William Berke

{{Infobox person

| name = William Berke

| image = Betrayal from the East (1945) 1.jpg

| caption = Nancy Kelly and William Berke on the set of Betrayal from the East - publicity still, 1945

| birth_date = {{birth date|1903|10|3}}

| birth_place = Milwaukee, United States

| death_date = {{death date and age|1958|2|15|1903|10|3}}

| death_place = Los Angeles, United States

| occupation = Film director, film producer, actor, screenwriter

| yearsactive = 1922–1958

}}

William A. Berke (October 3, 1903 in Milwaukee, Wisconsin – February 15, 1958 in Los Angeles, California) was an American film director, film producer, actor and screenwriter.{{Cite web |url=https://www.nytimes.com/movies/person/617871/William-Berke/biography |title=William Berke |access-date=September 28, 2015 |archive-url=https://web.archive.org/web/20150929073838/http://www.nytimes.com/movies/person/617871/William-Berke/biography |archive-date=September 29, 2015 |department=Movies & TV Dept. |work=The New York Times |date=2015 |url-status=dead }} He wrote, directed, and/or produced some 200 films over a three-decade career.

Biography

Berke broke into motion pictures in 1922 as a writer for silent westerns. For these assignments, he used the pseudonym William Lester. In the early 1930s, he formed a partnership with independent producer Bernard B. Ray to make feature films at Ray's Reliable Pictures studio, next door to Columbia Pictures. Berke, now using his own name for screen credits, was equally capable in making comedies, mysteries, action adventures, and westerns. In 1942, he joined Columbia, initially directing that studio's westerns with Charles Starrett and Russell Hayden, and then branching into more mainstream fare. In 1944, he moved to RKO Radio Pictures, handling a variety of movies, including detective fiction (Dick Tracy, The Falcon), musical comedies, and Zane Grey westerns.

His RKO colleague Richard Fleischer later recalled that William Berke "was known as King of the B's. For years and years he had made nothing but pictures with 10- or 12-day shooting schedules, minuscule budgets of about $100,000, and no stars. Without bothering with editing or any postproduction chores and with short shooting schedules, he was able to squeeze in eight or ten pictures a year. And he was going nuts."{{cite book |first=Richard |last=Fleischer |author-link=Richard Fleischer |title=Just Tell Me When to Cry: A Memoir |year=1993 |publisher=Carroll and Graf |page=47 |url=https://books.google.com/books?id=_tm3QgAACAAJ |isbn=9780881849448}} According to Fleischer, Berke eventually pestered RKO executives enough to be assigned an A picture with a long shooting schedule and stars, and he still shot it in twelve days.

William Berke also worked independently for the Pine-Thomas unit at Paramount, and then for producer Robert L. Lippert. Like many seasoned directors, Berke moved into television in the 1950s. He directed the 1954 comedy series Life with Elizabeth, starring Betty White.

Berke died in harness, suffering a heart attack on the set of The Lost Missile (1958); the film was completed by his son, Lester William Berke.