William Clarke Wontner

{{short description|English painter}}

{{Use dmy dates|date=April 2022}}

{{Infobox artist

| name = William Clarke Wontner

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| birth_date = 17 January 1857

| birth_place = Stockwell, Surrey, England

| death_date = 23 September 1930

| death_place = Worcester, England

| resting_place = Ripple, Worcestershire

| nationality = British

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| education = William Hoff Wontner (father)

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| known_for = Painter

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| movement = Orientalist; Neoclassicism; Academic Classicism

| spouse = Jessie Marguerite Keene (1872–1950)

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William Clarke Wontner (17 January 1857 – 23 September 1930) was an English portrait painter steeped in Academic Classicism and Romanticism.

Life and career

File:William Clarke Wontner03.jpg

File:Frederic William Henry Myers by William Clarke Wontner.jpg}}]]

Wontner was born in Stockwell, Surrey, the son of the architect, designer and renderer William Hoff Wontner (1814–1881) and Catherine Smith.{{cite web|url=http://thepeerage.com/p15392.htm#i153914 |title=William Clarke Wontner |publisher=Lundy Consulting Ltd |work=The Peerage |date=5 September 2005 |accessdate=2009-06-10}}

Wontner received his earliest art education from his father. Under his father's direction, he worked with John William Godward (1861–1922), a noted exponent of what became known as Greco-Roman style, who was an acquaintance of the Wontner family.Swanson, V.G., John William Godward: The Eclipse of Classicism, Antique Collector's Club, 1997, p. 23 Godward was five years older than Wontner, and the pair became great friends.{{cite web|url=http://www.mezzo-mondo.com/arts/mm/godward/godward.html |title=J W Godward Biography |publisher=Mezzo-mondo.com |date=1922-12-13 |accessdate=2009-06-10}}

In around 1885, Wontner began teaching at the St John's Wood Art School, after he had moved to Hamilton Garden Square.Swanson (1997), p. 26 He was a minor painter who was part of the neo-classical movement in England, led by Alma-Tadema. His style favoured seductively languorous women against classical or oriental marbled backdrops.Thornton, L., Women as Portrayed in Orientalist Painting, ACR edition, 1994. pp 120-121

His faithfully rendered fabrics draped over patently European models somehow created an air of Orientalism. His work was exhibited at the Royal Academy from 1879, and also at the Society of British Artists and at the Royal Institute of Painters in Water Colours. When the Grosvenor Gallery closed in 1890, Wontner exhibited at the New Gallery.Brian Stewart, Mervyn Cutten, The Dictionary of Portrait Painters in Britain up to 1920 (1997), p. 62

Private life

On 7 June 1894, at St. Dominic's Priory Church, Naverstock Hill, Hampstead Wontner married Jessie Marguerite Keene (1872–1950),“WONTNER, William Clarke” in General Index to Marriages in England and Wales (1894, 2nd quarter), p. 284 a daughter of Charles Joseph Keene. The couple had no children. Wontner, then of Ripple, Worcestershire, died at the Worcester Infirmary on 23 September 1930“WONTNER, William Clarke of Ripple Tewkesbury” in Probate Index for England and Wales, 1930, p. 463 and was buried at Ripple three days later.

Work

File:A beauty in Eastern costume, by William Clarke Wontner.jpg|A Beauty in Eastern costume, 1916-1925

File:William Clarke Wontner09.jpg|Lady of Baghdad, 1900

File:William Clarke Wontner05.jpg|The Dancing Girl, 1903

File:Amy Robsart by William Clarke Wontner.jpg|Amy Robsart, 1900

File:William Clarke Wontner18.jpg|Honeysuckle, 1907

File:Femme fatale.jpg|Femme fatale, 1882

File:William Clarke Wontner01.jpg|An Egyptian Beauty

See also

References

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