William Inglott

{{Short description|English organist and composer}}

{{Use British English|date=February 2019}}

{{use dmy dates|date=February 2019}}

File:William Inglott memorial at Norwich Cathedral.jpg at Norwich Cathedral]]

William Inglott or Inglot (1553/4{{snd}}buried 31 December 1621) was an English organist and composer of the Elizabethan era, who is mostly associated with the cathedral in the English city of Norwich.

Inglott moved from Norwich to Hereford Cathedral, returning in 1611 to replace the composer Thomas Morley as the cathedral organist. His memorial plaque at Norwich Cathedral was restored 90 years after his death. Amongst the few surviving works by Ingott are two keyboard pieces by Ingott in the collection of keyboard music known as the Fitzwilliam Virginal Book and a Short Service for four voices, reconstructed in 1989.

Biography

File:Norwich Cathedral, spire and south transept.jpg]]

William Inglott's father Edmund (d. 1583) was the organist at Norwich Cathedral. William retained a strong connection to the cathedral during his career, first as a chorister under his father (1567{{ndash}}1568), as a lay clerk (from 1576), and as the cathedral's organist (1587{{ndash}}1591). He was paid in 1582 for teaching the boys in the choir during a period when his father was too ill to work.{{cite ODNB|last=Payne|first=Ian|title=Inglott, William (1553/4–1621), organist and composer|year=2004|doi=10.1093/ref:odnb/14408|access-date=24 February 2019|url= http://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-14408}}

Inglott moved to Hereford Cathedral as Master of the Choristers from 1597 until some time after 1610, but returned to Norwich as organist in 1611, replacing the composer Thomas Morley.{{sfn|Le Huray|1967|p=246}} Nothing is known of his career during this intervening period. Upon his return to Norwich he was paid to be the organist on 1 June; his first recorded payment (1 June 1611), which was double the salary given to Morley, may reflect an increase in responsibility or workload. He held the position until his death in December 1621, aged 67. His painted memorial plaque on a pillar in the cathedral records he was buried on 31 December of that year. The memorial shows two choristers bearing wreaths over his body and the following verse:

{{blockquote|

Here Willyam Inglott Organist doth rest,

Whose arte in musique this cathedrall blest,

For descant most, for voluntary all

He past: on organ, songe and virginall:

He left this life at age of sixtie seaven;

And now 'mongst angells all sings saint in heaven;

His fame flies farr, his name shal never die;

See art and age here crowne his memory.{{sfn|Browne|1785|p=8}}

}}

The monument was restored 90 years after Inglott's death, at the expense of the composer William Croft.{{sfn|Lasocki|2018|p=327}}

Surviving works

Few works by Inglott survive. Two keyboard pieces, The Leaves Bee Greene and A Galliard Ground, are preserved in the Fitzwilliam Virginal Book, a collection of Elizabethan and Jacobean keyboard music with works by Inglott's contemporaries, such as Thomas Morley, William Byrd and Martin Peerson. An untitled keyboard piece by 'Englitt' in Will Forster's Virginal Book ({{circa}}1624) at the British Library may also have been composed by Inglott.{{cite web|url=http://www.hoasm.org/IVM/Inglott.html|title=William Inglot(t)|work=HOASM|access-date=24 February 2019}} The musicologist Ian Payne describes the variations by Inglott in the Fitzwilliam Virginal as being "well crafted, richly polyphonic, and technically demanding".

In 1989, Inglott's Short Service for four voices was reconstructed by Michael Walsh from transcriptions by Richard Turbet.{{cite work|last=Inglott|first=William|title=The Short Service|publisher=King's Music|date=1989}}

=Recordings=

class = "wikitable sortable plainrowheaders"
+ Recordings of music by William Inglott
scope="col" | Year

! scope="col" | Album

! scope="col" | Piece

! scope="col" | Label

1992

| Morley, Parsley and Inglott

| Conserva Me, Domine
Lamentations

| Priory Records{{cite book |title=Morley, Parsley and Inglott |publisher=WorldCat |oclc=28532091 |url=https://www.worldcat.org/oclc/28532091 |access-date=2 August 2022 }}

2018

| The Passinge Mesures

| The Leaves Bee Greene

| Hyperion{{cite web |title=Mahan Esfahani - Bull*, Byrd*, Farnaby*, Gibbons*, Inglot*, Tomkins* – The Passinge Mesures (Music Of The English Virginalists) |url=https://www.discogs.com/release/12783511-Mahan-Esfahani-Bull-Byrd-Farnaby-Gibbons-Inglot-Tomkins-The-Passinge-Mesures-Music-Of-The-English-Vi |website=Discogs |date=2 November 2018 |access-date=12 August 2022}}

References

{{reflist}}

Sources

  • {{cite book |last1=Browne |first1=Philip |title=An Account of the Cathedral Church of Norwich, and Its Precincts from Its Foundation to the Present Time |date=1785 |publisher=W. Chase & Co. |url=https://books.google.com/books?id=hqRhAAAAcAAJ}}
  • {{cite book |last1=Lasocki |first1=David |title=A Biographical Dictionary of English Court Musicians, 1485–1714 |date=2018 |publisher=Taylor & Francis |isbn=978-13515-7-822-6 |chapter=|volume=1 and 2}}
  • {{cite book |last1=Le Huray |first1=Peter |title=Music and the Reformation in England, 1549-1660 |date=1967 |publisher=Oxford University Press |location=Oxford |isbn=978-02576-6-661-7 |url=https://archive.org/details/musicreformation0000lehu_r4f7/page/n5/mode/2up |url-access=registration}}