William Reynolds (film editor)

{{short description|American film editor}}

{{Use mdy dates|date=March 2020}}

{{Infobox person

| name = William H. Reynolds

| image = William_H_Reynolds.png

| alt =

| caption =

| birth_name = William Henry Reynolds

| birth_date = {{birth date|1910|06|14}}

| birth_place = Elmira, New York, U.S.

| death_date = {{Death date and age|1997|07|16|1910|06|14}}

| death_place = South Pasadena, California, U.S.

| alma_mater = Princeton University

| occupation = Film editor

| years_active =

| known_for =

| notable_works =

}}

William Henry Reynolds (June 14, 1910 – July 16, 1997) was an American film editor whose career spanned six decades. His credits include notable films such as The Sound of Music, The Godfather, The Sting, and The Turning Point. He also was associated with two box-office bombs, Ishtar and Heaven's Gate, which he was the executive producer.

Biography

Born in Elmira, New York, Reynolds began his career in 1934 as a member of the swing gang at 20th Century Fox. He became a protégé of film editor Robert Simpson, who brought him to Paramount Pictures as his assistant in 1936. The following year, he edited his first project, the musical film 52nd Street.{{cite book |last=Gallagher |first=John A. |year=2000 |chapter=William H. Reynolds |editor1-first=Tom |editor1-last=Pendergast |editor2-first=Sara |editor2-last=Pendergast |title=International Dictionary of Film and Filmmakers |volume=4 |publisher=St. James Press |isbn=978-1-55862-449-8 |url=https://archive.org/details/internationaldic0000unse_i4g6 |url-access=registration }} In 1942, he joined 20th Century Fox, where he remained for 28 years. It was there that he frequently collaborated with two notable directors. His wartime service put a temporary halt to his career. However, he did manage to sustain continuity by editing U.S. Army training films from 1942 to 1946.[https://web.archive.org/web/20150527065253/https://www.nytimes.com/1997/07/22/arts/william-reynolds-dies-at-87-oscar-winner-for-film-editing.html William Reynolds Dies at 87; Oscar Winner for Film Editing.] The New York Times via Internet Archive. Retrieved August 20, 2020. For Robert Wise, he edited The Day the Earth Stood Still, The Sound of Music, The Sand Pebbles, Star!, and Two People. His work for Joshua Logan included Bus Stop, Fanny, and Ensign Pulver.

Additional credits include Algiers; Come to the Stable; Beneath the 12-Mile Reef; Three Coins in the Fountain; Good Morning, Miss Dove; Love Is a Many-Splendored Thing; Carousel; Compulsion; Wild River; Taras Bulba; Hello, Dolly!; The Great White Hope; The Great Waldo Pepper; Nijinsky; Author! Author!; The Little Drummer Girl; Newsies; and the television adaptation of Gypsy.

Reynolds died of cancer in South Pasadena, California at the age of 87.{{cite news |url=https://www.nytimes.com/1997/07/22/arts/william-reynolds-dies-at-87-oscar-winner-for-film-editing.html|archive-url=https://web.archive.org/web/20100707101015/https://www.nytimes.com/1997/07/22/arts/william-reynolds-dies-at-87-oscar-winner-for-film-editing.html |archive-date=July 7, 2010 |title=William Reynolds Dies at 87; Oscar Winner for Film Editing |first=Eric |last=Pace |newspaper=The New York Times |date=July 22, 1997|access-date=March 25, 2024}}

Filmography

class="wikitable"

|+ Editor

Year

! Film

! Director

! Notes

1937

| 52nd Street

|Harold Young

|

1938

| Algiers

|rowspan=2| John Cromwell

|First collaboration with John Cromwell

1941

| So Ends Our Night

|Second collaboration with John Cromwell

1942

| Moontide

|Archie Mayo

|

1947

| Carnival in Costa Rica

|Gregory Ratoff

|

rowspan=3| 1948

| You Were Meant for Me

|rowspan=2| Lloyd Bacon

|First collaboration with Lloyd Bacon

Give My Regards to Broadway

|Second collaboration with Lloyd Bacon

The Street with No Name

|William Keighley

|

rowspan=2| 1949

| Mother Is a Freshman

|Lloyd Bacon

|Third collaboration with Lloyd Bacon

Come to the Stable

|Henry Koster

|First collaboration with Henry Koster

1950

| The Big Lift

|George Seaton

|

rowspan=4| 1951

| Halls of Montezuma

|Lewis Milestone

|

The Frogmen

|Lloyd Bacon

|Fourth collaboration with Lloyd Bacon

Take Care of My Little Girl

|Jean Negulesco

|First collaboration with Jean Negulesco

The Day the Earth Stood Still

|Robert Wise

|First collaboration with Robert Wise

rowspan=2| 1952

| Red Skies of Montana

|rowspan=2| Joseph M. Newman

|First collaboration with Joseph M. Newman

The Outcasts of Poker Flat

|Second collaboration with Joseph M. Newman

rowspan=3| 1953

| The Kid from Left Field

|Harmon Jones

|

Dangerous Crossing

|Joseph M. Newman

|Third collaboration with Joseph M. Newman

Beneath the 12-Mile Reef

|Robert D. Webb

|

rowspan=2| 1954

| Three Coins in the Fountain

|Jean Negulesco

|Second collaboration with Jean Negulesco

Désirée

|Henry Koster

|Second collaboration with Henry Koster

rowspan=3| 1955

| Daddy Long Legs

|Jean Negulesco

|Third collaboration with Jean Negulesco

Love Is a Many-Splendored Thing

|Henry King

|First collaboration with Henry King

Good Morning, Miss Dove

|Henry Koster

|Third collaboration with Henry Koster

rowspan=2| 1956

| Carousel

|Henry King

|Second collaboration with Henry King

Bus Stop

|Joshua Logan

|First collaboration with Joshua Logan

1958

| In Love and War

|Philip Dunne

|First collaboration with Philip Dunne

rowspan=3| 1959

| Compulsion

|Richard Fleischer

|

Blue Denim

|Philip Dunne

|Second collaboration with Philip Dunne

Beloved Infidel

|Henry King

|Third collaboration with Henry King

1960

| Wild River

|Elia Kazan

|

1961

| Fanny

|Joshua Logan

|Second collaboration with Joshua Logan

rowspan=2| 1962

| Tender Is the Night

|Henry King

|Fourth collaboration with Henry King

Taras Bulba

|rowspan=2| J. Lee Thompson

|First collaboration with J. Lee Thompson

1963

| Kings of the Sun

|Second collaboration with J. Lee Thompson

1964

| Ensign Pulver

|Joshua Logan

|Third collaboration with Joshua Logan

1965

| The Sound of Music

|Robert Wise

|Second collaboration with Robert Wise

rowspan=2| 1966

| Our Man Flint

|Daniel Mann

|

The Sand Pebbles

|rowspan=2| Robert Wise

|Third collaboration with Robert Wise

1968

| Star!

|Fourth collaboration with Robert Wise

1969

| Hello, Dolly!

|Gene Kelly

|

1970

| The Great White Hope

|Martin Ritt

|

1971

| What's the Matter with Helen?

|Curtis Harrington

|

1972

| The Godfather

|Francis Ford Coppola

|

rowspan=2| 1973

| Two People

|Robert Wise

|Fifth collaboration with Robert Wise

The Sting

|rowspan=2| George Roy Hill

|First collaboration with George Roy Hill

rowspan=2| 1975

| The Great Waldo Pepper

|Second collaboration with George Roy Hill

The Master Gunfighter

|Tom Laughlin

|

1977

| The Turning Point

|Herbert Ross

|Second collaboration with Herbert Ross

rowspan=2| 1979

| Old Boyfriends

|Joan Tewkesbury

|

A Little Romance

|George Roy Hill

|Third collaboration with George Roy Hill

rowspan=2| 1980

| Nijinsky

|Herbert Ross

|Third collaboration with Herbert Ross

Heaven's Gate

|Michael Cimino

|

rowspan=2| 1982

| Making Love

|rowspan=2| Arthur Hiller

|First collaboration with Arthur Hiller

Author! Author!

|Second collaboration with Arthur Hiller

1983

| Yellowbeard

|Mel Damski

|

rowspan=2| 1984

| The Lonely Guy

|Arthur Hiller

|Third collaboration with Arthur Hiller

The Little Drummer Girl

|George Roy Hill

|Fourth collaboration with George Roy Hill

1986

| Pirates

|Roman Polanski

|

rowspan=2| 1987

| Ishtar

|Elaine May

|

Dancers

|Herbert Ross

|Fourth collaboration with Herbert Ross

1988

| A New Life

|Alan Alda

|

1989

| Rooftops

|Robert Wise

|Sixth collaboration with Robert Wise

1990

| Taking Care of Business

|Arthur Hiller

|Fourth collaboration with Arthur Hiller

1992

| Newsies

|Kenny Ortega

|

1996

| Carpool

|Arthur Hiller

|Fifth collaboration with Arthur Hiller

class="wikitable"

|+ Editorial department

Year

! Film

! Director

! Role

! Notes

! Other notes

1935

| The Gay Deception

|William Wyler

|Apprentice editor

|

|rowspan=5| {{center|Uncredited}}

rowspan=4| 1936

| Her Master's Voice

|Joseph Santley

|rowspan=4| Assistant editor

|

Big Brown Eyes

|Raoul Walsh

|First collaboration with Raoul Walsh

Palm Springs

|Aubrey Scotto

|

Spendthrift

|Raoul Walsh

|Second collaboration with Raoul Walsh

1976

| The Seven-Per-Cent Solution

|Herbert Ross

|Supervising editor

|First collaboration with Herbert Ross

|

class="wikitable"

|+ Producer

Year

! Film

! Director

! Credit

1957

| Time Limit

|Karl Malden

|Producer

class="wikitable"

|+ Production manager

Year

! Film

! Director

! Role

1980

| Heaven's Gate

|Michael Cimino

|Executive in charge of post-production

;Documentaries

class="wikitable"

|+ Editor

Year

! Film

! Director

! Notes

1946

| Let There Be Light

|John Huston

|{{center|Uncredited}}

;TV movies

class="wikitable"

|+ Editor

Year

! Film

! Director

1975

| The Entertainer

|Donald Wrye

1993

| Gypsy

|Emile Ardolino

Awards and listings

Reynolds was nominated for the Academy Award for Best Film Editing seven times and won for The Sound of Music and The Sting. He received the American Cinema Editors Career Achievement Award in 1991.

In 2012, the Motion Picture Editors Guild published a list of the best-edited films of all time. Two films edited by Reynolds appeared on the list. The Godfather was ranked sixth and The Sound of Music was sixty-fourth.{{cite journal |title=The 75 Best Edited Films |journal=Editors Guild Magazine |date=May 2012 |volume=1 |issue=3 |url=https://www.editorsguild.com/magazine.cfm?ArticleID=1102|archive-url=https://web.archive.org/web/20150317101140/https://www.editorsguild.com/magazine.cfm?ArticleID=1102 |archive-date=March 17, 2015 |access-date=March 25, 2024}}

See also

References

{{Reflist}}