

;Wiki code for the table above

Class = wikitable

|+List of operas by Wolfgang Amadeus Mozart

!Köchel no.

!Year
composed

!Title

!Type of opera

!Librettist

!Voice parts

!First performance details

style="text-align:center;" |K. 35

| style="text-align:center;" |1767

|Die Schuldigkeit des ersten Gebots Part I
(The Obligation of the First Commandment)

|Sacred Singspiel

|{{ill|Ignaz von Weiser|de|Ignatz Anton von Weiser}}

|3 soprano, 2 tenor

|Archbishop's Palace, Salzburg, 12 March 1767 in music#Opera

;Handel operas

class="wikitable sortable"

|+List of operas by George Frideric Handel

!HWV!!Title!!Libretto!!Première date!!Première place, theatre!!Modern revival!!class="unsortable"|Notes

1Almira (Der in Krohnen erlangte Glücks-Wechsel, oder: Alimira, Königin von Castilien){{Hs|Feustking}}Friedrich Christian Feustking, after Giulio Pancieri{{Hs|1705-01-08}}8 January 1705Hamburg, Theater am Gänsemarkt{{Hs|1994-06-05}}4 June 1994, Halleschen Händelfestspiele, Bad LauchstädtSome music lost; announced as a Singspiel but has no spoken dialogue

;Wiki code for the table above

class="wikitable sortable"

|+List of operas by George Frideric Handel

!HWV!!Title!!Libretto!!Première date!!Première place, theatre!!Modern revival!!class="unsortable"|Notes

1Almira (Der in Krohnen erlangte Glücks-Wechsel, oder: Alimira, Königin von Castilien){{Hs|Feustking}}Friedrich Christian Feustking, after Giulio Pancieri{{Hs|1705-01-08}}8 January 1705Hamburg, Theater am Gänsemarkt{{Hs|1994-06-05}}4 June 1994, Halleschen Händelfestspiele, Bad LauchstädtSome music lost; announced as a Singspiel but has no spoken dialogue

Sources and references layout

Articles may differ in their requirements and the suggested layout should be applied with common sense, particularly in the case of altering the existing layout in featured articles. For more on this subject see Wikipedia:Citing sources, MOS:LAYOUT, and Wikipedia:Manual of Style/Accessibility See also {{oldid|Wikipedia_talk:WikiProject_Opera#Format samples and further discussion|642289432|this discussion}} for examples of various other referencing formats used in opera-related featured articles which may be more suitable depending on the circumstances. For detailed advice, see MOS:REFERENCES.

Layout

The overall heading "References" (==References==) includes a variety sub-heading titles.

  • Notes (===Notes=== or Notes) for explanatory footnotes, usually with the templates {{tl|efn}} and {{tl|Notelist}}.
  • Footnotes or Citations (===Footnotes=== or ===Citations=== or Footnotes or 'Citations) for citation footnotes, either as full inline citations, list-defined references, or short citations.
  • Sources (===Sources=== or Sources) for online sources (with access date), journal articles, or books which appear in the footnotes/citations (ideally with ISBN in the case of books). They should be listed in alphabetical order of author, last name first.

Note: A leading semicolon to achive bolding is no longer recommended because of compatibility issues with screen readers.

See the example of a typical format below using these citations.{{efn|1=Sometimes explanatory footnotes are needed.}}Budden 1984, p. 55.Ashbrook 1982, pp. 255–256.Casaglia 2005. These example footnotes are formatted according to WP:CITESHORT.

{{fake heading|sub=2|References}}

Notes

{{Notelist}}

Footnotes

{{Reflist}}

Sources

  • Ashbrook, William (1982). Donizetti and His Operas. Cambridge University Press. {{ISBN|052123526X}}.
  • Budden, Julian (1984). The Operas of Verdi. Volume 1: From Oberto to Rigoletto. London: Cassell. {{ISBN|0-304-310581}}.
  • {{Almanacco|dmy=02-02-1762|match=Artaxerxes}}
  • Warrack, John; West, Ewan (1992). The Oxford Dictionary of Opera. New York: Oxford University Press. {{ISBN|0-19-869164-5}}.

Further reading{{pb}}See MOS:FURTHER.

Opera, Article styles and formats

Article styles and formats